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You searched for +publisher:"Rutgers University" +contributor:("Zervigon, Andres"). Showing records 1 – 24 of 24 total matches.

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Rutgers University

1. Chang, Boyoung. Reconstructing the nation: contemporary Korean photography since the 1990s.

Degree: PhD, Contemporary Korean photography, 2019, Rutgers University

This dissertation examines the photography made by South Korean photographers, focusing on the medium’s relationship to the political and societal changes that have been occurring… (more)

Subjects/Keywords: Art History; Photography  – South Korea  – Political aspects; Photography  – South Korea  – Social aspects

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APA (6th Edition):

Chang, B. (2019). Reconstructing the nation: contemporary Korean photography since the 1990s. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/60622/

Chicago Manual of Style (16th Edition):

Chang, Boyoung. “Reconstructing the nation: contemporary Korean photography since the 1990s.” 2019. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/60622/.

MLA Handbook (7th Edition):

Chang, Boyoung. “Reconstructing the nation: contemporary Korean photography since the 1990s.” 2019. Web. 23 Oct 2019.

Vancouver:

Chang B. Reconstructing the nation: contemporary Korean photography since the 1990s. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60622/.

Council of Science Editors:

Chang B. Reconstructing the nation: contemporary Korean photography since the 1990s. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60622/


Rutgers University

2. Manning, Mary, 1986-. Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870.

Degree: PhD, Art History, 2015, Rutgers University

The Early Impressionist painter Frédéric Bazille, who moved frequently between Paris and his hometown of Montpellier, attended medical school for four years before deciding to… (more)

Subjects/Keywords: Impressionism (Art) – France – Paris; Masculinity; Bazille, Frédéric, 1841-1870

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APA (6th Edition):

Manning, Mary, 1. (2015). Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47741/

Chicago Manual of Style (16th Edition):

Manning, Mary, 1986-. “Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870.” 2015. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/47741/.

MLA Handbook (7th Edition):

Manning, Mary, 1986-. “Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870.” 2015. Web. 23 Oct 2019.

Vancouver:

Manning, Mary 1. Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47741/.

Council of Science Editors:

Manning, Mary 1. Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47741/


Rutgers University

3. Harbin, Virginia Allison, 1986-. Encounters in excess: transnational feminisms in contemporary installation art.

Degree: PhD, Art History, 2017, Rutgers University

 This dissertation investigates video-based installation practices of three nonwestern contemporary women artists working since the 1990s: Indian artist Nalini Malani (b. 1946), Trinidadian-U.K. Roshini Kempadoo… (more)

Subjects/Keywords: Feminism; Intersectionality (Sociology); Installations (Art)

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APA (6th Edition):

Harbin, Virginia Allison, 1. (2017). Encounters in excess: transnational feminisms in contemporary installation art. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/53635/

Chicago Manual of Style (16th Edition):

Harbin, Virginia Allison, 1986-. “Encounters in excess: transnational feminisms in contemporary installation art.” 2017. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/53635/.

MLA Handbook (7th Edition):

Harbin, Virginia Allison, 1986-. “Encounters in excess: transnational feminisms in contemporary installation art.” 2017. Web. 23 Oct 2019.

Vancouver:

Harbin, Virginia Allison 1. Encounters in excess: transnational feminisms in contemporary installation art. [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/53635/.

Council of Science Editors:

Harbin, Virginia Allison 1. Encounters in excess: transnational feminisms in contemporary installation art. [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/53635/


Rutgers University

4. DeLosSantos, Jenevieve, 1984-. Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920.

Degree: PhD, Art History, 2015, Rutgers University

Dominated by studies of French painting, considerations of Orientalism in the arts have largely overlooked American visual culture. This dissertation argues that the United States… (more)

Subjects/Keywords: Orientalism – New York (State) – New York; New York (N.Y.) – History – 20th century; Art, Egyptian; Egypt – Antiquities

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APA (6th Edition):

DeLosSantos, Jenevieve, 1. (2015). Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47351/

Chicago Manual of Style (16th Edition):

DeLosSantos, Jenevieve, 1984-. “Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920.” 2015. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/47351/.

