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You searched for +publisher:"Rice University" +contributor:("Loewen, Peter"). Showing records 1 – 10 of 10 total matches.

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Rice University

1. Hirata, Makiko. To See Music in Your Mind's Eye: The Genesis of Memorization as a Piano Performance Practice.

Degree: DMA, Music, 2017, Rice University

 This study examines the genesis of memorization as a piano performance practice, contextualizing it within the major technological, political, aesthetic, and philosophical movements of the… (more)

Subjects/Keywords: musical memory; memorization; piano performance practice; development of piano performance practice; Clara Schumann; Franz Liszt; A.B. Marx

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APA (6th Edition):

Hirata, M. (2017). To See Music in Your Mind's Eye: The Genesis of Memorization as a Piano Performance Practice. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/96091

Chicago Manual of Style (16th Edition):

Hirata, Makiko. “To See Music in Your Mind's Eye: The Genesis of Memorization as a Piano Performance Practice.” 2017. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/96091.

MLA Handbook (7th Edition):

Hirata, Makiko. “To See Music in Your Mind's Eye: The Genesis of Memorization as a Piano Performance Practice.” 2017. Web. 12 Nov 2019.

Vancouver:

Hirata M. To See Music in Your Mind's Eye: The Genesis of Memorization as a Piano Performance Practice. [Internet] [Doctoral dissertation]. Rice University; 2017. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/96091.

Council of Science Editors:

Hirata M. To See Music in Your Mind's Eye: The Genesis of Memorization as a Piano Performance Practice. [Doctoral Dissertation]. Rice University; 2017. Available from: http://hdl.handle.net/1911/96091


Rice University

2. Staupe, Andrew P. Rudepoêma: Masterpiece of Modernism, or Latent Sonata Form? An Analytical Study of Heitor Villa-Lobos's Greatest Piano Masterpiece.

Degree: DMA, Music, 2016, Rice University

 Rudepoêma is Heitor Villa-Lobos’s paramount masterpiece for solo piano, and one of the most impressive and difficult compositions in the entire piano literature. It was… (more)

Subjects/Keywords: Rudepoêma; Heitor Villa-Lobos; piano

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APA (6th Edition):

Staupe, A. P. (2016). Rudepoêma: Masterpiece of Modernism, or Latent Sonata Form? An Analytical Study of Heitor Villa-Lobos's Greatest Piano Masterpiece. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/96229

Chicago Manual of Style (16th Edition):

Staupe, Andrew P. “Rudepoêma: Masterpiece of Modernism, or Latent Sonata Form? An Analytical Study of Heitor Villa-Lobos's Greatest Piano Masterpiece.” 2016. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/96229.

MLA Handbook (7th Edition):

Staupe, Andrew P. “Rudepoêma: Masterpiece of Modernism, or Latent Sonata Form? An Analytical Study of Heitor Villa-Lobos's Greatest Piano Masterpiece.” 2016. Web. 12 Nov 2019.

Vancouver:

Staupe AP. Rudepoêma: Masterpiece of Modernism, or Latent Sonata Form? An Analytical Study of Heitor Villa-Lobos's Greatest Piano Masterpiece. [Internet] [Doctoral dissertation]. Rice University; 2016. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/96229.

Council of Science Editors:

Staupe AP. Rudepoêma: Masterpiece of Modernism, or Latent Sonata Form? An Analytical Study of Heitor Villa-Lobos's Greatest Piano Masterpiece. [Doctoral Dissertation]. Rice University; 2016. Available from: http://hdl.handle.net/1911/96229


Rice University

3. Spitz, Brady Joseph. Lou Harrison's "Old Granddad": A Composer's Guide.

Degree: DMA, Music, 2019, Rice University

 American composer Lou Harrison was known for his activity in blending the music of the world’s cultures and, later in life, building instruments. An example… (more)

Subjects/Keywords: lou harrison; william colvig; bill colvig; old granddad; old grand dad; american gamelan; percussion; percussion ensemble; tuned pipes; gamelan; young caesar; puppet opera; puppet operas; la koro sutro; heart sutra; oratorio; choir; choral; choral masterwork; suite for violin and american gamelan; chamber music; violin; concerto for violin; tenor bells; raga mala; with original composition; american composer; instrument building; instrument builder; just intonation; percussion music; original composition; chamber opera; contemporary opera; world music; music composition

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APA (6th Edition):

Spitz, B. J. (2019). Lou Harrison's "Old Granddad": A Composer's Guide. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/105320

Chicago Manual of Style (16th Edition):

Spitz, Brady Joseph. “Lou Harrison's "Old Granddad": A Composer's Guide.” 2019. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/105320.

MLA Handbook (7th Edition):

Spitz, Brady Joseph. “Lou Harrison's "Old Granddad": A Composer's Guide.” 2019. Web. 12 Nov 2019.

Vancouver:

Spitz BJ. Lou Harrison's "Old Granddad": A Composer's Guide. [Internet] [Doctoral dissertation]. Rice University; 2019. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/105320.

