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You searched for +publisher:"University of Florida" +contributor:("Tremura, Welson"). Showing records 1 – 11 of 11 total matches.

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University of Florida

1. Frias, Johnny. History and Evolution of the Tonadas Trinitarias of Trinidad de Cuba.

Degree: M.M., Music, 2010, University of Florida

 The tonada trinitaria is an Afro-Cuban musical manifestation native to the town of Trinidad de Cuba. The city became one of the Caribbean s foremost… (more)

Subjects/Keywords: Barrios; Claves; Drums; Musical performance; Musical rhythm; Musicians; Rumba; Singers; Slavery; War; cuba, tonada, tonadas, trinitaria, trinitarias

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APA (6th Edition):

Frias, J. (2010). History and Evolution of the Tonadas Trinitarias of Trinidad de Cuba. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0041692

Chicago Manual of Style (16th Edition):

Frias, Johnny. “History and Evolution of the Tonadas Trinitarias of Trinidad de Cuba.” 2010. Masters Thesis, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0041692.

MLA Handbook (7th Edition):

Frias, Johnny. “History and Evolution of the Tonadas Trinitarias of Trinidad de Cuba.” 2010. Web. 20 Jan 2020.

Vancouver:

Frias J. History and Evolution of the Tonadas Trinitarias of Trinidad de Cuba. [Internet] [Masters thesis]. University of Florida; 2010. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0041692.

Council of Science Editors:

Frias J. History and Evolution of the Tonadas Trinitarias of Trinidad de Cuba. [Masters Thesis]. University of Florida; 2010. Available from: http://ufdc.ufl.edu/UFE0041692


University of Florida

2. Chiang, Chia Jui. Musical Identity in Taiwanese Instrumental Theater Ten-Side Ambush and the Journey of Monkey King by Huang Chen Ming.

Degree: M.M., Music, 2012, University of Florida

 This thesis focuses on two theatrical works Ten-side Ambush and The Journey of Monkey King composed by Huang Chen Ming in the context of different… (more)

Subjects/Keywords: Chinese culture; Instrumental music; Japanese culture; Musical aesthetics; Musical instruments; Musical modes; Musical performance; Musicians; National identity; Theater; music

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APA (6th Edition):

Chiang, C. J. (2012). Musical Identity in Taiwanese Instrumental Theater Ten-Side Ambush and the Journey of Monkey King by Huang Chen Ming. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0044826

Chicago Manual of Style (16th Edition):

Chiang, Chia Jui. “Musical Identity in Taiwanese Instrumental Theater Ten-Side Ambush and the Journey of Monkey King by Huang Chen Ming.” 2012. Masters Thesis, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0044826.

MLA Handbook (7th Edition):

Chiang, Chia Jui. “Musical Identity in Taiwanese Instrumental Theater Ten-Side Ambush and the Journey of Monkey King by Huang Chen Ming.” 2012. Web. 20 Jan 2020.

Vancouver:

Chiang CJ. Musical Identity in Taiwanese Instrumental Theater Ten-Side Ambush and the Journey of Monkey King by Huang Chen Ming. [Internet] [Masters thesis]. University of Florida; 2012. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0044826.

Council of Science Editors:

Chiang CJ. Musical Identity in Taiwanese Instrumental Theater Ten-Side Ambush and the Journey of Monkey King by Huang Chen Ming. [Masters Thesis]. University of Florida; 2012. Available from: http://ufdc.ufl.edu/UFE0044826


University of Florida

3. Figueroa, Delio. My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City.

Degree: PhD, Music, 2015, University of Florida

 Numerous ethnomusicologists have focused their research on Puerto Rican music specializing in social, political, cultural, and national identity issues. Unfortunately, little attention has been paid… (more)

Subjects/Keywords: Audio recordings; Diasporas; Music instrumentation; Music notation; Musical aesthetics; Musical instruments; Musical performance; Musical rhythm; National identity; Plena; ethnomusicologists  – immigrants  – jibaro  – music  – puerto  – rican

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APA (6th Edition):

Figueroa, D. (2015). My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0047512

Chicago Manual of Style (16th Edition):

Figueroa, Delio. “My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City.” 2015. Doctoral Dissertation, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0047512.

