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You searched for +publisher:"Rutgers University" +contributor:("Sidlauskas, Susan"). Showing records 1 – 30 of 36 total matches.

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Rutgers University

1. Rodgers, Josephine White, 1979-. Patronage, power, and aesthetic taste: the marketing of james mcneill whistler's art and legacy.

Degree: PhD, Art History, 2015, Rutgers University

This dissertation focuses on aspects of the work and reputation of James McNeill Whistler. I argue that by striving to control the dissemination of his… (more)

Subjects/Keywords: Nationalism; Whistler, James McNeill, 1834-1903 – Criticism and interpretation

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APA (6th Edition):

Rodgers, Josephine White, 1. (2015). Patronage, power, and aesthetic taste: the marketing of james mcneill whistler's art and legacy. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47567/

Chicago Manual of Style (16th Edition):

Rodgers, Josephine White, 1979-. “Patronage, power, and aesthetic taste: the marketing of james mcneill whistler's art and legacy.” 2015. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/47567/.

MLA Handbook (7th Edition):

Rodgers, Josephine White, 1979-. “Patronage, power, and aesthetic taste: the marketing of james mcneill whistler's art and legacy.” 2015. Web. 08 Apr 2020.

Vancouver:

Rodgers, Josephine White 1. Patronage, power, and aesthetic taste: the marketing of james mcneill whistler's art and legacy. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47567/.

Council of Science Editors:

Rodgers, Josephine White 1. Patronage, power, and aesthetic taste: the marketing of james mcneill whistler's art and legacy. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47567/


Rutgers University

2. Manning, Mary, 1986-. Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870.

Degree: PhD, Art History, 2015, Rutgers University

The Early Impressionist painter Frédéric Bazille, who moved frequently between Paris and his hometown of Montpellier, attended medical school for four years before deciding to… (more)

Subjects/Keywords: Impressionism (Art) – France – Paris; Masculinity; Bazille, Frédéric, 1841-1870

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APA (6th Edition):

Manning, Mary, 1. (2015). Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47741/

Chicago Manual of Style (16th Edition):

Manning, Mary, 1986-. “Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870.” 2015. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/47741/.

MLA Handbook (7th Edition):

Manning, Mary, 1986-. “Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870.” 2015. Web. 08 Apr 2020.

Vancouver:

Manning, Mary 1. Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47741/.

Council of Science Editors:

Manning, Mary 1. Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47741/


Rutgers University

3. Cammarata-Seale, Heather N., 1983-. Embodied paradox: taxidermy and contemporary art, 1990-present.

Degree: PhD, Art History, 2016, Rutgers University

Taxidermy—the product of preparing, stuffing, and mounting animal skin—is constructed of both animal and man-made materials. It promotes an illusion of life predicated on the… (more)

Subjects/Keywords: Taxidermy; Animals in art; Art, Modern – 21st century

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APA (6th Edition):

Cammarata-Seale, Heather N., 1. (2016). Embodied paradox: taxidermy and contemporary art, 1990-present. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/49156/

Chicago Manual of Style (16th Edition):

Cammarata-Seale, Heather N., 1983-. “Embodied paradox: taxidermy and contemporary art, 1990-present.” 2016. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/49156/.

MLA Handbook (7th Edition):

Cammarata-Seale, Heather N., 1983-. “Embodied paradox: taxidermy and contemporary art, 1990-present.” 2016. Web. 08 Apr 2020.

Vancouver:

Cammarata-Seale, Heather N. 1. Embodied paradox: taxidermy and contemporary art, 1990-present. [Internet] [Doctoral dissertation]. Rutgers University; 2016. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49156/.

Council of Science Editors:

Cammarata-Seale, Heather N. 1. Embodied paradox: taxidermy and contemporary art, 1990-present. [Doctoral Dissertation]. Rutgers University; 2016. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49156/


Rutgers University

4. Scott, Mary Kate, 1982-. The photography of absence: death in postmodern America.

Degree: PhD, Art History, 2016, Rutgers University

It is a paradox that postmodern photographic theory—so thoroughly obsessed with death—rarely addresses intimate scenes of explicit death or mortality. Rather, it applies these themes… (more)

Subjects/Keywords: Photography – United States – 20th century; Postmodernism – United States; Mapplethorpe, Robert – Criticism and interpretation

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APA (6th Edition):

Scott, Mary Kate, 1. (2016). The photography of absence: death in postmodern America. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/49327/

Chicago Manual of Style (16th Edition):

Scott, Mary Kate, 1982-. “The photography of absence: death in postmodern America.” 2016. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/49327/.