Council of Science Editors:

Spitz BJ. Lou Harrison's "Old Granddad": A Composer's Guide. [Doctoral Dissertation]. Rice University; 2019. Available from: http://hdl.handle.net/1911/105320


Rice University

4. Angkasa, Linda. Lou Harrison's Concerto for Piano with Javanese Gamelan.

Degree: DMA, Music, 2015, Rice University

 Lou Harrison’s compositions for Indonesian gamelan and Western instruments have served as representations of Harrison’s distinctive transcultural voice. His Concerto for Piano with Javanese Gamelan… (more)

Subjects/Keywords: Lou Harrison; Concerto for Piano with Javanese Gamelan

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APA (6th Edition):

Angkasa, L. (2015). Lou Harrison's Concerto for Piano with Javanese Gamelan. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/87698

Chicago Manual of Style (16th Edition):

Angkasa, Linda. “Lou Harrison's Concerto for Piano with Javanese Gamelan.” 2015. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/87698.

MLA Handbook (7th Edition):

Angkasa, Linda. “Lou Harrison's Concerto for Piano with Javanese Gamelan.” 2015. Web. 12 Nov 2019.

Vancouver:

Angkasa L. Lou Harrison's Concerto for Piano with Javanese Gamelan. [Internet] [Doctoral dissertation]. Rice University; 2015. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/87698.

Council of Science Editors:

Angkasa L. Lou Harrison's Concerto for Piano with Javanese Gamelan. [Doctoral Dissertation]. Rice University; 2015. Available from: http://hdl.handle.net/1911/87698


Rice University

5. Yang, Clara. A Practical Guide to Guglielmo Quarenghi's Six Caprices.

Degree: DMA, Music, 2014, Rice University

 Nineteenth-century Italian cellist, Guglielmo Quarenghi (1826-1882), was a virtuoso performer, pedagogue, and composer active in Milan, Italy. Despite his successful career, Quarenghi’s accomplishments as a… (more)

Subjects/Keywords: Quarenghi; Six Caprices; Metodo di Violoncello

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APA (6th Edition):

Yang, C. (2014). A Practical Guide to Guglielmo Quarenghi's Six Caprices. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/87780

Chicago Manual of Style (16th Edition):

Yang, Clara. “A Practical Guide to Guglielmo Quarenghi's Six Caprices.” 2014. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/87780.

MLA Handbook (7th Edition):

Yang, Clara. “A Practical Guide to Guglielmo Quarenghi's Six Caprices.” 2014. Web. 12 Nov 2019.

Vancouver:

Yang C. A Practical Guide to Guglielmo Quarenghi's Six Caprices. [Internet] [Doctoral dissertation]. Rice University; 2014. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/87780.

Council of Science Editors:

Yang C. A Practical Guide to Guglielmo Quarenghi's Six Caprices. [Doctoral Dissertation]. Rice University; 2014. Available from: http://hdl.handle.net/1911/87780

6. Buckley, Stephen. Beethoven's Double Bass Parts: The Viennese Violone and the Problem of Lower Compass.

Degree: DMA, Music, 2013, Rice University

 This study addresses the discrepancy between the range of Beethoven's double bass parts and the instrument or instruments in use in Vienna in his day.… (more)

Subjects/Keywords: Double bass; Lower compass; Viennese Violone

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APA (6th Edition):

Buckley, S. (2013). Beethoven's Double Bass Parts: The Viennese Violone and the Problem of Lower Compass. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/71928

Chicago Manual of Style (16th Edition):

Buckley, Stephen. “Beethoven's Double Bass Parts: The Viennese Violone and the Problem of Lower Compass.” 2013. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/71928.

MLA Handbook (7th Edition):

Buckley, Stephen. “Beethoven's Double Bass Parts: The Viennese Violone and the Problem of Lower Compass.” 2013. Web. 12 Nov 2019.

Vancouver:

Buckley S. Beethoven's Double Bass Parts: The Viennese Violone and the Problem of Lower Compass. [Internet] [Doctoral dissertation]. Rice University; 2013. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/71928.

Council of Science Editors:

Buckley S. Beethoven's Double Bass Parts: The Viennese Violone and the Problem of Lower Compass. [Doctoral Dissertation]. Rice University; 2013. Available from: http://hdl.handle.net/1911/71928

7. Zajicek, Daniel. Grand Variations for large orchestra.

Degree: DMA, Music, 2012, Rice University

 Grand Variations is a work for large orchestra built on an original theme and six variations. My primary concerns when composing were communication, continuity, and… (more)

Subjects/Keywords: Theme; Variations; Quantum; Physics; Orchestra; Repetition; Communications; Continuity; Composition

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Zajicek, D. (2012). Grand Variations for large orchestra. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/64666

Chicago Manual of Style (16th Edition):

Zajicek, Daniel. “Grand Variations for large orchestra.” 2012. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/64666.

MLA Handbook (7th Edition):

Zajicek, Daniel. “Grand Variations for large orchestra.” 2012. Web. 12 Nov 2019.

Vancouver:

Zajicek D. Grand Variations for large orchestra. [Internet] [Doctoral dissertation]. Rice University; 2012. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/64666.