MLA Handbook (7th Edition):

Figueroa, Delio. “My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City.” 2015. Web. 20 Jan 2020.

Vancouver:

Figueroa D. My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City. [Internet] [Doctoral dissertation]. University of Florida; 2015. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0047512.

Council of Science Editors:

Figueroa D. My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City. [Doctoral Dissertation]. University of Florida; 2015. Available from: http://ufdc.ufl.edu/UFE0047512


University of Florida

4. Witmer, Ruth. Popular Virtuosity The Role of the Flute and Flutists in Brazilian Choro.

Degree: MA, Latin American Studies, 2009, University of Florida

 Choro is one of Brazil's most important musical developments and the backbone of the country?s popular instrumental repertoire. Originating in Rio de Janeiro during the… (more)

Subjects/Keywords: Audio recordings; Composers; Flutes; Music composition; Music instrumentation; Musical improvisation; Musical performance; Musical rhythm; Musicians; Popular music; brazil, callado, carillho, choro, flute, music, pixinguinha, popular, virtuosity

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APA (6th Edition):

Witmer, R. (2009). Popular Virtuosity The Role of the Flute and Flutists in Brazilian Choro. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0019960

Chicago Manual of Style (16th Edition):

Witmer, Ruth. “Popular Virtuosity The Role of the Flute and Flutists in Brazilian Choro.” 2009. Masters Thesis, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0019960.

MLA Handbook (7th Edition):

Witmer, Ruth. “Popular Virtuosity The Role of the Flute and Flutists in Brazilian Choro.” 2009. Web. 20 Jan 2020.

Vancouver:

Witmer R. Popular Virtuosity The Role of the Flute and Flutists in Brazilian Choro. [Internet] [Masters thesis]. University of Florida; 2009. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0019960.

Council of Science Editors:

Witmer R. Popular Virtuosity The Role of the Flute and Flutists in Brazilian Choro. [Masters Thesis]. University of Florida; 2009. Available from: http://ufdc.ufl.edu/UFE0019960


University of Florida

5. Witulski, Christopher. Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts.

Degree: M.M., Music, 2009, University of Florida

 In this thesis I examine the shift of Morocco?s Gnawa music from a local tradition (marginalized nationally) to one of commercial prominence on national and… (more)

Subjects/Keywords: Anthropology; Cultural anthropology; Islam; Music festivals; Musical performance; Musicians; Muslims; Ritual music; Rituals; Sufism; aissawa, arab, arabic, berber, derdba, diffusion, ethnomusicology, fes, fez, fusion, gimbri, ginbri, global, globalization, gnaoua, gnawa, gnawi, hajhuj, hamadcha, hamadsha, islam, issawa, jinn, laila, layla, maalem, maroc, maskun, mluk, moroccan, morocco, music, orientalism, possession, qaraqeb, qarqeba, shakshaka, shaqshaqa, spirit, sufi, sufism, tbal, tijani, tijaniyya, trance

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APA (6th Edition):

Witulski, C. (2009). Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0021206

Chicago Manual of Style (16th Edition):

Witulski, Christopher. “Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts.” 2009. Masters Thesis, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0021206.

MLA Handbook (7th Edition):

Witulski, Christopher. “Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts.” 2009. Web. 20 Jan 2020.

Vancouver:

Witulski C. Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts. [Internet] [Masters thesis]. University of Florida; 2009. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0021206.

Council of Science Editors:

Witulski C. Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts. [Masters Thesis]. University of Florida; 2009. Available from: http://ufdc.ufl.edu/UFE0021206

6. Hernandez, Salvador, Jr. From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico.

Degree: M.M., Music, 2017, University of Florida

 Ethnomusicologist Alan Merriam has observed that 'within a musical system, different kinds of music are more or less susceptible to change,' adding that 'less change… (more)

Subjects/Keywords: change  – death  – ethnomusicology  – identity  – immortality  – indigenous  – mexicanero  – mexico  – music  – tmt  – value

of Florida in Partial Fulfillment of the Requirements for the Degree of Master of Music… …ancestors and deities. 10 Abstract of Thesis Presented to the Graduate School of the University… 

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APA (6th Edition):

Hernandez, Salvador, J. (2017). From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0051947

Chicago Manual of Style (16th Edition):

Hernandez, Salvador, Jr. “From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico.” 2017. Masters Thesis, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0051947.