MLA Handbook (7th Edition):

Scott, Mary Kate, 1982-. “The photography of absence: death in postmodern America.” 2016. Web. 08 Apr 2020.

Vancouver:

Scott, Mary Kate 1. The photography of absence: death in postmodern America. [Internet] [Doctoral dissertation]. Rutgers University; 2016. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49327/.

Council of Science Editors:

Scott, Mary Kate 1. The photography of absence: death in postmodern America. [Doctoral Dissertation]. Rutgers University; 2016. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49327/


Rutgers University

5. Harbin, Virginia Allison, 1986-. Encounters in excess: transnational feminisms in contemporary installation art.

Degree: PhD, Art History, 2017, Rutgers University

 This dissertation investigates video-based installation practices of three nonwestern contemporary women artists working since the 1990s: Indian artist Nalini Malani (b. 1946), Trinidadian-U.K. Roshini Kempadoo… (more)

Subjects/Keywords: Feminism; Intersectionality (Sociology); Installations (Art)

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APA (6th Edition):

Harbin, Virginia Allison, 1. (2017). Encounters in excess: transnational feminisms in contemporary installation art. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/53635/

Chicago Manual of Style (16th Edition):

Harbin, Virginia Allison, 1986-. “Encounters in excess: transnational feminisms in contemporary installation art.” 2017. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/53635/.

MLA Handbook (7th Edition):

Harbin, Virginia Allison, 1986-. “Encounters in excess: transnational feminisms in contemporary installation art.” 2017. Web. 08 Apr 2020.

Vancouver:

Harbin, Virginia Allison 1. Encounters in excess: transnational feminisms in contemporary installation art. [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/53635/.

Council of Science Editors:

Harbin, Virginia Allison 1. Encounters in excess: transnational feminisms in contemporary installation art. [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/53635/


Rutgers University

6. DeLosSantos, Jenevieve, 1984-. Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920.

Degree: PhD, Art History, 2015, Rutgers University

Dominated by studies of French painting, considerations of Orientalism in the arts have largely overlooked American visual culture. This dissertation argues that the United States… (more)

Subjects/Keywords: Orientalism – New York (State) – New York; New York (N.Y.) – History – 20th century; Art, Egyptian; Egypt – Antiquities

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APA (6th Edition):

DeLosSantos, Jenevieve, 1. (2015). Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47351/

Chicago Manual of Style (16th Edition):

DeLosSantos, Jenevieve, 1984-. “Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920.” 2015. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/47351/.

MLA Handbook (7th Edition):

DeLosSantos, Jenevieve, 1984-. “Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920.” 2015. Web. 08 Apr 2020.

Vancouver:

DeLosSantos, Jenevieve 1. Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47351/.

Council of Science Editors:

DeLosSantos, Jenevieve 1. Envisioning Egypt: American orientalism in turn-of-the-century New York City, 1880 - 1920. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47351/


Rutgers University

7. Weyl, Christina Moisant, 1982-. Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955.

Degree: PhD, Art History, 2015, Rutgers University

This dissertation is the first to consider the innovative prints of the ninety-one women artists who worked at Atelier 17, the avant-garde printmaking workshop in… (more)

Subjects/Keywords: Women artists; Printmakers – New York (State) – New York; Atelier 17

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APA (6th Edition):

Weyl, Christina Moisant, 1. (2015). Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47610/

Chicago Manual of Style (16th Edition):

Weyl, Christina Moisant, 1982-. “Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955.” 2015. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/47610/.

MLA Handbook (7th Edition):

Weyl, Christina Moisant, 1982-. “Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955.” 2015. Web. 08 Apr 2020.

Vancouver:

Weyl, Christina Moisant 1. Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47610/.

Council of Science Editors:

Weyl, Christina Moisant 1. Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47610/


Rutgers University

8. Gustafson, Donna. At home in the 60s: images of the home in American art, 1960-1975.

Degree: PhD, Art History, 2010, Rutgers University

This dissertation investigates the use of the image of the home as image and subject in American art between 1960 and 1975, drawing connections between… (more)

Subjects/Keywords: Art, American – 20th century – History and criticism; Home in art

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APA (6th Edition):

Gustafson, D. (2010). At home in the 60s: images of the home in American art, 1960-1975. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208

Chicago Manual of Style (16th Edition):

Gustafson, Donna. “At home in the 60s: images of the home in American art, 1960-1975.” 2010. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208.

MLA Handbook (7th Edition):

Gustafson, Donna. “At home in the 60s: images of the home in American art, 1960-1975.” 2010. Web. 08 Apr 2020.