MLA Handbook (7th Edition):

DeLosSantos, Jenevieve, 1984-. “Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920.” 2015. Web. 23 Oct 2019.

Vancouver:

DeLosSantos, Jenevieve 1. Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47351/.

Council of Science Editors:

DeLosSantos, Jenevieve 1. Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47351/


Rutgers University

5. Koné, Christophe André, 1973-. Such a doll!: man-made dolls in German modern culture and their afterlife in postmodern visual culture.

Degree: PhD, German, 2015, Rutgers University

My dissertation “Man-Made Dolls in Modern German Culture and their Afterlife in Postmodern Visual Culture” seeks to move the discussion of doll-like artifacts beyond the… (more)

Subjects/Keywords: Dolls – Germany; Dollmakers – Germany; Arts, German – 20th century

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APA (6th Edition):

Koné, Christophe André, 1. (2015). Such a doll!: man-made dolls in German modern culture and their afterlife in postmodern visual culture. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/46372/

Chicago Manual of Style (16th Edition):

Koné, Christophe André, 1973-. “Such a doll!: man-made dolls in German modern culture and their afterlife in postmodern visual culture.” 2015. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/46372/.

MLA Handbook (7th Edition):

Koné, Christophe André, 1973-. “Such a doll!: man-made dolls in German modern culture and their afterlife in postmodern visual culture.” 2015. Web. 23 Oct 2019.

Vancouver:

Koné, Christophe André 1. Such a doll!: man-made dolls in German modern culture and their afterlife in postmodern visual culture. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/46372/.

Council of Science Editors:

Koné, Christophe André 1. Such a doll!: man-made dolls in German modern culture and their afterlife in postmodern visual culture. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/46372/


Rutgers University

6. Gustafson, Donna. At home in the 60s: images of the home in American art, 1960-1975.

Degree: PhD, Art History, 2010, Rutgers University

This dissertation investigates the use of the image of the home as image and subject in American art between 1960 and 1975, drawing connections between… (more)

Subjects/Keywords: Art, American – 20th century – History and criticism; Home in art

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APA (6th Edition):

Gustafson, D. (2010). At home in the 60s: images of the home in American art, 1960-1975. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208

Chicago Manual of Style (16th Edition):

Gustafson, Donna. “At home in the 60s: images of the home in American art, 1960-1975.” 2010. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208.

MLA Handbook (7th Edition):

Gustafson, Donna. “At home in the 60s: images of the home in American art, 1960-1975.” 2010. Web. 23 Oct 2019.

Vancouver:

Gustafson D. At home in the 60s: images of the home in American art, 1960-1975. [Internet] [Doctoral dissertation]. Rutgers University; 2010. [cited 2019 Oct 23]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208.

Council of Science Editors:

Gustafson D. At home in the 60s: images of the home in American art, 1960-1975. [Doctoral Dissertation]. Rutgers University; 2010. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208


Rutgers University

7. Barr, Adrian. Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism.

Degree: PhD, Art History, 2011, Rutgers University

This dissertation engages historical accounts of the art of the Moscow conceptualist circle and proposes a different understanding of its purpose and significance for Russian… (more)

Subjects/Keywords: Conceptual art – Soviet Union; Modernism (Art) – Soviet Union; Avant-garde (Aesthetics) – Soviet Union

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APA (6th Edition):

Barr, A. (2011). Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000060986

Chicago Manual of Style (16th Edition):

Barr, Adrian. “Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism.” 2011. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000060986.

MLA Handbook (7th Edition):

Barr, Adrian. “Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism.” 2011. Web. 23 Oct 2019.

