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You searched for +publisher:"Stellenbosch University" +contributor:("Muller, Stephanus"). Showing records 1 – 22 of 22 total matches.

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Stellenbosch University

1. Muller, Wayne. A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015).

Degree: PhD, 2018, Stellenbosch University

ENGLISH ABSTRACT: In this dissertation an historical narrative is constructed of the reception of opera performances in Cape Town between 1985 and 2015 as reported… (more)

Subjects/Keywords: Opera  – South Africa  – Cape Town; Opera  – South Africa  – Appreciation; Opera  – Cape Town  – Reader-response criticism  – 1985-2015

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Muller, W. (2018). A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015). (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/105193

Chicago Manual of Style (16th Edition):

Muller, Wayne. “A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015).” 2018. Doctoral Dissertation, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/105193.

MLA Handbook (7th Edition):

Muller, Wayne. “A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015).” 2018. Web. 04 Apr 2020.

Vancouver:

Muller W. A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015). [Internet] [Doctoral dissertation]. Stellenbosch University; 2018. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/105193.

Council of Science Editors:

Muller W. A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015). [Doctoral Dissertation]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/105193


Stellenbosch University

2. Fraser, Melissa Jane. Exploring pluralism and musical meaning in the compositions of Hans Roosenschoon.

Degree: MMus, Music, 2013, Stellenbosch University

ENGLISH ABSTRACT: In this thesis, the term pluralism is used to refer to the different musical and non-musical aspects that form part of a musical… (more)

Subjects/Keywords: Music; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fraser, M. J. (2013). Exploring pluralism and musical meaning in the compositions of Hans Roosenschoon. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/85770

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fraser, Melissa Jane. “Exploring pluralism and musical meaning in the compositions of Hans Roosenschoon.” 2013. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/85770.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fraser, Melissa Jane. “Exploring pluralism and musical meaning in the compositions of Hans Roosenschoon.” 2013. Web. 04 Apr 2020.

Vancouver:

Fraser MJ. Exploring pluralism and musical meaning in the compositions of Hans Roosenschoon. [Internet] [Thesis]. Stellenbosch University; 2013. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/85770.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fraser MJ. Exploring pluralism and musical meaning in the compositions of Hans Roosenschoon. [Thesis]. Stellenbosch University; 2013. Available from: http://hdl.handle.net/10019.1/85770

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

3. Van Rhyn, Chris. Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers.

Degree: PhD, Music, 2013, Stellenbosch University

ENGLISH ABSTRACT: African art music practices of western origin have oftentimes been excluded from general discourses on western art music practices. In this study, close… (more)

Subjects/Keywords: Music; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Van Rhyn, C. (2013). Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers. (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/85813

Chicago Manual of Style (16th Edition):

Van Rhyn, Chris. “Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers.” 2013. Doctoral Dissertation, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/85813.

MLA Handbook (7th Edition):

Van Rhyn, Chris. “Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers.” 2013. Web. 04 Apr 2020.

Vancouver:

Van Rhyn C. Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers. [Internet] [Doctoral dissertation]. Stellenbosch University; 2013. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/85813.

Council of Science Editors:

Van Rhyn C. Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers. [Doctoral Dissertation]. Stellenbosch University; 2013. Available from: http://hdl.handle.net/10019.1/85813


Stellenbosch University

4. Roos, Hilde. Opera production in the Western Cape : strategies in search of indigenization.

Degree: Music, 2010, Stellenbosch University

Thesis (PhD (Music))  – Stellenbosch University, 2010.

ENGLISH ABSTRACT: During the past few decades fascinating opera productions have been staged by South African opera companies,… (more)

Subjects/Keywords: South Africa  – Opera; Music  – History  – Western Cape; South Africa  – Apartheid; Hans Huyssen. Masque; South Africa  – Apartheid; Eoan Group; South Africa  – Apartheid

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APA (6th Edition):

Roos, H. (2010). Opera production in the Western Cape : strategies in search of indigenization. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/5207

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roos, Hilde. “Opera production in the Western Cape : strategies in search of indigenization.” 2010. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/5207.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roos, Hilde. “Opera production in the Western Cape : strategies in search of indigenization.” 2010. Web. 04 Apr 2020.