Vancouver:

Gustafson D. At home in the 60s: images of the home in American art, 1960-1975. [Internet] [Doctoral dissertation]. Rutgers University; 2010. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208.

Council of Science Editors:

Gustafson D. At home in the 60s: images of the home in American art, 1960-1975. [Doctoral Dissertation]. Rutgers University; 2010. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208


Rutgers University

9. Quideau, Florence, 1964-. Origins of modernism in French romantic sculpture: David D'Angers, Dantan-Jeune, Daumier and Préault.

Degree: PhD, Art History, 2011, Rutgers University

This dissertation repositions the place of four Romantic artists within the current discussion of Modern sculpture. Today, Jean-Baptiste Carpeaux has displaced Auguste Rodin’s paramount place… (more)

Subjects/Keywords: Sculpture, Modern – 19th century; Sculpture, French – 19th century

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APA (6th Edition):

Quideau, Florence, 1. (2011). Origins of modernism in French romantic sculpture: David D'Angers, Dantan-Jeune, Daumier and Préault. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000057662

Chicago Manual of Style (16th Edition):

Quideau, Florence, 1964-. “Origins of modernism in French romantic sculpture: David D'Angers, Dantan-Jeune, Daumier and Préault.” 2011. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000057662.

MLA Handbook (7th Edition):

Quideau, Florence, 1964-. “Origins of modernism in French romantic sculpture: David D'Angers, Dantan-Jeune, Daumier and Préault.” 2011. Web. 08 Apr 2020.

Vancouver:

Quideau, Florence 1. Origins of modernism in French romantic sculpture: David D'Angers, Dantan-Jeune, Daumier and Préault. [Internet] [Doctoral dissertation]. Rutgers University; 2011. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000057662.

Council of Science Editors:

Quideau, Florence 1. Origins of modernism in French romantic sculpture: David D'Angers, Dantan-Jeune, Daumier and Préault. [Doctoral Dissertation]. Rutgers University; 2011. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000057662


Rutgers University

10. Barr, Adrian. Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism.

Degree: PhD, Art History, 2011, Rutgers University

This dissertation engages historical accounts of the art of the Moscow conceptualist circle and proposes a different understanding of its purpose and significance for Russian… (more)

Subjects/Keywords: Conceptual art – Soviet Union; Modernism (Art) – Soviet Union; Avant-garde (Aesthetics) – Soviet Union

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APA (6th Edition):

Barr, A. (2011). Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000060986

Chicago Manual of Style (16th Edition):

Barr, Adrian. “Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism.” 2011. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000060986.

MLA Handbook (7th Edition):

Barr, Adrian. “Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism.” 2011. Web. 08 Apr 2020.

Vancouver:

Barr A. Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism. [Internet] [Doctoral dissertation]. Rutgers University; 2011. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000060986.

Council of Science Editors:

Barr A. Archaeologies of the avant-garde: Moscow conceptualism and the legacies of Soviet modernism. [Doctoral Dissertation]. Rutgers University; 2011. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000060986


Rutgers University

11. Shannon, Heather A., 1974-. Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America.

Degree: PhD, Art History, 2017, Rutgers University

 From 1895 to 1904, Pasadena bookstore owner Adam Clark Vroman (1856–1916) made eight summer trips to photograph the landscape and indigenous peoples of the Arizona… (more)

Subjects/Keywords: Photography – United States – History – 19th century; Vroman, A. C. – (Adam Clark) – 1856-1916

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APA (6th Edition):

Shannon, Heather A., 1. (2017). Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/55688/

Chicago Manual of Style (16th Edition):

Shannon, Heather A., 1974-. “Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America.” 2017. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/55688/.

MLA Handbook (7th Edition):

Shannon, Heather A., 1974-. “Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America.” 2017. Web. 08 Apr 2020.

Vancouver:

Shannon, Heather A. 1. Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America. [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/55688/.

Council of Science Editors:

Shannon, Heather A. 1. Primitive camera: Adam Clark Vroman and the status of photography in late-nineteenth-century America. [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/55688/


Rutgers University

12. Martynyuk, Olena, 1981-. Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s.

Degree: PhD, Art History, 2018, Rutgers University

This dissertation examines Ukrainian painting of the perestroika era produced by the last generation of Soviet artists trained in the Socialist Realist method and steeped… (more)

Subjects/Keywords: Postmodernism – Ukraine

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APA (6th Edition):

Martynyuk, Olena, 1. (2018). Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/56057/

Chicago Manual of Style (16th Edition):

Martynyuk, Olena, 1981-. “Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s.” 2018. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/56057/.