Vancouver:

Barr A. Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism. [Internet] [Doctoral dissertation]. Rutgers University; 2011. [cited 2019 Oct 23]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000060986.

Council of Science Editors:

Barr A. Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism. [Doctoral Dissertation]. Rutgers University; 2011. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000060986


Rutgers University

8. Apostol, Corina Lucia, 1984-. Dissident education: socially engaged art from Eastern Europe (1980-present).

Degree: PhD, Art History, 2017, Rutgers University

My thesis identifies and analyzes the effectiveness of a particular mode of politicized art praxis: radical pedagogical initiatives launched within specific art communities in the… (more)

Subjects/Keywords: Art, Modern – 21st century; Art, Eastern European; Europe, Eastern – Social conditions

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APA (6th Edition):

Apostol, Corina Lucia, 1. (2017). Dissident education: socially engaged art from Eastern Europe (1980-present). (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/53081/

Chicago Manual of Style (16th Edition):

Apostol, Corina Lucia, 1984-. “Dissident education: socially engaged art from Eastern Europe (1980-present).” 2017. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/53081/.

MLA Handbook (7th Edition):

Apostol, Corina Lucia, 1984-. “Dissident education: socially engaged art from Eastern Europe (1980-present).” 2017. Web. 23 Oct 2019.

Vancouver:

Apostol, Corina Lucia 1. Dissident education: socially engaged art from Eastern Europe (1980-present). [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/53081/.

Council of Science Editors:

Apostol, Corina Lucia 1. Dissident education: socially engaged art from Eastern Europe (1980-present). [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/53081/


Rutgers University

9. Lopes, Shana Simone, 1979-. A transatlantic fraternity: American and German photography, 1840 to 1890.

Degree: PhD, Art History, 2017, Rutgers University

Histories of early photography have routinely focused on France, England, and the US, seldom mentioning the region we call “Germany” today, and often discuss each… (more)

Subjects/Keywords: Photography – United States – History – 19th century; Photography – Germany – History – 19th century

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APA (6th Edition):

Lopes, Shana Simone, 1. (2017). A transatlantic fraternity: American and German photography, 1840 to 1890. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/54172/

Chicago Manual of Style (16th Edition):

Lopes, Shana Simone, 1979-. “A transatlantic fraternity: American and German photography, 1840 to 1890.” 2017. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/54172/.

MLA Handbook (7th Edition):

Lopes, Shana Simone, 1979-. “A transatlantic fraternity: American and German photography, 1840 to 1890.” 2017. Web. 23 Oct 2019.

Vancouver:

Lopes, Shana Simone 1. A transatlantic fraternity: American and German photography, 1840 to 1890. [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/54172/.

Council of Science Editors:

Lopes, Shana Simone 1. A transatlantic fraternity: American and German photography, 1840 to 1890. [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/54172/


Rutgers University

10. Shannon, Heather A., 1974-. Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America.

Degree: PhD, Art History, 2017, Rutgers University

 From 1895 to 1904, Pasadena bookstore owner Adam Clark Vroman (1856–1916) made eight summer trips to photograph the landscape and indigenous peoples of the Arizona… (more)

Subjects/Keywords: Photography – United States – History – 19th century; Vroman, A. C. – (Adam Clark) – 1856-1916

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APA (6th Edition):

Shannon, Heather A., 1. (2017). Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/55688/

Chicago Manual of Style (16th Edition):

Shannon, Heather A., 1974-. “Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America.” 2017. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/55688/.

MLA Handbook (7th Edition):

Shannon, Heather A., 1974-. “Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America.” 2017. Web. 23 Oct 2019.

Vancouver:

Shannon, Heather A. 1. Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America. [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/55688/.