Vancouver:

Roos H. Opera production in the Western Cape : strategies in search of indigenization. [Internet] [Thesis]. Stellenbosch University; 2010. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/5207.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roos H. Opera production in the Western Cape : strategies in search of indigenization. [Thesis]. Stellenbosch University; 2010. Available from: http://hdl.handle.net/10019.1/5207

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

5. Botha, Yolanda. Ontstaansgeskiedenis van Die Oranjeklub, met spesiale verwysing na die bevordering van die Suid-Afrikaanse toonkuns.

Degree: Music, 2009, Stellenbosch University

Thesis (MMus (Music)) – University of Stellenbosch, 2009.

Die Oranjeklub was the first Afrikaans culture organisation in Cape Town. Active since 1915, it strove to shape… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Botha, Y. (2009). Ontstaansgeskiedenis van Die Oranjeklub, met spesiale verwysing na die bevordering van die Suid-Afrikaanse toonkuns. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Botha, Yolanda. “Ontstaansgeskiedenis van Die Oranjeklub, met spesiale verwysing na die bevordering van die Suid-Afrikaanse toonkuns.” 2009. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/2096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Botha, Yolanda. “Ontstaansgeskiedenis van Die Oranjeklub, met spesiale verwysing na die bevordering van die Suid-Afrikaanse toonkuns.” 2009. Web. 04 Apr 2020.

Vancouver:

Botha Y. Ontstaansgeskiedenis van Die Oranjeklub, met spesiale verwysing na die bevordering van die Suid-Afrikaanse toonkuns. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/2096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Botha Y. Ontstaansgeskiedenis van Die Oranjeklub, met spesiale verwysing na die bevordering van die Suid-Afrikaanse toonkuns. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

6. De Jongh, Martha Susanna. A national electronic database of special music collections in South Africa.

Degree: Music, 2009, Stellenbosch University

Thesis (MMus (Music)) – University of Stellenbosch, 2009.

In the absence of a state-sponsored South African archive that focuses on collecting, ordering, cataloguing and preserving special… (more)

Subjects/Keywords: Music; Music libraries  – Collection development  – Data processing; Database searching; University of Stellenbosch  – Dept. of Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

De Jongh, M. S. (2009). A national electronic database of special music collections in South Africa. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

De Jongh, Martha Susanna. “A national electronic database of special music collections in South Africa.” 2009. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/2370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

De Jongh, Martha Susanna. “A national electronic database of special music collections in South Africa.” 2009. Web. 04 Apr 2020.

Vancouver:

De Jongh MS. A national electronic database of special music collections in South Africa. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/2370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

De Jongh MS. A national electronic database of special music collections in South Africa. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

7. Du Toit-Pearce, Minette. Eisteddfod in Suid-Afrika met spesifieke verwysing na die Paarl Vallei Eisteddfod.

Degree: Music, 2009, Stellenbosch University

Thesis (MMus (Music)) – University of Stellenbosch, 2009.

The purpose of this thesis is twofold. In the first instance, it is to document the origins and… (more)

Subjects/Keywords: Music; Music festivals  – South Africa; Performing arts  – Competitions  – South Africa; Paarl-Vallei Eisteddfod

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APA (6th Edition):

Du Toit-Pearce, M. (2009). Eisteddfod in Suid-Afrika met spesifieke verwysing na die Paarl Vallei Eisteddfod. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2945

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Du Toit-Pearce, Minette. “Eisteddfod in Suid-Afrika met spesifieke verwysing na die Paarl Vallei Eisteddfod.” 2009. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/2945.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Du Toit-Pearce, Minette. “Eisteddfod in Suid-Afrika met spesifieke verwysing na die Paarl Vallei Eisteddfod.” 2009. Web. 04 Apr 2020.