MLA Handbook (7th Edition):

Martynyuk, Olena, 1981-. “Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s.” 2018. Web. 08 Apr 2020.

Vancouver:

Martynyuk, Olena 1. Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s. [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/56057/.

Council of Science Editors:

Martynyuk, Olena 1. Postmodern perestroika: Ukrainian-Russian artistic networks of the 1980s–1990s. [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/56057/


Rutgers University

13. Brosnan, Kelsey. Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818).

Degree: PhD, Art History, 2018, Rutgers University

Anne Vallayer-Coster (1744–1818) was one of four académiciennes admitted to the French Royal Academy of Painting and Sculpture in the late eighteenth century. As a… (more)

Subjects/Keywords: Still-life painting; Vallayer-Coster, Anne, 1744-1818

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APA (6th Edition):

Brosnan, K. (2018). Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818). (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/58929/

Chicago Manual of Style (16th Edition):

Brosnan, Kelsey. “Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818).” 2018. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/58929/.

MLA Handbook (7th Edition):

Brosnan, Kelsey. “Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818).” 2018. Web. 08 Apr 2020.

Vancouver:

Brosnan K. Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818). [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/58929/.

Council of Science Editors:

Brosnan K. Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818). [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/58929/


Rutgers University

14. Nouril, Ksenia Anastasia, 1987-. The afterlives of communism: the historical turn in contemporary art from Eastern Europe.

Degree: PhD, Art History, 2018, Rutgers University

This dissertation examines the phenomenon of the historical turn in contemporary Eastern European art as evinced in the cross-media works of Olga Chernysheva (b. 1962),… (more)

Subjects/Keywords: Communism and art; Post-communism – Europe, Eastern

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APA (6th Edition):

Nouril, Ksenia Anastasia, 1. (2018). The afterlives of communism: the historical turn in contemporary art from Eastern Europe. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/59184/

Chicago Manual of Style (16th Edition):

Nouril, Ksenia Anastasia, 1987-. “The afterlives of communism: the historical turn in contemporary art from Eastern Europe.” 2018. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/59184/.

MLA Handbook (7th Edition):

Nouril, Ksenia Anastasia, 1987-. “The afterlives of communism: the historical turn in contemporary art from Eastern Europe.” 2018. Web. 08 Apr 2020.

Vancouver:

Nouril, Ksenia Anastasia 1. The afterlives of communism: the historical turn in contemporary art from Eastern Europe. [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/59184/.

Council of Science Editors:

Nouril, Ksenia Anastasia 1. The afterlives of communism: the historical turn in contemporary art from Eastern Europe. [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/59184/


Rutgers University

15. Matsumura, Kimiko. Science/fiction: habitat dioramas, vision, and postwar American art.

Degree: PhD, Dioramas, 2019, Rutgers University

Science/Fiction analyzes shifting American relationships to nature in the contemporary period by considering various incarnations of habitat dioramas, the American Museum of Natural History’s revolutionary… (more)

Subjects/Keywords: Art History; Diorama  – United States  – 20th century; Diorama  – United States  – 21st century

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APA (6th Edition):

Matsumura, K. (2019). Science/fiction: habitat dioramas, vision, and postwar American art. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/60896/

Chicago Manual of Style (16th Edition):

Matsumura, Kimiko. “Science/fiction: habitat dioramas, vision, and postwar American art.” 2019. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/60896/.

MLA Handbook (7th Edition):

Matsumura, Kimiko. “Science/fiction: habitat dioramas, vision, and postwar American art.” 2019. Web. 08 Apr 2020.

Vancouver:

Matsumura K. Science/fiction: habitat dioramas, vision, and postwar American art. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60896/.

Council of Science Editors:

Matsumura K. Science/fiction: habitat dioramas, vision, and postwar American art. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60896/


Rutgers University

16. Morandi, Maria Cristina, 1976-. A semiotic reading of hyperrealism in the Soviet Union: representations of the Soviet urbanscape in the 1970s and 1980s as a new form of critical realism.

Degree: PhD, Art History, 2019, Rutgers University

In the 1950s and 1960s, the Western-established dichotomy between style and ideology, embodied by modernism and realism, was dominant. This dichotomy tended to suppress, marginalize… (more)

Subjects/Keywords: Socialist realism in art  – Soviet Union; Photo-realism  – Soviet Union

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APA (6th Edition):

Morandi, Maria Cristina, 1. (2019). A semiotic reading of hyperrealism in the Soviet Union: representations of the Soviet urbanscape in the 1970s and 1980s as a new form of critical realism. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/61820/

Chicago Manual of Style (16th Edition):

Morandi, Maria Cristina, 1976-. “A semiotic reading of hyperrealism in the Soviet Union: representations of the Soviet urbanscape in the 1970s and 1980s as a new form of critical realism.” 2019. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/61820/.