Council of Science Editors:

Shannon, Heather A. 1. Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America. [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/55688/


Rutgers University

11. Martynyuk, Olena, 1981-. Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s.

Degree: PhD, Art History, 2018, Rutgers University

This dissertation examines Ukrainian painting of the perestroika era produced by the last generation of Soviet artists trained in the Socialist Realist method and steeped… (more)

Subjects/Keywords: Postmodernism – Ukraine

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APA (6th Edition):

Martynyuk, Olena, 1. (2018). Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/56057/

Chicago Manual of Style (16th Edition):

Martynyuk, Olena, 1981-. “Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s.” 2018. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/56057/.

MLA Handbook (7th Edition):

Martynyuk, Olena, 1981-. “Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s.” 2018. Web. 23 Oct 2019.

Vancouver:

Martynyuk, Olena 1. Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s. [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/56057/.

Council of Science Editors:

Martynyuk, Olena 1. Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s. [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/56057/


Rutgers University

12. Panizza, Donata. Overexposing Florence: journeys through photography, cinema, tourism, and urban space.

Degree: PhD, Italian, 2018, Rutgers University

This dissertation examines the many ways in which urban form and visual media interact in 19th-, 20th-, and 21st-centuries Florence. More in detail, this work… (more)

Subjects/Keywords: Florence (Italy)  – Pictorial works

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APA (6th Edition):

Panizza, D. (2018). Overexposing Florence: journeys through photography, cinema, tourism, and urban space. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/59106/

Chicago Manual of Style (16th Edition):

Panizza, Donata. “Overexposing Florence: journeys through photography, cinema, tourism, and urban space.” 2018. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/59106/.

MLA Handbook (7th Edition):

Panizza, Donata. “Overexposing Florence: journeys through photography, cinema, tourism, and urban space.” 2018. Web. 23 Oct 2019.

Vancouver:

Panizza D. Overexposing Florence: journeys through photography, cinema, tourism, and urban space. [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/59106/.

Council of Science Editors:

Panizza D. Overexposing Florence: journeys through photography, cinema, tourism, and urban space. [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/59106/


Rutgers University

13. Nouril, Ksenia Anastasia, 1987-. The afterlives of communism: the historical turn in contemporary art from Eastern Europe.

Degree: PhD, Art History, 2018, Rutgers University

This dissertation examines the phenomenon of the historical turn in contemporary Eastern European art as evinced in the cross-media works of Olga Chernysheva (b. 1962),… (more)

Subjects/Keywords: Communism and art; Post-communism – Europe, Eastern

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APA (6th Edition):

Nouril, Ksenia Anastasia, 1. (2018). The afterlives of communism: the historical turn in contemporary art from Eastern Europe. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/59184/

Chicago Manual of Style (16th Edition):

Nouril, Ksenia Anastasia, 1987-. “The afterlives of communism: the historical turn in contemporary art from Eastern Europe.” 2018. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/59184/.

MLA Handbook (7th Edition):

Nouril, Ksenia Anastasia, 1987-. “The afterlives of communism: the historical turn in contemporary art from Eastern Europe.” 2018. Web. 23 Oct 2019.

Vancouver:

Nouril, Ksenia Anastasia 1. The afterlives of communism: the historical turn in contemporary art from Eastern Europe. [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/59184/.

Council of Science Editors:

Nouril, Ksenia Anastasia 1. The afterlives of communism: the historical turn in contemporary art from Eastern Europe. [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/59184/


Rutgers University

14. Matsumura, Kimiko. Science/fiction: habitat dioramas, vision, and postwar American art.

Degree: PhD, Dioramas, 2019, Rutgers University

Science/Fiction analyzes shifting American relationships to nature in the contemporary period by considering various incarnations of habitat dioramas, the American Museum of Natural History’s revolutionary… (more)

Subjects/Keywords: Art History; Diorama  – United States  – 20th century; Diorama  – United States  – 21st century

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APA (6th Edition):

Matsumura, K. (2019). Science/fiction: habitat dioramas, vision, and postwar American art. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/60896/

Chicago Manual of Style (16th Edition):

Matsumura, Kimiko. “Science/fiction: habitat dioramas, vision, and postwar American art.” 2019. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/60896/.