Vancouver:

Du Toit-Pearce M. Eisteddfod in Suid-Afrika met spesifieke verwysing na die Paarl Vallei Eisteddfod. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/2945.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Du Toit-Pearce M. Eisteddfod in Suid-Afrika met spesifieke verwysing na die Paarl Vallei Eisteddfod. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2945

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

8. Le Roux, Babette. Music in the community : a study of community music projects in the Western Cape, with specific reference to the Redefine Music Education Project, in Kuils River.

Degree: Music, 2009, Stellenbosch University

Thesis (MMus (Music)) – University of Stellenbosch, 2009.

The initiation and establishment of community music projects have been increasing in number in South Africa in the… (more)

Subjects/Keywords: Music; Music  – South Africa  – Kuils River; Music  – Social asects; Redefine Music Education Project

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Le Roux, B. (2009). Music in the community : a study of community music projects in the Western Cape, with specific reference to the Redefine Music Education Project, in Kuils River. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/3028

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Le Roux, Babette. “Music in the community : a study of community music projects in the Western Cape, with specific reference to the Redefine Music Education Project, in Kuils River.” 2009. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/3028.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Le Roux, Babette. “Music in the community : a study of community music projects in the Western Cape, with specific reference to the Redefine Music Education Project, in Kuils River.” 2009. Web. 04 Apr 2020.

Vancouver:

Le Roux B. Music in the community : a study of community music projects in the Western Cape, with specific reference to the Redefine Music Education Project, in Kuils River. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/3028.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Le Roux B. Music in the community : a study of community music projects in the Western Cape, with specific reference to the Redefine Music Education Project, in Kuils River. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/3028

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

9. Van Rhyn, Chris. 'O Hidden Face!' : an analysis and contextualisation of Priaulx Rainier's 'Requiem'.

Degree: Music, 2010, Stellenbosch University

Thesis (MMUS (Music)) – Stellenbosch University, 2010.

ENGLISH ABSTRACT: The South African-born British composer Priaulx Rainier (1903-1986) wrote her Requiem (1955-1956) for solo tenor and choir… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Van Rhyn, C. (2010). 'O Hidden Face!' : an analysis and contextualisation of Priaulx Rainier's 'Requiem'. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/4174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Van Rhyn, Chris. “'O Hidden Face!' : an analysis and contextualisation of Priaulx Rainier's 'Requiem'.” 2010. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/4174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Van Rhyn, Chris. “'O Hidden Face!' : an analysis and contextualisation of Priaulx Rainier's 'Requiem'.” 2010. Web. 04 Apr 2020.

Vancouver:

Van Rhyn C. 'O Hidden Face!' : an analysis and contextualisation of Priaulx Rainier's 'Requiem'. [Internet] [Thesis]. Stellenbosch University; 2010. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/4174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Van Rhyn C. 'O Hidden Face!' : an analysis and contextualisation of Priaulx Rainier's 'Requiem'. [Thesis]. Stellenbosch University; 2010. Available from: http://hdl.handle.net/10019.1/4174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

10. Lambrechts, Lizabe. Ethnography and the archive : power and politics in five South African music archives.

Degree: PhD, Music, 2012, Stellenbosch University

ENGLISH ABSTRACT: This study addresses issues concerning power and politics in five music archives in South Africa. It has a three-fold approach. First, it provides… (more)

Subjects/Keywords: Music; Ethnomusicology  – South Africa.; Archives  – South Africa.; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lambrechts, L. (2012). Ethnography and the archive : power and politics in five South African music archives. (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/71685

Chicago Manual of Style (16th Edition):

Lambrechts, Lizabe. “Ethnography and the archive : power and politics in five South African music archives.” 2012. Doctoral Dissertation, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/71685.

MLA Handbook (7th Edition):

Lambrechts, Lizabe. “Ethnography and the archive : power and politics in five South African music archives.” 2012. Web. 04 Apr 2020.

Vancouver:

Lambrechts L. Ethnography and the archive : power and politics in five South African music archives. [Internet] [Doctoral dissertation]. Stellenbosch University; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/71685.