MLA Handbook (7th Edition):

Morandi, Maria Cristina, 1976-. “A semiotic reading of hyperrealism in the Soviet Union: representations of the Soviet urbanscape in the 1970s and 1980s as a new form of critical realism.” 2019. Web. 08 Apr 2020.

Vancouver:

Morandi, Maria Cristina 1. A semiotic reading of hyperrealism in the Soviet Union: representations of the Soviet urbanscape in the 1970s and 1980s as a new form of critical realism. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/61820/.

Council of Science Editors:

Morandi, Maria Cristina 1. A semiotic reading of hyperrealism in the Soviet Union: representations of the Soviet urbanscape in the 1970s and 1980s as a new form of critical realism. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/61820/


Rutgers University

17. Jimerson, Lauren. Female artists and the body in early 20th century Paris.

Degree: PhD, Art History, 2018, Rutgers University

The nude has long been regarded as the gateway to artistic prominence. In the early twentieth century, it was the consummate subject whereby male painters… (more)

Subjects/Keywords: Nude in art; Women artists – France – Paris – 20th century

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APA (6th Edition):

Jimerson, L. (2018). Female artists and the body in early 20th century Paris. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/57622/

Chicago Manual of Style (16th Edition):

Jimerson, Lauren. “Female artists and the body in early 20th century Paris.” 2018. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/57622/.

MLA Handbook (7th Edition):

Jimerson, Lauren. “Female artists and the body in early 20th century Paris.” 2018. Web. 08 Apr 2020.

Vancouver:

Jimerson L. Female artists and the body in early 20th century Paris. [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/57622/.

Council of Science Editors:

Jimerson L. Female artists and the body in early 20th century Paris. [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/57622/


Rutgers University

18. Lopes, Shana Simone, 1979-. A transatlantic fraternity: American and German photography, 1840 to 1890.

Degree: PhD, Art History, 2017, Rutgers University

Histories of early photography have routinely focused on France, England, and the US, seldom mentioning the region we call “Germany” today, and often discuss each… (more)

Subjects/Keywords: Photography – United States – History – 19th century; Photography – Germany – History – 19th century

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APA (6th Edition):

Lopes, Shana Simone, 1. (2017). A transatlantic fraternity: American and German photography, 1840 to 1890. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/54172/

Chicago Manual of Style (16th Edition):

Lopes, Shana Simone, 1979-. “A transatlantic fraternity: American and German photography, 1840 to 1890.” 2017. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/54172/.

MLA Handbook (7th Edition):

Lopes, Shana Simone, 1979-. “A transatlantic fraternity: American and German photography, 1840 to 1890.” 2017. Web. 08 Apr 2020.

Vancouver:

Lopes, Shana Simone 1. A transatlantic fraternity: American and German photography, 1840 to 1890. [Internet] [Doctoral dissertation]. Rutgers University; 2017. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/54172/.

Council of Science Editors:

Lopes, Shana Simone 1. A transatlantic fraternity: American and German photography, 1840 to 1890. [Doctoral Dissertation]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/54172/

19. Pierce, Kathleen, 1989-. Surface tension: skin, disease, and visuality in third republic France.

Degree: PhD, Modern painting, 2019, Rutgers University

 This dissertation examines relationships between representations of diseased skin and the surface of modern painting in fin-de-siècle France. I frame my analysis through historically specific,… (more)

Subjects/Keywords: Art History; Syphilis in art; Picasso, Pablo, 1881-1973.  – Demoiselles d'Avignon  – Criticism and interpretation

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APA (6th Edition):

Pierce, Kathleen, 1. (2019). Surface tension: skin, disease, and visuality in third republic France. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/60955/

Chicago Manual of Style (16th Edition):

Pierce, Kathleen, 1989-. “Surface tension: skin, disease, and visuality in third republic France.” 2019. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/60955/.

MLA Handbook (7th Edition):

Pierce, Kathleen, 1989-. “Surface tension: skin, disease, and visuality in third republic France.” 2019. Web. 08 Apr 2020.

Vancouver:

Pierce, Kathleen 1. Surface tension: skin, disease, and visuality in third republic France. [Internet] [Doctoral dissertation]. Rutgers University; 2019. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60955/.