Council of Science Editors:

Zajicek D. Grand Variations for large orchestra. [Doctoral Dissertation]. Rice University; 2012. Available from: http://hdl.handle.net/1911/64666

8. Kawashima, Kimi Pauline. The Jesuits and the Japanese: A Musical Journey to Renaissance Europe.

Degree: DMA, Music, 2014, Rice University

 This paper investigates the significance that music and musical ability held for the Japanese-Jesuit ambassadors who toured Portugal, Spain and Italy from 1584-1586. Specifically, I… (more)

Subjects/Keywords: Jesuits; Tensho; Alessandro Valignano

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APA (6th Edition):

Kawashima, K. P. (2014). The Jesuits and the Japanese: A Musical Journey to Renaissance Europe. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/78761

Chicago Manual of Style (16th Edition):

Kawashima, Kimi Pauline. “The Jesuits and the Japanese: A Musical Journey to Renaissance Europe.” 2014. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/78761.

MLA Handbook (7th Edition):

Kawashima, Kimi Pauline. “The Jesuits and the Japanese: A Musical Journey to Renaissance Europe.” 2014. Web. 12 Nov 2019.

Vancouver:

Kawashima KP. The Jesuits and the Japanese: A Musical Journey to Renaissance Europe. [Internet] [Doctoral dissertation]. Rice University; 2014. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/78761.

Council of Science Editors:

Kawashima KP. The Jesuits and the Japanese: A Musical Journey to Renaissance Europe. [Doctoral Dissertation]. Rice University; 2014. Available from: http://hdl.handle.net/1911/78761

9. Oliver, Jennifer Eileen. Anticipating the Unknown: Applications of Expectation Theory to Rhythm in Barber's Sonata for Piano.

Degree: DMA, Music, 2014, Rice University

 The music of American composer Samuel Barber (1910-1981) emerged from a transformative era in which the rise of modernism systematically dismantled the musical traditions of… (more)

Subjects/Keywords: Samuel Barber; Sonata for piano; Cognition; Expectation theory; Piano performance

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APA (6th Edition):

Oliver, J. E. (2014). Anticipating the Unknown: Applications of Expectation Theory to Rhythm in Barber's Sonata for Piano. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/77380

Chicago Manual of Style (16th Edition):

Oliver, Jennifer Eileen. “Anticipating the Unknown: Applications of Expectation Theory to Rhythm in Barber's Sonata for Piano.” 2014. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/77380.

MLA Handbook (7th Edition):

Oliver, Jennifer Eileen. “Anticipating the Unknown: Applications of Expectation Theory to Rhythm in Barber's Sonata for Piano.” 2014. Web. 12 Nov 2019.

Vancouver:

Oliver JE. Anticipating the Unknown: Applications of Expectation Theory to Rhythm in Barber's Sonata for Piano. [Internet] [Doctoral dissertation]. Rice University; 2014. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/77380.

Council of Science Editors:

Oliver JE. Anticipating the Unknown: Applications of Expectation Theory to Rhythm in Barber's Sonata for Piano. [Doctoral Dissertation]. Rice University; 2014. Available from: http://hdl.handle.net/1911/77380

10. Sasaki, Maiko. Trio Webster: Toshi Ichiyanagi’s Fusion of Western and Eastern Music.

Degree: DMA, Music, 2012, Rice University

 This document contains a synopsis of Toshi Ichiyanagi’s compositional style, a discussion of his musical philosophy, and an analysis of Trio Webster. Ichiyanagi is a… (more)

Subjects/Keywords: Music; Toshi Ichiyanagi; Ichiyanagi; Japanese; Japanese composer; Japanese aesthetics; Eastern and Western fusion; Clarinet; Flute; Piano; Webster Trio; John Cage; Aleatory music; Fluxus; Cage shock; Graphic notation; Clarinet performance

…Webster Trio—Leone Buyse (flute) and Robert Moeling (piano)—at Rice… …University on April 4th, 2011, at a benefit concert for Japan disaster relief. When I performed… 

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APA (6th Edition):

Sasaki, M. (2012). Trio Webster: Toshi Ichiyanagi’s Fusion of Western and Eastern Music. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/64647

Chicago Manual of Style (16th Edition):

Sasaki, Maiko. “Trio Webster: Toshi Ichiyanagi’s Fusion of Western and Eastern Music.” 2012. Doctoral Dissertation, Rice University. Accessed November 12, 2019. http://hdl.handle.net/1911/64647.

MLA Handbook (7th Edition):

Sasaki, Maiko. “Trio Webster: Toshi Ichiyanagi’s Fusion of Western and Eastern Music.” 2012. Web. 12 Nov 2019.

Vancouver:

Sasaki M. Trio Webster: Toshi Ichiyanagi’s Fusion of Western and Eastern Music. [Internet] [Doctoral dissertation]. Rice University; 2012. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1911/64647.

Council of Science Editors:

Sasaki M. Trio Webster: Toshi Ichiyanagi’s Fusion of Western and Eastern Music. [Doctoral Dissertation]. Rice University; 2012. Available from: http://hdl.handle.net/1911/64647

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