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You searched for +publisher:"The Ohio State University" +contributor:("Flinn, Margaret"). Showing records 1 – 4 of 4 total matches.

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The Ohio State University

1. Roesch, Matthew. <i>Les Sensations fortes</i>: The phenomenological aesthetics of the French action film.

Degree: PhD, French and Italian, 2017, The Ohio State University

  This dissertation treats <i>les sensations fortes</i>, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last… (more)

Subjects/Keywords: Film Studies; Aesthetics; Philosophy; Motion Pictures

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APA (6th Edition):

Roesch, M. (2017). <i>Les Sensations fortes</i>: The phenomenological aesthetics of the French action film. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1499821478202158

Chicago Manual of Style (16th Edition):

Roesch, Matthew. “<i>Les Sensations fortes</i>: The phenomenological aesthetics of the French action film.” 2017. Doctoral Dissertation, The Ohio State University. Accessed October 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1499821478202158.

MLA Handbook (7th Edition):

Roesch, Matthew. “<i>Les Sensations fortes</i>: The phenomenological aesthetics of the French action film.” 2017. Web. 15 Oct 2019.

Vancouver:

Roesch M. <i>Les Sensations fortes</i>: The phenomenological aesthetics of the French action film. [Internet] [Doctoral dissertation]. The Ohio State University; 2017. [cited 2019 Oct 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1499821478202158.

Council of Science Editors:

Roesch M. <i>Les Sensations fortes</i>: The phenomenological aesthetics of the French action film. [Doctoral Dissertation]. The Ohio State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1499821478202158


The Ohio State University

2. Noble, Caroline. Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality.

Degree: PhD, French and Italian, 2018, The Ohio State University

 Can the presence the sea in French cinema have a function other than that of a backdrop and if it is the case, what does… (more)

Subjects/Keywords: Film Studies; Mediterranean Seascapes, French Cinema

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APA (6th Edition):

Noble, C. (2018). Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1522075970995536

Chicago Manual of Style (16th Edition):

Noble, Caroline. “Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality.” 2018. Doctoral Dissertation, The Ohio State University. Accessed October 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1522075970995536.

MLA Handbook (7th Edition):

Noble, Caroline. “Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality.” 2018. Web. 15 Oct 2019.

Vancouver:

Noble C. Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality. [Internet] [Doctoral dissertation]. The Ohio State University; 2018. [cited 2019 Oct 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1522075970995536.

Council of Science Editors:

Noble C. Mediterranean Seascapes in Contemporary French Cinema: Between Myth and Reality. [Doctoral Dissertation]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1522075970995536


The Ohio State University

3. Leadston, Mackenzie M. Theorizing the Comic Object in Classical French Cinema.

Degree: PhD, French and Italian, 2019, The Ohio State University

 Film comedy as a genre is exceptionally difficult to define. As comedy scholar Gerald Mast argued in his seminal work The Comic Mind, “we pretty… (more)

Subjects/Keywords: Film Studies; film comedy; French cinema; French comedy; phenomenology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leadston, M. M. (2019). Theorizing the Comic Object in Classical French Cinema. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu155498483572897

Chicago Manual of Style (16th Edition):

Leadston, Mackenzie M. “Theorizing the Comic Object in Classical French Cinema.” 2019. Doctoral Dissertation, The Ohio State University. Accessed October 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu155498483572897.

MLA Handbook (7th Edition):

Leadston, Mackenzie M. “Theorizing the Comic Object in Classical French Cinema.” 2019. Web. 15 Oct 2019.

Vancouver:

Leadston MM. Theorizing the Comic Object in Classical French Cinema. [Internet] [Doctoral dissertation]. The Ohio State University; 2019. [cited 2019 Oct 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu155498483572897.

Council of Science Editors:

Leadston MM. Theorizing the Comic Object in Classical French Cinema. [Doctoral Dissertation]. The Ohio State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu155498483572897


The Ohio State University

4. Gobel, Alper. Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell.

Degree: MA, Film Studies, 2019, The Ohio State University

 This thesis focuses on two documentaries: Kirsten Johnson’s Cameraperson (2016) and Sarah Polley’s Stories We Tell (2012). By proposing the term affective listening, it foregrounds… (more)

Subjects/Keywords: Film Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gobel, A. (2019). Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041

Chicago Manual of Style (16th Edition):

Gobel, Alper. “Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell.” 2019. Masters Thesis, The Ohio State University. Accessed October 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041.

MLA Handbook (7th Edition):

Gobel, Alper. “Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell.” 2019. Web. 15 Oct 2019.

Vancouver:

Gobel A. Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell. [Internet] [Masters thesis]. The Ohio State University; 2019. [cited 2019 Oct 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041.

Council of Science Editors:

Gobel A. Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell. [Masters Thesis]. The Ohio State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041

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