Council of Science Editors:

Pierce, Kathleen 1. Surface tension: skin, disease, and visuality in third republic France. [Doctoral Dissertation]. Rutgers University; 2019. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/60955/

20. Sablove, Henrietta F., 1948-. As facts and not as shadows: four American architects and their travel impressions.

Degree: Art History, 2013, Rutgers University

Subjects/Keywords: Architecture – Sketch-books – History – 19th century; Architecture – Sketch-books – History – 20th century; Architects – United States – Travel

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APA (6th Edition):

Sablove, Henrietta F., 1. (2013). As facts and not as shadows: four American architects and their travel impressions. (Thesis). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000068953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sablove, Henrietta F., 1948-. “As facts and not as shadows: four American architects and their travel impressions.” 2013. Thesis, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000068953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sablove, Henrietta F., 1948-. “As facts and not as shadows: four American architects and their travel impressions.” 2013. Web. 08 Apr 2020.

Vancouver:

Sablove, Henrietta F. 1. As facts and not as shadows: four American architects and their travel impressions. [Internet] [Thesis]. Rutgers University; 2013. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000068953.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sablove, Henrietta F. 1. As facts and not as shadows: four American architects and their travel impressions. [Thesis]. Rutgers University; 2013. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000068953

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Zalamea, Patricia. Subject to Diana: picturing desire in French Renaissance courtly aesthetics.

Degree: PhD, Art History, 2007, Rutgers University

My dissertation examines the visual representations of Diana, the chaste goddess of the hunt, in sixteenth-century French court imagery as a major example of how… (more)

Subjects/Keywords: Art, Renaissance – France; Diana (Roman deity) – Art

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APA (6th Edition):

Zalamea, P. (2007). Subject to Diana: picturing desire in French Renaissance courtly aesthetics. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.16804

Chicago Manual of Style (16th Edition):

Zalamea, Patricia. “Subject to Diana: picturing desire in French Renaissance courtly aesthetics.” 2007. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.16804.

MLA Handbook (7th Edition):

Zalamea, Patricia. “Subject to Diana: picturing desire in French Renaissance courtly aesthetics.” 2007. Web. 08 Apr 2020.

Vancouver:

Zalamea P. Subject to Diana: picturing desire in French Renaissance courtly aesthetics. [Internet] [Doctoral dissertation]. Rutgers University; 2007. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.16804.

Council of Science Editors:

Zalamea P. Subject to Diana: picturing desire in French Renaissance courtly aesthetics. [Doctoral Dissertation]. Rutgers University; 2007. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.16804

22. Atkins, Ashley L. Winslow Homer and aestheticism, 1865-1880:.

Degree: PhD, Art History, 2009, Rutgers University

This dissertation explores the introduction of aestheticism to the United States through a close examination of the work of Winslow Homer from 1865 to 1880.… (more)

Subjects/Keywords: Art for arts sake (Movement)

…x28;New Brunswick: Rutgers University Press, 2001), Sarah Burns, "Old Maverick to… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Atkins, A. L. (2009). Winslow Homer and aestheticism, 1865-1880:. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000051715

Chicago Manual of Style (16th Edition):

Atkins, Ashley L. “Winslow Homer and aestheticism, 1865-1880:.” 2009. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000051715.

MLA Handbook (7th Edition):

Atkins, Ashley L. “Winslow Homer and aestheticism, 1865-1880:.” 2009. Web. 08 Apr 2020.

Vancouver:

Atkins AL. Winslow Homer and aestheticism, 1865-1880:. [Internet] [Doctoral dissertation]. Rutgers University; 2009. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000051715.

Council of Science Editors:

Atkins AL. Winslow Homer and aestheticism, 1865-1880:. [Doctoral Dissertation]. Rutgers University; 2009. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000051715

23. Hernandez, Jillian, 1979-. The power of sexual aesthetics: women and girls crafting bodies.

Degree: Women's and Gender Studies, 2013, Rutgers University

Subjects/Keywords: Minority women – Psychology; Body image in girls; Body image in women; Aesthetics, Comparative

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APA (6th Edition):

Hernandez, Jillian, 1. (2013). The power of sexual aesthetics: women and girls crafting bodies. (Thesis). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000068881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hernandez, Jillian, 1979-. “The power of sexual aesthetics: women and girls crafting bodies.” 2013. Thesis, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000068881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hernandez, Jillian, 1979-. “The power of sexual aesthetics: women and girls crafting bodies.” 2013. Web. 08 Apr 2020.