Council of Science Editors:

Lambrechts L. Ethnography and the archive : power and politics in five South African music archives. [Doctoral Dissertation]. Stellenbosch University; 2012. Available from: http://hdl.handle.net/10019.1/71685


Stellenbosch University

11. Stolp, Mareli. Contemporary performance practice of art music in South Africa : a practice-based research enquiry.

Degree: PhD, Music, 2012, Stellenbosch University

Sensitive areas within this text have been blacked out. Please refer to the attachment.

ENGLISH ABSTRACT: In this dissertation, I examine contemporary South African art… (more)

Subjects/Keywords: Music; Music. South Africa; Performance practice (Music); Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stolp, M. (2012). Contemporary performance practice of art music in South Africa : a practice-based research enquiry. (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/71885

Chicago Manual of Style (16th Edition):

Stolp, Mareli. “Contemporary performance practice of art music in South Africa : a practice-based research enquiry.” 2012. Doctoral Dissertation, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/71885.

MLA Handbook (7th Edition):

Stolp, Mareli. “Contemporary performance practice of art music in South Africa : a practice-based research enquiry.” 2012. Web. 04 Apr 2020.

Vancouver:

Stolp M. Contemporary performance practice of art music in South Africa : a practice-based research enquiry. [Internet] [Doctoral dissertation]. Stellenbosch University; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/71885.

Council of Science Editors:

Stolp M. Contemporary performance practice of art music in South Africa : a practice-based research enquiry. [Doctoral Dissertation]. Stellenbosch University; 2012. Available from: http://hdl.handle.net/10019.1/71885


Stellenbosch University

12. Ayorinde Oladele Oladokun. Dizu Plaatjies and the Amampondo : music, agency and social transformation.

Degree: MMus, 2018, Stellenbosch University

ENGLISH ABSTRACT: Using different concepts that include Arjun Appadurai’s (2004) “capacity to aspire”, Pierre Bourdieu’s (1990) “habitus”, Clifford Geertz’s (1973b) “thick description” and Christopher Small’s… (more)

Subjects/Keywords: UCTD; Music  – Social aspects; Dizu Plaatjies. Amampondo; Popular music  – South Africa; Social change

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oladokun, A. O. (2018). Dizu Plaatjies and the Amampondo : music, agency and social transformation. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/103371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oladokun, Ayorinde Oladele. “Dizu Plaatjies and the Amampondo : music, agency and social transformation.” 2018. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/103371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oladokun, Ayorinde Oladele. “Dizu Plaatjies and the Amampondo : music, agency and social transformation.” 2018. Web. 04 Apr 2020.

Vancouver:

Oladokun AO. Dizu Plaatjies and the Amampondo : music, agency and social transformation. [Internet] [Thesis]. Stellenbosch University; 2018. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/103371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oladokun AO. Dizu Plaatjies and the Amampondo : music, agency and social transformation. [Thesis]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/103371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

13. Van der Merwe, Schalk Daniel. The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015.

Degree: PhD, History, 2015, Stellenbosch University

ENGLISH ABSTRACT: This thesis provides an analytical account of the interaction between political events and popular music culture with specific reference to recorded Afrikaans music… (more)

Subjects/Keywords: Cultural identity  – South Africa; Popular music, Afrikaans  – South Africa; Popular music, Afrikaans  – Social aspects; Popular music, Afrikaans  – Influence; Popular culture  – South Africa; Music  – Social aspects  – South Africa; Music  – Political aspects  – South Africa; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Van der Merwe, S. D. (2015). The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/97935

Chicago Manual of Style (16th Edition):

Van der Merwe, Schalk Daniel. “The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015.” 2015. Doctoral Dissertation, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/97935.

MLA Handbook (7th Edition):

Van der Merwe, Schalk Daniel. “The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015.” 2015. Web. 04 Apr 2020.

Vancouver:

Van der Merwe SD. The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. [Internet] [Doctoral dissertation]. Stellenbosch University; 2015. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/97935.

Council of Science Editors:

Van der Merwe SD. The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. [Doctoral Dissertation]. Stellenbosch University; 2015. Available from: http://hdl.handle.net/10019.1/97935


Stellenbosch University

14. Froneman, Willemien. Pleasure beyond the call of duty : perspectives, retrospectives and speculations on Boeremusiek.