MLA Handbook (7th Edition):

Hernandez, Salvador, Jr. “From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico.” 2017. Web. 20 Jan 2020.

Vancouver:

Hernandez, Salvador J. From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico. [Internet] [Masters thesis]. University of Florida; 2017. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0051947.

Council of Science Editors:

Hernandez, Salvador J. From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico. [Masters Thesis]. University of Florida; 2017. Available from: http://ufdc.ufl.edu/UFE0051947


University of Florida

7. CHANG,CHIUNG-WEN. The Notion of Homeland in Taiwanese Contemporary Elementary Music Education.

Degree: PhD, Music, 2011, University of Florida

 This dissertation offers an interpretive account of music, politics, the education system and social change in Taiwan in relation to the concept of ?homeland? and… (more)

Subjects/Keywords: Art education; Education; Elementary schools; Folk music; Folksongs; Homeland; Music education; Music teachers; Musical instruments; Musical performance; BOURDIEU  – CRITICAL  – EDUCATION  – ELEMENTARY  – ETHNOMUSICOLOGY  – FREIRE  – HABITUS  – HAKKA  – HEGEMONY  – HOLO  – HOMELAND  – INDIGENOUS  – LOCALIZATION  – MUSIC  – POLICY  – POLITICS  – PRACTICE  – SINICIZATION  – SINOCENTRISM  – TAIWAN  – TAIWANCENTRISM  – TAIWANIZATION  – THEORY

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APA (6th Edition):

CHANG,CHIUNG-WEN. (2011). The Notion of Homeland in Taiwanese Contemporary Elementary Music Education. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0042781

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

CHANG,CHIUNG-WEN. “The Notion of Homeland in Taiwanese Contemporary Elementary Music Education.” 2011. Doctoral Dissertation, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0042781.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

CHANG,CHIUNG-WEN. “The Notion of Homeland in Taiwanese Contemporary Elementary Music Education.” 2011. Web. 20 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

CHANG,CHIUNG-WEN. The Notion of Homeland in Taiwanese Contemporary Elementary Music Education. [Internet] [Doctoral dissertation]. University of Florida; 2011. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0042781.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

CHANG,CHIUNG-WEN. The Notion of Homeland in Taiwanese Contemporary Elementary Music Education. [Doctoral Dissertation]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/UFE0042781

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Florida

8. Witmer,Sunni. Cuban Charanga Class, Popular Music and the Creation of National Identity.

Degree: PhD, Music, 2011, University of Florida

 Recent literature on class and identity has opened up new theoretical territories that help us understand the heterogeneous nature of culture. In few instances is… (more)

Subjects/Keywords: Dance music; Flutes; Latin American culture; Music instrumentation; Musical performance; Musical rhythm; Musicians; National identity; Popular dance; Violins; charanga  – cuba  – danzon  – flute  – identity  – music  – nationalism  – orquesta  – popular  – tipica

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APA (6th Edition):

Witmer,Sunni. (2011). Cuban Charanga Class, Popular Music and the Creation of National Identity. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0042758

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Witmer,Sunni. “Cuban Charanga Class, Popular Music and the Creation of National Identity.” 2011. Doctoral Dissertation, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0042758.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Witmer,Sunni. “Cuban Charanga Class, Popular Music and the Creation of National Identity.” 2011. Web. 20 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Witmer,Sunni. Cuban Charanga Class, Popular Music and the Creation of National Identity. [Internet] [Doctoral dissertation]. University of Florida; 2011. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0042758.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Witmer,Sunni. Cuban Charanga Class, Popular Music and the Creation of National Identity. [Doctoral Dissertation]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/UFE0042758

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Florida

9. FITZGERALD,DANNY. Why Kunda Sings Narrative Discourse and the Multifunctionality of Baka Song in Baka Story.

Degree: PhD, Music, 2011, University of Florida

 The subject of this dissertation is "b? na l?k?n?": a genre of song sung in the course of telling a traditional Baka narrative. The Baka… (more)