MLA Handbook (7th Edition):

Matsumura, Kimiko. “Science/fiction: habitat dioramas, vision, and postwar American art.” 2019. Web. 23 Oct 2019.

Vancouver:

Matsumura K. Science/fiction: habitat dioramas, vision, and postwar American art. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60896/.

Council of Science Editors:

Matsumura K. Science/fiction: habitat dioramas, vision, and postwar American art. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60896/


Rutgers University

15. Pierce, Kathleen, 1989-. Surface tension: skin, disease, and visuality in third republic France.

Degree: PhD, Modern painting, 2019, Rutgers University

 This dissertation examines relationships between representations of diseased skin and the surface of modern painting in fin-de-siècle France. I frame my analysis through historically specific,… (more)

Subjects/Keywords: Art History; Syphilis in art; Picasso, Pablo, 1881-1973.  – Demoiselles d'Avignon  – Criticism and interpretation

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APA (6th Edition):

Pierce, Kathleen, 1. (2019). Surface tension: skin, disease, and visuality in third republic France. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/60955/

Chicago Manual of Style (16th Edition):

Pierce, Kathleen, 1989-. “Surface tension: skin, disease, and visuality in third republic France.” 2019. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/60955/.

MLA Handbook (7th Edition):

Pierce, Kathleen, 1989-. “Surface tension: skin, disease, and visuality in third republic France.” 2019. Web. 23 Oct 2019.

Vancouver:

Pierce, Kathleen 1. Surface tension: skin, disease, and visuality in third republic France. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60955/.

Council of Science Editors:

Pierce, Kathleen 1. Surface tension: skin, disease, and visuality in third republic France. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60955/


Rutgers University

16. San Martin, Florencia, 1982-. The decolonial project of Alfredo Jaar.

Degree: PhD, Art History, 2019, Rutgers University

This dissertation reframes the art of Alfredo Jaar (b. Santiago, Chile, 1956; New York-based since 1982) through the lens of decolonial thought. Decoloniality is a… (more)

Subjects/Keywords: Decolonization in art; Jaar, Alfredo  – Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

San Martin, Florencia, 1. (2019). The decolonial project of Alfredo Jaar. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/61004/

Chicago Manual of Style (16th Edition):

San Martin, Florencia, 1982-. “The decolonial project of Alfredo Jaar.” 2019. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/61004/.

MLA Handbook (7th Edition):

San Martin, Florencia, 1982-. “The decolonial project of Alfredo Jaar.” 2019. Web. 23 Oct 2019.

Vancouver:

San Martin, Florencia 1. The decolonial project of Alfredo Jaar. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/61004/.

Council of Science Editors:

San Martin, Florencia 1. The decolonial project of Alfredo Jaar. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/61004/


Rutgers University

17. Leigh, Allison, 1983-. Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France.

Degree: Art History, 2014, Rutgers University

Subjects/Keywords: Realism in art – Russia – History – 19th century; Realism in art – France – History – 19th century; Realism in literature; Melancholy in art; Melancholy in literature; Modernism (Aesthetics) – Russia – History – 19th century; Modernism (Aesthetics) – France – History – 19th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leigh, Allison, 1. (2014). Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France. (Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/44138/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leigh, Allison, 1983-. “Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France.” 2014. Thesis, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/44138/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leigh, Allison, 1983-. “Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France.” 2014. Web. 23 Oct 2019.