Degree: DPhil, Music, 2012, Stellenbosch University

 ENGLISH ABSTRACT: Boeremusiek, a form of indigenous, predominantly white folk music in South Africa, remains virtually unexplored in academic discourse. Ridiculed by the Afrikaner middle-class… (more)

Subjects/Keywords: Boeremusiek; Songs, Afrikaans; Ethnomusicology; Popular music  – South Africa

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APA (6th Edition):

Froneman, W. (2012). Pleasure beyond the call of duty : perspectives, retrospectives and speculations on Boeremusiek. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/20398

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Froneman, Willemien. “Pleasure beyond the call of duty : perspectives, retrospectives and speculations on Boeremusiek.” 2012. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/20398.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Froneman, Willemien. “Pleasure beyond the call of duty : perspectives, retrospectives and speculations on Boeremusiek.” 2012. Web. 04 Apr 2020.

Vancouver:

Froneman W. Pleasure beyond the call of duty : perspectives, retrospectives and speculations on Boeremusiek. [Internet] [Thesis]. Stellenbosch University; 2012. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/20398.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Froneman W. Pleasure beyond the call of duty : perspectives, retrospectives and speculations on Boeremusiek. [Thesis]. Stellenbosch University; 2012. Available from: http://hdl.handle.net/10019.1/20398

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

15. Venter, Carina. The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography.

Degree: Music, 2009, Stellenbosch University

Thesis (MMus (Music)) – University of Stellenbosch, 2009.

ENGLISH ABSTRACT: This thesis attempts to understand questions of our past in the present. It is broadly premised… (more)

Subjects/Keywords: Music; Music  – South Africa  – 20th century  – Historiography; Apartheid  – South Africa  – Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Venter, C. (2009). The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/2839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Venter, Carina. “The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography.” 2009. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/2839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Venter, Carina. “The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography.” 2009. Web. 04 Apr 2020.

Vancouver:

Venter C. The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography. [Internet] [Thesis]. Stellenbosch University; 2009. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/2839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Venter C. The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography. [Thesis]. Stellenbosch University; 2009. Available from: http://hdl.handle.net/10019.1/2839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

16. Stimie, Annemie. Cosmopolitanism in early Afrikaans music historiography, 1910-1948.

Degree: Music, 2010, Stellenbosch University

Thesis (MMus (Music)) – University of Stellenbosch, 2010.

ENGLISH ABSTRACT: Current musicological discourses in South Africa seldom engage with Afrikaans content and contributions, even though there… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Stimie, A. (2010). Cosmopolitanism in early Afrikaans music historiography, 1910-1948. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/5361

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stimie, Annemie. “Cosmopolitanism in early Afrikaans music historiography, 1910-1948.” 2010. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/5361.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stimie, Annemie. “Cosmopolitanism in early Afrikaans music historiography, 1910-1948.” 2010. Web. 04 Apr 2020.

Vancouver:

Stimie A. Cosmopolitanism in early Afrikaans music historiography, 1910-1948. [Internet] [Thesis]. Stellenbosch University; 2010. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/5361.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stimie A. Cosmopolitanism in early Afrikaans music historiography, 1910-1948. [Thesis]. Stellenbosch University; 2010. Available from: http://hdl.handle.net/10019.1/5361

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

17. Thom Wium, Magtild Johanna. Contextual readings of analysis and compositional process in selected works by Arnold van Wyk (1916-1983).

Degree: PhD, Music, 2013, Stellenbosch University

 ENGLISH ABSTRACT: In this project, contextual readings of four works by Arnold van Wyk are developed. They are the Symphony No. 1 in A Minor,… (more)

Subjects/Keywords: Music; Music; Van Wyk, Arnold, 1916-1983  – Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thom Wium, M. J. (2013). Contextual readings of analysis and compositional process in selected works by Arnold van Wyk (1916-1983). (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/80050

Chicago Manual of Style (16th Edition):

Thom Wium, Magtild Johanna. “Contextual readings of analysis and compositional process in selected works by Arnold van Wyk (1916-1983).” 2013. Doctoral Dissertation, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/80050.