Subjects/Keywords: Discourse; Folksongs; Music analysis; Musical meter; Musical performance; Musical rhythm; Narratives; Poetics; Singing; Song lyrics; BAKA  – CAMEROON  – DISCOURSE  – ETHNOGRAPHY  – ETHNOPOETICS  – MULTIFUNCTIONALITY  – MUSIC  – NARRATIVE  – ORAL  – ORALITY  – PERFORMANCE  – PYGMIES  – PYGMY  – SEMIOTICS  – SONG  – STORY  – STORYTELLING  – VERBAL

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APA (6th Edition):

FITZGERALD,DANNY. (2011). Why Kunda Sings Narrative Discourse and the Multifunctionality of Baka Song in Baka Story. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0042747

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

FITZGERALD,DANNY. “Why Kunda Sings Narrative Discourse and the Multifunctionality of Baka Song in Baka Story.” 2011. Doctoral Dissertation, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0042747.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

FITZGERALD,DANNY. “Why Kunda Sings Narrative Discourse and the Multifunctionality of Baka Song in Baka Story.” 2011. Web. 20 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

FITZGERALD,DANNY. Why Kunda Sings Narrative Discourse and the Multifunctionality of Baka Song in Baka Story. [Internet] [Doctoral dissertation]. University of Florida; 2011. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0042747.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

FITZGERALD,DANNY. Why Kunda Sings Narrative Discourse and the Multifunctionality of Baka Song in Baka Story. [Doctoral Dissertation]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/UFE0042747

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Florida

10. Nyamuame, Samuel Elikem. History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana.

Degree: PhD, Music, 2013, University of Florida

 This study examines one of the significant and spiritually powerful traditional religious cult, its rituals and musical practices called Yeve as performed at Ave-Dakpa in… (more)

Subjects/Keywords: Cults; Dance; Drums; Ewes; Musical performance; Musical rhythm; Priests; Religious dances; Rituals; Traditional dance; dance  – drumming  – ewe  – ghana  – ritual  – yeve

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APA (6th Edition):

Nyamuame, S. E. (2013). History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0045941

Chicago Manual of Style (16th Edition):

Nyamuame, Samuel Elikem. “History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana.” 2013. Doctoral Dissertation, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0045941.

MLA Handbook (7th Edition):

Nyamuame, Samuel Elikem. “History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana.” 2013. Web. 20 Jan 2020.

Vancouver:

Nyamuame SE. History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana. [Internet] [Doctoral dissertation]. University of Florida; 2013. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0045941.

Council of Science Editors:

Nyamuame SE. History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana. [Doctoral Dissertation]. University of Florida; 2013. Available from: http://ufdc.ufl.edu/UFE0045941


University of Florida

11. Parsons, Longineu Warren. The Avant-garde in Jazz as Representative of Late 20th Century Art Music.

Degree: PhD, Music, 2017, University of Florida

In the history of the music referred to as jazz, there is a clear progression in the Advisors/Committee Members: RICHARDS,PAUL S (committee chair), TREMURA,WELSON ALVES (committee member), WILSON,SCOTT T (committee member), ROSE,RICHARD A (committee member).

Subjects/Keywords: afro-american  – avant-garde  – jazz

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Parsons, L. W. (2017). The Avant-garde in Jazz as Representative of Late 20th Century Art Music. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0050642

Chicago Manual of Style (16th Edition):

Parsons, Longineu Warren. “The Avant-garde in Jazz as Representative of Late 20th Century Art Music.” 2017. Doctoral Dissertation, University of Florida. Accessed January 20, 2020. http://ufdc.ufl.edu/UFE0050642.

MLA Handbook (7th Edition):

Parsons, Longineu Warren. “The Avant-garde in Jazz as Representative of Late 20th Century Art Music.” 2017. Web. 20 Jan 2020.

Vancouver:

Parsons LW. The Avant-garde in Jazz as Representative of Late 20th Century Art Music. [Internet] [Doctoral dissertation]. University of Florida; 2017. [cited 2020 Jan 20]. Available from: http://ufdc.ufl.edu/UFE0050642.

Council of Science Editors:

Parsons LW. The Avant-garde in Jazz as Representative of Late 20th Century Art Music. [Doctoral Dissertation]. University of Florida; 2017. Available from: http://ufdc.ufl.edu/UFE0050642

.