Vancouver:

Leigh, Allison 1. Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France. [Internet] [Thesis]. Rutgers University; 2014. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/44138/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leigh, Allison 1. Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France. [Thesis]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/44138/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

18. Tinti, Mary M. The contemporary art of travel: siting public sculpture within the culture of flight.

Degree: PhD, Art History, 2008, Rutgers University

The Contemporary Art of Travel: Siting Public Sculpture within the Culture of Flight, situates the notable yet little known airport installations of Vito Acconci, Diller… (more)

Subjects/Keywords: Public art; Sculpture, Modern; Airports

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tinti, M. M. (2008). The contemporary art of travel: siting public sculpture within the culture of flight. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17093

Chicago Manual of Style (16th Edition):

Tinti, Mary M. “The contemporary art of travel: siting public sculpture within the culture of flight.” 2008. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17093.

MLA Handbook (7th Edition):

Tinti, Mary M. “The contemporary art of travel: siting public sculpture within the culture of flight.” 2008. Web. 23 Oct 2019.

Vancouver:

Tinti MM. The contemporary art of travel: siting public sculpture within the culture of flight. [Internet] [Doctoral dissertation]. Rutgers University; 2008. [cited 2019 Oct 23]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17093.

Council of Science Editors:

Tinti MM. The contemporary art of travel: siting public sculpture within the culture of flight. [Doctoral Dissertation]. Rutgers University; 2008. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17093


Rutgers University

19. Bryzgel, Amy. New avant-gardes in Eastern Europe and Russia, 1987-1999.

Degree: PhD, Art History, 2008, Rutgers University

This dissertation examines the resurgence of avant-garde art in the work of three performance artists from different post-communist countries under the Soviet sphere of influence:… (more)

Subjects/Keywords: Avant-garde (Aesthetics); Modernism (Art)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bryzgel, A. (2008). New avant-gardes in Eastern Europe and Russia, 1987-1999. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17283

Chicago Manual of Style (16th Edition):

Bryzgel, Amy. “New avant-gardes in Eastern Europe and Russia, 1987-1999.” 2008. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17283.

MLA Handbook (7th Edition):

Bryzgel, Amy. “New avant-gardes in Eastern Europe and Russia, 1987-1999.” 2008. Web. 23 Oct 2019.

Vancouver:

Bryzgel A. New avant-gardes in Eastern Europe and Russia, 1987-1999. [Internet] [Doctoral dissertation]. Rutgers University; 2008. [cited 2019 Oct 23]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17283.

Council of Science Editors:

Bryzgel A. New avant-gardes in Eastern Europe and Russia, 1987-1999. [Doctoral Dissertation]. Rutgers University; 2008. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17283


Rutgers University

20. Oh, Gyung Eun. Musicality and temporality in the art of Nam June Paik (1932-2006).

Degree: Art History, 2014, Rutgers University

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oh, G. E. (2014). Musicality and temporality in the art of Nam June Paik (1932-2006). (Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/42430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oh, Gyung Eun. “Musicality and temporality in the art of Nam June Paik (1932-2006).” 2014. Thesis, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/42430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oh, Gyung Eun. “Musicality and temporality in the art of Nam June Paik (1932-2006).” 2014. Web. 23 Oct 2019.

Vancouver:

Oh GE. Musicality and temporality in the art of Nam June Paik (1932-2006). [Internet] [Thesis]. Rutgers University; 2014. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/42430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oh GE. Musicality and temporality in the art of Nam June Paik (1932-2006). [Thesis]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/42430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

21. Connelly, Shannon. Curious realism: Dada and Die neue Sachlichkeit in 1920s Karlsruhe.

Degree: Art History, 2014, Rutgers University

Subjects/Keywords: Dadaism

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APA (6th Edition):

Connelly, S. (2014). Curious realism: Dada and Die neue Sachlichkeit in 1920s Karlsruhe. (Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/44032/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Connelly, Shannon. “Curious realism: Dada and Die neue Sachlichkeit in 1920s Karlsruhe.” 2014. Thesis, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/44032/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Connelly, Shannon. “Curious realism: Dada and Die neue Sachlichkeit in 1920s Karlsruhe.” 2014. Web. 23 Oct 2019.

