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You searched for +publisher:"University of Houston" +contributor:("Bertagnolli, Paul"). Showing records 1 – 9 of 9 total matches.

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University of Houston

1. Diehl, Alaina. Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau.

Degree: Music, Moores School of, 2018, University of Houston

 Focusing on historically informed flute performance practice in an ensemble setting, this essay explores performance possibilities pertaining to rhythmic alteration, articulation, and ornamentation in the… (more)

Subjects/Keywords: Jean-Philippe Rameau; flute; performance practice

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Diehl, A. (2018). Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/3127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Diehl, Alaina. “Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau.” 2018. Thesis, University of Houston. Accessed May 27, 2019. http://hdl.handle.net/10657/3127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Diehl, Alaina. “Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau.” 2018. Web. 27 May 2019.

Vancouver:

Diehl A. Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau. [Internet] [Thesis]. University of Houston; 2018. [cited 2019 May 27]. Available from: http://hdl.handle.net/10657/3127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Diehl A. Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau. [Thesis]. University of Houston; 2018. Available from: http://hdl.handle.net/10657/3127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

2. Stovall, James 1980-. Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music".

Degree: Music, Moores School of, 2012, University of Houston

 Nineteenth-century England is today perceived as a “Land ohne Musik” (“land without music”). This label arose because England is said to have produced no first-rate… (more)

Subjects/Keywords: London; Music; nineteenth century; England; English; James William Davison; William Sterndale Bennett; The Musical World; Music Journals; commercialism; bias; overzealous

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APA (6th Edition):

Stovall, J. 1. (2012). Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music". (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1169

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stovall, James 1980-. “Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music".” 2012. Thesis, University of Houston. Accessed May 27, 2019. http://hdl.handle.net/10657/1169.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stovall, James 1980-. “Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music".” 2012. Web. 27 May 2019.

Vancouver:

Stovall J1. Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music". [Internet] [Thesis]. University of Houston; 2012. [cited 2019 May 27]. Available from: http://hdl.handle.net/10657/1169.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stovall J1. Bias, Ridicule, and Commercialization: Social Implications in Victoria's "Land without Music". [Thesis]. University of Houston; 2012. Available from: http://hdl.handle.net/10657/1169

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

3. Givens, Melissa 1967-. The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915.

Degree: Music, Moores School of, 2012, University of Houston

 Felix Mendelssohn visited London for the first time in 1829, becoming an instant celebrity by virtue of his performances on benefit concerts and with the… (more)

Subjects/Keywords: Felix Mendelssohn; Lieder; London; Concert History; Reception History

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APA (6th Edition):

Givens, M. 1. (2012). The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Givens, Melissa 1967-. “The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915.” 2012. Thesis, University of Houston. Accessed May 27, 2019. http://hdl.handle.net/10657/1177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Givens, Melissa 1967-. “The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915.” 2012. Web. 27 May 2019.

Vancouver:

Givens M1. The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915. [Internet] [Thesis]. University of Houston; 2012. [cited 2019 May 27]. Available from: http://hdl.handle.net/10657/1177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Givens M1. The Wings of Song Stilled: The Rise and Decline of Felix Mendelssohn's Lieder in London, 1829-1915. [Thesis]. University of Houston; 2012. Available from: http://hdl.handle.net/10657/1177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

4. -7810-1093. HANDEL’S ORGANO AD LIBITUM: A STUDY OF ADAGIOS IN HIS ORGAN CONCERTOS.

Degree: Music, Moores School of, 2016, University of Houston

 This study seeks to discover Handel’s likely improvisational process, specifically in the adagio ad libitum sections of his organ concertos. Handel indicated organo ad libitum… (more)

Subjects/Keywords: Handel; organ improvisation

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APA (6th Edition):

-7810-1093. (2016). HANDEL’S ORGANO AD LIBITUM: A STUDY OF ADAGIOS IN HIS ORGAN CONCERTOS. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1530