Vancouver:

Hernandez, Jillian 1. The power of sexual aesthetics: women and girls crafting bodies. [Internet] [Thesis]. Rutgers University; 2013. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000068881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hernandez, Jillian 1. The power of sexual aesthetics: women and girls crafting bodies. [Thesis]. Rutgers University; 2013. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000068881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. McBryan, Jennifer Mary, 1979-. Gauguin, Gilgamesh, and the modernist aesthetic allegory: the archaeology of desire in Noa Noa.

Degree: PhD, Comparative Literature, 2011, Rutgers University

This dissertation explores Paul Gauguin's Noa Noa (“fragrant” in Tahitian), a fictionalized “memoir” of his first journey to French Polynesia, which includes a transformative episode… (more)

Subjects/Keywords: Gilgamesh (Legendary character); Aesthetics, Comparative

…as the Draft MS, see Cahn pp. 93-95), and which is owned by Rutgers University… 

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APA (6th Edition):

McBryan, Jennifer Mary, 1. (2011). Gauguin, Gilgamesh, and the modernist aesthetic allegory: the archaeology of desire in Noa Noa. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000061358

Chicago Manual of Style (16th Edition):

McBryan, Jennifer Mary, 1979-. “Gauguin, Gilgamesh, and the modernist aesthetic allegory: the archaeology of desire in Noa Noa.” 2011. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000061358.

MLA Handbook (7th Edition):

McBryan, Jennifer Mary, 1979-. “Gauguin, Gilgamesh, and the modernist aesthetic allegory: the archaeology of desire in Noa Noa.” 2011. Web. 08 Apr 2020.

Vancouver:

McBryan, Jennifer Mary 1. Gauguin, Gilgamesh, and the modernist aesthetic allegory: the archaeology of desire in Noa Noa. [Internet] [Doctoral dissertation]. Rutgers University; 2011. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000061358.

Council of Science Editors:

McBryan, Jennifer Mary 1. Gauguin, Gilgamesh, and the modernist aesthetic allegory: the archaeology of desire in Noa Noa. [Doctoral Dissertation]. Rutgers University; 2011. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000061358


Rutgers University

25. Leigh, Allison, 1983-. Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France.

Degree: Art History, 2014, Rutgers University

Subjects/Keywords: Realism in art – Russia – History – 19th century; Realism in art – France – History – 19th century; Realism in literature; Melancholy in art; Melancholy in literature; Modernism (Aesthetics) – Russia – History – 19th century; Modernism (Aesthetics) – France – History – 19th century

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APA (6th Edition):

Leigh, Allison, 1. (2014). Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France. (Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/44138/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leigh, Allison, 1983-. “Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France.” 2014. Thesis, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/44138/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leigh, Allison, 1983-. “Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France.” 2014. Web. 08 Apr 2020.

Vancouver:

Leigh, Allison 1. Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France. [Internet] [Thesis]. Rutgers University; 2014. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/44138/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leigh, Allison 1. Superfluous man: melancholy, modernity, and realism in nineteenth-century Russia and France. [Thesis]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/44138/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

26. Boland Erkkila, Catherine Clare, 1985-. Spaces of immigration: American railroad companies, the built environment, and the immigrant experience.

Degree: Art History, 2013, Rutgers University

Subjects/Keywords: Railroads – United States – History; Railroads – United States – Employees – History; Foreign workers – United States – History

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APA (6th Edition):

Boland Erkkila, Catherine Clare, 1. (2013). Spaces of immigration: American railroad companies, the built environment, and the immigrant experience. (Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/41726/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boland Erkkila, Catherine Clare, 1985-. “Spaces of immigration: American railroad companies, the built environment, and the immigrant experience.” 2013. Thesis, Rutgers University. Accessed April 08, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/41726/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boland Erkkila, Catherine Clare, 1985-. “Spaces of immigration: American railroad companies, the built environment, and the immigrant experience.” 2013. Web. 08 Apr 2020.

Vancouver:

Boland Erkkila, Catherine Clare 1. Spaces of immigration: American railroad companies, the built environment, and the immigrant experience. [Internet] [Thesis]. Rutgers University; 2013. [cited 2020 Apr 08]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/41726/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boland Erkkila, Catherine Clare 1. Spaces of immigration: American railroad companies, the built environment, and the immigrant experience. [Thesis]. Rutgers University; 2013. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/41726/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

27. Tinti, Mary M. The contemporary art of travel: siting public sculpture within the culture of flight.

Degree: PhD, Art History, 2008, Rutgers University

The Contemporary Art of Travel: Siting Public Sculpture within the Culture of Flight, situates the notable yet little known airport installations of Vito Acconci, Diller… (more)

Subjects/Keywords: Public art; Sculpture, Modern; Airports

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APA (6th Edition):

Tinti, M. M. (2008). The contemporary art of travel: siting public sculpture within the culture of flight. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17093

Chicago Manual of Style (16th Edition):

Tinti, Mary M. “The contemporary art of travel: siting public sculpture within the culture of flight.” 2008. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17093.