MLA Handbook (7th Edition):

Thom Wium, Magtild Johanna. “Contextual readings of analysis and compositional process in selected works by Arnold van Wyk (1916-1983).” 2013. Web. 04 Apr 2020.

Vancouver:

Thom Wium MJ. Contextual readings of analysis and compositional process in selected works by Arnold van Wyk (1916-1983). [Internet] [Doctoral dissertation]. Stellenbosch University; 2013. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/80050.

Council of Science Editors:

Thom Wium MJ. Contextual readings of analysis and compositional process in selected works by Arnold van Wyk (1916-1983). [Doctoral Dissertation]. Stellenbosch University; 2013. Available from: http://hdl.handle.net/10019.1/80050


Stellenbosch University

18. Shepherd, Kyle. Interrogating the own: a practise-based, auto-ethnographic reflection on musical creation with reference to the work of Abdullah Ibrahim, Zim Ngqawana and Kyle Shepherd.

Degree: MMus, Music, 2018, Stellenbosch University

ENGLISH ABSTRACT: This thesis examines my artistic practice as musician, improviser and composer as a research process. Auto-ethnographic reflections on my performances, whether on the… (more)

Subjects/Keywords: Jazz; Kyle Shepherd; Ibrahim, Abdullah, 1934-; Ngqawana, Zim, 1959-2011; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shepherd, K. (2018). Interrogating the own: a practise-based, auto-ethnographic reflection on musical creation with reference to the work of Abdullah Ibrahim, Zim Ngqawana and Kyle Shepherd. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/103764

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shepherd, Kyle. “Interrogating the own: a practise-based, auto-ethnographic reflection on musical creation with reference to the work of Abdullah Ibrahim, Zim Ngqawana and Kyle Shepherd.” 2018. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/103764.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shepherd, Kyle. “Interrogating the own: a practise-based, auto-ethnographic reflection on musical creation with reference to the work of Abdullah Ibrahim, Zim Ngqawana and Kyle Shepherd.” 2018. Web. 04 Apr 2020.

Vancouver:

Shepherd K. Interrogating the own: a practise-based, auto-ethnographic reflection on musical creation with reference to the work of Abdullah Ibrahim, Zim Ngqawana and Kyle Shepherd. [Internet] [Thesis]. Stellenbosch University; 2018. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/103764.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shepherd K. Interrogating the own: a practise-based, auto-ethnographic reflection on musical creation with reference to the work of Abdullah Ibrahim, Zim Ngqawana and Kyle Shepherd. [Thesis]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/103764

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Schonken, Philip Antoni. Authorship and ownership of UShaka KaSenzangakhona.

Degree: MMus, Music, 2013, Stellenbosch University

ENGLISH ABSTRACT: UShaka KaSenzangakhona is a work of about sixty minutes for choir, soloists and orchestra, composed by Mzilikazi Khumalo, orchestrated in 1994 by Christopher… (more)

Subjects/Keywords: Music

Stellenbosch University http://scholar.sun.ac.za List of Figures Figure 1: UShaka Part… …56 viii Stellenbosch University http://scholar.sun.ac.za Figure 18: UShaka Part I… …61 ix Stellenbosch University http://scholar.sun.ac.za List of Tables Table 1… …86 x Stellenbosch University http://scholar.sun.ac.za Introduction “Although we are… …285. 4 Muller C., 2008, p. 8. 5 Pooley, 2008. 1 2 2 Stellenbosch University http… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schonken, P. A. (2013). Authorship and ownership of UShaka KaSenzangakhona. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/80307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schonken, Philip Antoni. “Authorship and ownership of UShaka KaSenzangakhona.” 2013. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/80307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schonken, Philip Antoni. “Authorship and ownership of UShaka KaSenzangakhona.” 2013. Web. 04 Apr 2020.