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-7810-1093. “HANDEL’S ORGANO AD LIBITUM: A STUDY OF ADAGIOS IN HIS ORGAN CONCERTOS.” 2016. Thesis, University of Houston. Accessed May 27, 2019. http://hdl.handle.net/10657/1530.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-7810-1093. “HANDEL’S ORGANO AD LIBITUM: A STUDY OF ADAGIOS IN HIS ORGAN CONCERTOS.” 2016. Web. 27 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-7810-1093. HANDEL’S ORGANO AD LIBITUM: A STUDY OF ADAGIOS IN HIS ORGAN CONCERTOS. [Internet] [Thesis]. University of Houston; 2016. [cited 2019 May 27]. Available from: http://hdl.handle.net/10657/1530.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-7810-1093. HANDEL’S ORGANO AD LIBITUM: A STUDY OF ADAGIOS IN HIS ORGAN CONCERTOS. [Thesis]. University of Houston; 2016. Available from: http://hdl.handle.net/10657/1530

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

5. Piccini, Caitrine-Ann. French Women Perpetuating The French Tradition: Women Composers of Flute Contest Pieces at The Paris Conservatory.

Degree: Music, Moores School of, 2013, University of Houston

 This study of the flute contest pieces at the Paris Conservatory by women composers explores the music of Cécile Chaminade, Jeanine Rueff, Ginette Keller, Thérèse… (more)

Subjects/Keywords: flute; paris conservatory; contest pieces

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APA (6th Edition):

Piccini, C. (2013). French Women Perpetuating The French Tradition: Women Composers of Flute Contest Pieces at The Paris Conservatory. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Piccini, Caitrine-Ann. “French Women Perpetuating The French Tradition: Women Composers of Flute Contest Pieces at The Paris Conservatory.” 2013. Thesis, University of Houston. Accessed May 27, 2019. http://hdl.handle.net/10657/1096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Piccini, Caitrine-Ann. “French Women Perpetuating The French Tradition: Women Composers of Flute Contest Pieces at The Paris Conservatory.” 2013. Web. 27 May 2019.

Vancouver:

Piccini C. French Women Perpetuating The French Tradition: Women Composers of Flute Contest Pieces at The Paris Conservatory. [Internet] [Thesis]. University of Houston; 2013. [cited 2019 May 27]. Available from: http://hdl.handle.net/10657/1096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piccini C. French Women Perpetuating The French Tradition: Women Composers of Flute Contest Pieces at The Paris Conservatory. [Thesis]. University of Houston; 2013. Available from: http://hdl.handle.net/10657/1096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

6. -5531-905X. Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit.

Degree: Music, Moores School of, University of Houston

 Although relatively unknown to American audiences, the musical culture of the Netherlands at the beginning of the twentieth century was vibrant and substantial. Composers such… (more)

Subjects/Keywords: Leo Smit; Rosy Wertheim; Dick Kattenburg; Flute sonatas in the Netherlands

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APA (6th Edition):

-5531-905X. (n.d.). Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2100

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-5531-905X. “Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit.” Thesis, University of Houston. Accessed May 27, 2019. http://hdl.handle.net/10657/2100.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-5531-905X. “Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit.” Web. 27 May 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-5531-905X. Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit. [Internet] [Thesis]. University of Houston; [cited 2019 May 27]. Available from: http://hdl.handle.net/10657/2100.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-5531-905X. Twentieth-Century Flute Works of the Netherlands: A Study of Selected Compositions by Rosy Wertheim, Dick Kattenburg, and Leo Smit. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2100

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

7. McCarroll, Lisa Maria 1982-. The Celtic Twilight as Reflected in the Two-Piano Works of Joan Trimble (1915-2000).

Degree: Music, Moores School of, University of Houston

 The nineteenth-century Celtic Twilight movement was named after a collection of folklore by W.B. Yeats, a work that was inspired by Ireland’s native folklore and… (more)

Subjects/Keywords: Joan Trimble (1915-2000); Northern-Irish Composer; Two-Piano Works; Celtic Twilight; nineteenth-century Irish cultural movement.