MLA Handbook (7th Edition):

Tinti, Mary M. “The contemporary art of travel: siting public sculpture within the culture of flight.” 2008. Web. 08 Apr 2020.

Vancouver:

Tinti MM. The contemporary art of travel: siting public sculpture within the culture of flight. [Internet] [Doctoral dissertation]. Rutgers University; 2008. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17093.

Council of Science Editors:

Tinti MM. The contemporary art of travel: siting public sculpture within the culture of flight. [Doctoral Dissertation]. Rutgers University; 2008. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17093


Rutgers University

28. Scott, Sascha T. Paintings of Pueblo Indians and the politics of preservation in the American southwest.

Degree: PhD, Art History, 2008, Rutgers University

This dissertation investigates paintings of Pueblo Indians produced in the 1920s. Painted at a time when the federal policy of assimilation was being vigorously contested,… (more)

Subjects/Keywords: Pueblo Indians in art

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APA (6th Edition):

Scott, S. T. (2008). Paintings of Pueblo Indians and the politics of preservation in the American southwest. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17388

Chicago Manual of Style (16th Edition):

Scott, Sascha T. “Paintings of Pueblo Indians and the politics of preservation in the American southwest.” 2008. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17388.

MLA Handbook (7th Edition):

Scott, Sascha T. “Paintings of Pueblo Indians and the politics of preservation in the American southwest.” 2008. Web. 08 Apr 2020.

Vancouver:

Scott ST. Paintings of Pueblo Indians and the politics of preservation in the American southwest. [Internet] [Doctoral dissertation]. Rutgers University; 2008. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17388.

Council of Science Editors:

Scott ST. Paintings of Pueblo Indians and the politics of preservation in the American southwest. [Doctoral Dissertation]. Rutgers University; 2008. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17388


Rutgers University

29. Rompilla, Denise M. From Hiroshima to the hydrogen bomb: American artists witness the birth of the atomic age.

Degree: PhD, Art History, 2008, Rutgers University

This dissertation investigates the visual legacy of the atomic bomb as viewed through the eyes of a distinct set of witnesses, American artists who came… (more)

Subjects/Keywords: World War, 1939-1945 – Art and the war; War in art; Art, American – 20th century

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APA (6th Edition):

Rompilla, D. M. (2008). From Hiroshima to the hydrogen bomb: American artists witness the birth of the atomic age. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17556

Chicago Manual of Style (16th Edition):

Rompilla, Denise M. “From Hiroshima to the hydrogen bomb: American artists witness the birth of the atomic age.” 2008. Doctoral Dissertation, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17556.

MLA Handbook (7th Edition):

Rompilla, Denise M. “From Hiroshima to the hydrogen bomb: American artists witness the birth of the atomic age.” 2008. Web. 08 Apr 2020.

Vancouver:

Rompilla DM. From Hiroshima to the hydrogen bomb: American artists witness the birth of the atomic age. [Internet] [Doctoral dissertation]. Rutgers University; 2008. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17556.

Council of Science Editors:

Rompilla DM. From Hiroshima to the hydrogen bomb: American artists witness the birth of the atomic age. [Doctoral Dissertation]. Rutgers University; 2008. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17556


Rutgers University

30. Bramham, Diana. U.S. artists imagining Mexico, Central America and Cuba, 1875-1910.

Degree: Art History, 2012, Rutgers University

Subjects/Keywords: Art; American – 19th century

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APA (6th Edition):

Bramham, D. (2012). U.S. artists imagining Mexico, Central America and Cuba, 1875-1910. (Thesis). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bramham, Diana. “U.S. artists imagining Mexico, Central America and Cuba, 1875-1910.” 2012. Thesis, Rutgers University. Accessed April 08, 2020. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bramham, Diana. “U.S. artists imagining Mexico, Central America and Cuba, 1875-1910.” 2012. Web. 08 Apr 2020.

Vancouver:

Bramham D. U.S. artists imagining Mexico, Central America and Cuba, 1875-1910. [Internet] [Thesis]. Rutgers University; 2012. [cited 2020 Apr 08]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bramham D. U.S. artists imagining Mexico, Central America and Cuba, 1875-1910. [Thesis]. Rutgers University; 2012. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000066643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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