Vancouver:

Schonken PA. Authorship and ownership of UShaka KaSenzangakhona. [Internet] [Thesis]. Stellenbosch University; 2013. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/80307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schonken PA. Authorship and ownership of UShaka KaSenzangakhona. [Thesis]. Stellenbosch University; 2013. Available from: http://hdl.handle.net/10019.1/80307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Makhathini, Nduduzo. Encountering Bheki Mseleku: a biographical-analytical consideration of his life and music.

Degree: MMus, Music, 2018, Stellenbosch University

ENGLISH ABSTRACT: This thesis presents a study of one of the seminal figures in South African jazz, Bheki Mseleku (1955-2008). Born in South Africa, Mseleku… (more)

Subjects/Keywords: UCTD; Mseleku, Bheki, 1955-2008; Jazz; Music  – South Africa

Stellenbosch University https://scholar.sun.ac.za I close the thesis with my personal… …Stellenbosch University https://scholar.sun.ac.za Opsomming Hierdie tesis is ’n beskouing van die… …komposisie styl. 9 Stellenbosch University https://scholar.sun.ac.za Hoofstuk Vier is ’n… …Reflections solo piano recording in Stellenbosch University, and I appreciate the great work done by… …funded the study. 11 Stellenbosch University https://scholar.sun.ac.za Blessings to all… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Makhathini, N. (2018). Encountering Bheki Mseleku: a biographical-analytical consideration of his life and music. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/103795

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Makhathini, Nduduzo. “Encountering Bheki Mseleku: a biographical-analytical consideration of his life and music.” 2018. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/103795.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Makhathini, Nduduzo. “Encountering Bheki Mseleku: a biographical-analytical consideration of his life and music.” 2018. Web. 04 Apr 2020.

Vancouver:

Makhathini N. Encountering Bheki Mseleku: a biographical-analytical consideration of his life and music. [Internet] [Thesis]. Stellenbosch University; 2018. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/103795.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Makhathini N. Encountering Bheki Mseleku: a biographical-analytical consideration of his life and music. [Thesis]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/103795

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

21. Fourie, Marelise. Die uitdaging van biografie-skrywing : 'n lewe van Betty Pack.

Degree: Music, 2008, Stellenbosch University

Thesis (MMus (Music)) – Stellenbosch University, 2008.

This study consists of two parts. The first part focuses primarily on literature that discusses the biography in general,… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fourie, M. (2008). Die uitdaging van biografie-skrywing : 'n lewe van Betty Pack. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/1594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fourie, Marelise. “Die uitdaging van biografie-skrywing : 'n lewe van Betty Pack.” 2008. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/1594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fourie, Marelise. “Die uitdaging van biografie-skrywing : 'n lewe van Betty Pack.” 2008. Web. 04 Apr 2020.

Vancouver:

Fourie M. Die uitdaging van biografie-skrywing : 'n lewe van Betty Pack. [Internet] [Thesis]. Stellenbosch University; 2008. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/1594.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fourie M. Die uitdaging van biografie-skrywing : 'n lewe van Betty Pack. [Thesis]. Stellenbosch University; 2008. Available from: http://hdl.handle.net/10019.1/1594

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

22. Pauw, Esther Marie. Curating South African flute compositions : landscape as theme of exhibition.

Degree: 2015, Stellenbosch University

Subjects/Keywords: music; flute compositions; concert practice; music curatorship

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pauw, E. M. (2015). Curating South African flute compositions : landscape as theme of exhibition. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/97579

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pauw, Esther Marie. “Curating South African flute compositions : landscape as theme of exhibition.” 2015. Thesis, Stellenbosch University. Accessed April 04, 2020. http://hdl.handle.net/10019.1/97579.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pauw, Esther Marie. “Curating South African flute compositions : landscape as theme of exhibition.” 2015. Web. 04 Apr 2020.

Vancouver:

Pauw EM. Curating South African flute compositions : landscape as theme of exhibition. [Internet] [Thesis]. Stellenbosch University; 2015. [cited 2020 Apr 04]. Available from: http://hdl.handle.net/10019.1/97579.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pauw EM. Curating South African flute compositions : landscape as theme of exhibition. [Thesis]. Stellenbosch University; 2015. Available from: http://hdl.handle.net/10019.1/97579

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.