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APA (6th Edition):

McCarroll, L. M. 1. (n.d.). The Celtic Twilight as Reflected in the Two-Piano Works of Joan Trimble (1915-2000). (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2620

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCarroll, Lisa Maria 1982-. “The Celtic Twilight as Reflected in the Two-Piano Works of Joan Trimble (1915-2000).” Thesis, University of Houston. Accessed May 27, 2019. http://hdl.handle.net/10657/2620.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCarroll, Lisa Maria 1982-. “The Celtic Twilight as Reflected in the Two-Piano Works of Joan Trimble (1915-2000).” Web. 27 May 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

McCarroll LM1. The Celtic Twilight as Reflected in the Two-Piano Works of Joan Trimble (1915-2000). [Internet] [Thesis]. University of Houston; [cited 2019 May 27]. Available from: http://hdl.handle.net/10657/2620.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

McCarroll LM1. The Celtic Twilight as Reflected in the Two-Piano Works of Joan Trimble (1915-2000). [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2620

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

8. Ruotsinoja, Eve 1985-. Narrative and Myth in Bartók's Sixth String Quartet: A Study in the Poetics of Space and the Grotesque.

Degree: Music, Moores School of, University of Houston

 Bartók’s Sixth String Quartet is known for its return to more conservative tonal, formal, and generic idioms. Setting it apart, however, is the pervasive role… (more)

Subjects/Keywords: Béla Bartók; string quartets; grotesque; narrative; semiotics; myth

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ruotsinoja, E. 1. (n.d.). Narrative and Myth in Bartók's Sixth String Quartet: A Study in the Poetics of Space and the Grotesque. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2624

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ruotsinoja, Eve 1985-. “Narrative and Myth in Bartók's Sixth String Quartet: A Study in the Poetics of Space and the Grotesque.” Thesis, University of Houston. Accessed May 27, 2019. http://hdl.handle.net/10657/2624.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ruotsinoja, Eve 1985-. “Narrative and Myth in Bartók's Sixth String Quartet: A Study in the Poetics of Space and the Grotesque.” Web. 27 May 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Ruotsinoja E1. Narrative and Myth in Bartók's Sixth String Quartet: A Study in the Poetics of Space and the Grotesque. [Internet] [Thesis]. University of Houston; [cited 2019 May 27]. Available from: http://hdl.handle.net/10657/2624.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Ruotsinoja E1. Narrative and Myth in Bartók's Sixth String Quartet: A Study in the Poetics of Space and the Grotesque. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2624

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Houston

9. Seoh, Hyun Jyung. Articulation and Arpeggiation in the Prélude, Fugue et Variation, Op. 18, and Pastorale, Op. 19, by César Franck (1822-1890).

Degree: Music, Moores School of, University of Houston

 A handful of surviving accounts describing César Franck’s playing indicate that he brought contemporary piano techniques to the organ through the adaptation of pianistic legato,… (more)

Subjects/Keywords: César Franck; Articulation; Arpeggiation; Pélude, Fugue et Variation Op. 18; Pastorale Op. 19

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Seoh, H. J. (n.d.). Articulation and Arpeggiation in the Prélude, Fugue et Variation, Op. 18, and Pastorale, Op. 19, by César Franck (1822-1890). (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2646

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seoh, Hyun Jyung. “Articulation and Arpeggiation in the Prélude, Fugue et Variation, Op. 18, and Pastorale, Op. 19, by César Franck (1822-1890).” Thesis, University of Houston. Accessed May 27, 2019. http://hdl.handle.net/10657/2646.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seoh, Hyun Jyung. “Articulation and Arpeggiation in the Prélude, Fugue et Variation, Op. 18, and Pastorale, Op. 19, by César Franck (1822-1890).” Web. 27 May 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Seoh HJ. Articulation and Arpeggiation in the Prélude, Fugue et Variation, Op. 18, and Pastorale, Op. 19, by César Franck (1822-1890). [Internet] [Thesis]. University of Houston; [cited 2019 May 27]. Available from: http://hdl.handle.net/10657/2646.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Seoh HJ. Articulation and Arpeggiation in the Prélude, Fugue et Variation, Op. 18, and Pastorale, Op. 19, by César Franck (1822-1890). [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2646

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

.