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You searched for +publisher:"University of Florida" +contributor:("Tremura, Welson Alves"). Showing records 1 – 4 of 4 total matches.

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1. Hernandez, Salvador, Jr. From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico.

Degree: M.M., Music, 2017, University of Florida

 Ethnomusicologist Alan Merriam has observed that 'within a musical system, different kinds of music are more or less susceptible to change,' adding that 'less change… (more)

Subjects/Keywords: change  – death  – ethnomusicology  – identity  – immortality  – indigenous  – mexicanero  – mexico  – music  – tmt  – value

of Florida in Partial Fulfillment of the Requirements for the Degree of Master of Music… …ancestors and deities. 10 Abstract of Thesis Presented to the Graduate School of the University… 

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APA (6th Edition):

Hernandez, Salvador, J. (2017). From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0051947

Chicago Manual of Style (16th Edition):

Hernandez, Salvador, Jr. “From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico.” 2017. Masters Thesis, University of Florida. Accessed January 27, 2020. http://ufdc.ufl.edu/UFE0051947.

MLA Handbook (7th Edition):

Hernandez, Salvador, Jr. “From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico.” 2017. Web. 27 Jan 2020.

Vancouver:

Hernandez, Salvador J. From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico. [Internet] [Masters thesis]. University of Florida; 2017. [cited 2020 Jan 27]. Available from: http://ufdc.ufl.edu/UFE0051947.

Council of Science Editors:

Hernandez, Salvador J. From Sacred to Secular Music, Immortality, and Shifting Values in San Pedro Xicoras, Mexico. [Masters Thesis]. University of Florida; 2017. Available from: http://ufdc.ufl.edu/UFE0051947


University of Florida

2. Figueroa, Delio. My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City.

Degree: PhD, Music, 2015, University of Florida

 Numerous ethnomusicologists have focused their research on Puerto Rican music specializing in social, political, cultural, and national identity issues. Unfortunately, little attention has been paid… (more)

Subjects/Keywords: Audio recordings; Diasporas; Music instrumentation; Music notation; Musical aesthetics; Musical instruments; Musical performance; Musical rhythm; National identity; Plena; ethnomusicologists  – immigrants  – jibaro  – music  – puerto  – rican

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APA (6th Edition):

Figueroa, D. (2015). My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0047512

Chicago Manual of Style (16th Edition):

Figueroa, Delio. “My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City.” 2015. Doctoral Dissertation, University of Florida. Accessed January 27, 2020. http://ufdc.ufl.edu/UFE0047512.

MLA Handbook (7th Edition):

Figueroa, Delio. “My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City.” 2015. Web. 27 Jan 2020.

Vancouver:

Figueroa D. My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City. [Internet] [Doctoral dissertation]. University of Florida; 2015. [cited 2020 Jan 27]. Available from: http://ufdc.ufl.edu/UFE0047512.

Council of Science Editors:

Figueroa D. My Music, My Place the Role of Jibaro Music in the Creation of Puerto Rican Identity in New York City. [Doctoral Dissertation]. University of Florida; 2015. Available from: http://ufdc.ufl.edu/UFE0047512


University of Florida

3. Nyamuame, Samuel Elikem. History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana.

Degree: PhD, Music, 2013, University of Florida

 This study examines one of the significant and spiritually powerful traditional religious cult, its rituals and musical practices called Yeve as performed at Ave-Dakpa in… (more)

Subjects/Keywords: Cults; Dance; Drums; Ewes; Musical performance; Musical rhythm; Priests; Religious dances; Rituals; Traditional dance; dance  – drumming  – ewe  – ghana  – ritual  – yeve

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APA (6th Edition):

Nyamuame, S. E. (2013). History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0045941

Chicago Manual of Style (16th Edition):

Nyamuame, Samuel Elikem. “History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana.” 2013. Doctoral Dissertation, University of Florida. Accessed January 27, 2020. http://ufdc.ufl.edu/UFE0045941.

MLA Handbook (7th Edition):

Nyamuame, Samuel Elikem. “History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana.” 2013. Web. 27 Jan 2020.

Vancouver:

Nyamuame SE. History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana. [Internet] [Doctoral dissertation]. University of Florida; 2013. [cited 2020 Jan 27]. Available from: http://ufdc.ufl.edu/UFE0045941.

Council of Science Editors:

Nyamuame SE. History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana. [Doctoral Dissertation]. University of Florida; 2013. Available from: http://ufdc.ufl.edu/UFE0045941


University of Florida

4. Parsons, Longineu Warren. The Avant-garde in Jazz as Representative of Late 20th Century Art Music.

Degree: PhD, Music, 2017, University of Florida

In the history of the music referred to as jazz, there is a clear progression in the Advisors/Committee Members: RICHARDS,PAUL S (committee chair), TREMURA,WELSON ALVES (committee member), WILSON,SCOTT T (committee member), ROSE,RICHARD A (committee member).

Subjects/Keywords: afro-american  – avant-garde  – jazz

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Parsons, L. W. (2017). The Avant-garde in Jazz as Representative of Late 20th Century Art Music. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0050642

Chicago Manual of Style (16th Edition):

Parsons, Longineu Warren. “The Avant-garde in Jazz as Representative of Late 20th Century Art Music.” 2017. Doctoral Dissertation, University of Florida. Accessed January 27, 2020. http://ufdc.ufl.edu/UFE0050642.

MLA Handbook (7th Edition):

Parsons, Longineu Warren. “The Avant-garde in Jazz as Representative of Late 20th Century Art Music.” 2017. Web. 27 Jan 2020.

Vancouver:

Parsons LW. The Avant-garde in Jazz as Representative of Late 20th Century Art Music. [Internet] [Doctoral dissertation]. University of Florida; 2017. [cited 2020 Jan 27]. Available from: http://ufdc.ufl.edu/UFE0050642.

Council of Science Editors:

Parsons LW. The Avant-garde in Jazz as Representative of Late 20th Century Art Music. [Doctoral Dissertation]. University of Florida; 2017. Available from: http://ufdc.ufl.edu/UFE0050642

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