Vancouver:

Connelly S. Curious realism: Dada and Die neue Sachlichkeit in 1920s Karlsruhe. [Internet] [Thesis]. Rutgers University; 2014. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/44032/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Connelly S. Curious realism: Dada and Die neue Sachlichkeit in 1920s Karlsruhe. [Thesis]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/44032/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

22. Canwell, Jeremy, 1974-. Modern translation: Estonian art from the National Awakening to the Brezhnev stagnation.

Degree: Art History, 2012, Rutgers University

Subjects/Keywords: Art, Estonian – 19th century; Art, Estonian – 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Canwell, Jeremy, 1. (2012). Modern translation: Estonian art from the National Awakening to the Brezhnev stagnation. (Thesis). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000064059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Canwell, Jeremy, 1974-. “Modern translation: Estonian art from the National Awakening to the Brezhnev stagnation.” 2012. Thesis, Rutgers University. Accessed October 23, 2019. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000064059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Canwell, Jeremy, 1974-. “Modern translation: Estonian art from the National Awakening to the Brezhnev stagnation.” 2012. Web. 23 Oct 2019.

Vancouver:

Canwell, Jeremy 1. Modern translation: Estonian art from the National Awakening to the Brezhnev stagnation. [Internet] [Thesis]. Rutgers University; 2012. [cited 2019 Oct 23]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000064059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Canwell, Jeremy 1. Modern translation: Estonian art from the National Awakening to the Brezhnev stagnation. [Thesis]. Rutgers University; 2012. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000064059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

23. Florek, Olivia Gruber, 1981-. The modern monarch: Empress Elisabeth and the visual culture of femininity, 1850-1900.

Degree: Art History, 2012, Rutgers University

Subjects/Keywords: Modernism (Aesthetics) – Austria – History – 19th century; Modernism (Art) – Austria – History – 19th century; Femininity in art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Florek, Olivia Gruber, 1. (2012). The modern monarch: Empress Elisabeth and the visual culture of femininity, 1850-1900. (Thesis). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065139

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Florek, Olivia Gruber, 1981-. “The modern monarch: Empress Elisabeth and the visual culture of femininity, 1850-1900.” 2012. Thesis, Rutgers University. Accessed October 23, 2019. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065139.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Florek, Olivia Gruber, 1981-. “The modern monarch: Empress Elisabeth and the visual culture of femininity, 1850-1900.” 2012. Web. 23 Oct 2019.

Vancouver:

Florek, Olivia Gruber 1. The modern monarch: Empress Elisabeth and the visual culture of femininity, 1850-1900. [Internet] [Thesis]. Rutgers University; 2012. [cited 2019 Oct 23]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065139.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Florek, Olivia Gruber 1. The modern monarch: Empress Elisabeth and the visual culture of femininity, 1850-1900. [Thesis]. Rutgers University; 2012. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065139

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

24. Sels, Kim Marika, 1982-. Assembling identity: the object-portrait in American art, 1917-1927.

Degree: Art History, 2012, Rutgers University

Subjects/Keywords: Portraits, American; Art, Modern – 20th century – Themes, motives; Art, American – 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sels, Kim Marika, 1. (2012). Assembling identity: the object-portrait in American art, 1917-1927. (Thesis). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sels, Kim Marika, 1982-. “Assembling identity: the object-portrait in American art, 1917-1927.” 2012. Thesis, Rutgers University. Accessed October 23, 2019. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sels, Kim Marika, 1982-. “Assembling identity: the object-portrait in American art, 1917-1927.” 2012. Web. 23 Oct 2019.

Vancouver:

Sels, Kim Marika 1. Assembling identity: the object-portrait in American art, 1917-1927. [Internet] [Thesis]. Rutgers University; 2012. [cited 2019 Oct 23]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sels, Kim Marika 1. Assembling identity: the object-portrait in American art, 1917-1927. [Thesis]. Rutgers University; 2012. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.