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You searched for +publisher:"Ohio University" +contributor:("Peterson, Marina"). Showing records 1 – 9 of 9 total matches.

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Ohio University

1. Ottum, Joshua J. Anthropogenic Moods: American Functional Music and Environmental Imaginaries.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2016, Ohio University

 This dissertation investigates how functional music, utilitarian commercial music composed to create moods, shapes environmental imaginaries in late twentieth- and early twenty-first century America. In… (more)

Subjects/Keywords: Music; sound studies; musicology; environmental humanities; new age music; smooth jazz; vaporwave; petroculture; media studies; ecomusicology

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APA (6th Edition):

Ottum, J. J. (2016). Anthropogenic Moods: American Functional Music and Environmental Imaginaries. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1458123106

Chicago Manual of Style (16th Edition):

Ottum, Joshua J. “Anthropogenic Moods: American Functional Music and Environmental Imaginaries.” 2016. Doctoral Dissertation, Ohio University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1458123106.

MLA Handbook (7th Edition):

Ottum, Joshua J. “Anthropogenic Moods: American Functional Music and Environmental Imaginaries.” 2016. Web. 20 Oct 2020.

Vancouver:

Ottum JJ. Anthropogenic Moods: American Functional Music and Environmental Imaginaries. [Internet] [Doctoral dissertation]. Ohio University; 2016. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1458123106.

Council of Science Editors:

Ottum JJ. Anthropogenic Moods: American Functional Music and Environmental Imaginaries. [Doctoral Dissertation]. Ohio University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1458123106


Ohio University

2. Harnetty, Brian P. Performing Sonic Archives: Listening to Berea, Sun Ra, and the Little Cities of Black Diamonds.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2014, Ohio University

 This is a project of performing three sonic archives: the Berea College Appalachian Sound Archives in Kentucky, the Sun Ra/El Saturn Collection of the Creative… (more)

Subjects/Keywords: Music; Fine Arts; Energy; Ecology; Sonic Archives; Berea Appalachian Sound Archives; Sun Ra; Little Cities of Black Diamonds; sound studies; archival performance; sonic ethnography; aural history; ecomusicology

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APA (6th Edition):

Harnetty, B. P. (2014). Performing Sonic Archives: Listening to Berea, Sun Ra, and the Little Cities of Black Diamonds. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417170787

Chicago Manual of Style (16th Edition):

Harnetty, Brian P. “Performing Sonic Archives: Listening to Berea, Sun Ra, and the Little Cities of Black Diamonds.” 2014. Doctoral Dissertation, Ohio University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417170787.

MLA Handbook (7th Edition):

Harnetty, Brian P. “Performing Sonic Archives: Listening to Berea, Sun Ra, and the Little Cities of Black Diamonds.” 2014. Web. 20 Oct 2020.

Vancouver:

Harnetty BP. Performing Sonic Archives: Listening to Berea, Sun Ra, and the Little Cities of Black Diamonds. [Internet] [Doctoral dissertation]. Ohio University; 2014. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417170787.

Council of Science Editors:

Harnetty BP. Performing Sonic Archives: Listening to Berea, Sun Ra, and the Little Cities of Black Diamonds. [Doctoral Dissertation]. Ohio University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417170787


Ohio University

3. Gontovnik, Monica. Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2015, Ohio University

 This is a feminist project that investigates the performative practices of contemporary female Colombian artists. It was guided by a main research question: Is there… (more)

Subjects/Keywords: Aesthetics; Art Criticism; Art History; Cultural Anthropology; Dance; Fine Arts; Gender Studies; Latin American Studies; Literature; Performing Arts; Philosophy; Theater; Feminism; performance studies; visual studies; Colombian artists; visual art; dance; theatre; film; performance art; poetry; myth; Latin Studies; Women Studies; Gender Studies; Contemporary Philosophy; Aesthetics, Colombia

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APA (6th Edition):

Gontovnik, M. (2015). Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106

Chicago Manual of Style (16th Edition):

Gontovnik, Monica. “Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists.” 2015. Doctoral Dissertation, Ohio University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.

MLA Handbook (7th Edition):

Gontovnik, Monica. “Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists.” 2015. Web. 20 Oct 2020.

Vancouver:

Gontovnik M. Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists. [Internet] [Doctoral dissertation]. Ohio University; 2015. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.

Council of Science Editors:

Gontovnik M. Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists. [Doctoral Dissertation]. Ohio University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106


Ohio University

4. Seiler, Jena M. Sensing Security through Contemporary Art and Ethnographic Encounters.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2017, Ohio University

 This dissertation examines the sensory entanglements of security through an analysis of contemporary art and ethnographic encounters. I argue that the “securitization” of society does… (more)

Subjects/Keywords: Art Criticism; Cultural Anthropology; Geography; Museum Studies; Performing Arts; Fine Arts; Security; Senses; Contemporary Art; Ethnography; Technology; Embodiment; Space; Museums

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APA (6th Edition):

Seiler, J. M. (2017). Sensing Security through Contemporary Art and Ethnographic Encounters. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou151022822064186

Chicago Manual of Style (16th Edition):

Seiler, Jena M. “Sensing Security through Contemporary Art and Ethnographic Encounters.” 2017. Doctoral Dissertation, Ohio University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou151022822064186.

MLA Handbook (7th Edition):

Seiler, Jena M. “Sensing Security through Contemporary Art and Ethnographic Encounters.” 2017. Web. 20 Oct 2020.

Vancouver:

Seiler JM. Sensing Security through Contemporary Art and Ethnographic Encounters. [Internet] [Doctoral dissertation]. Ohio University; 2017. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou151022822064186.

Council of Science Editors:

Seiler JM. Sensing Security through Contemporary Art and Ethnographic Encounters. [Doctoral Dissertation]. Ohio University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou151022822064186

5. Wang, Jing. Making and Unmaking of Freedom: Sound, Affect and Beijing.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2012, Ohio University

  In this dissertation, I investigate the practice of sound art in the post-Tiananmen era in China. I define sound art as creative practices that… (more)

Subjects/Keywords: Aesthetics; Asian Studies; Cultural Anthropology; Fine Arts; Music; Philosophy; sound art; experimental music; China; Beijing; affect; freedom

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APA (6th Edition):

Wang, J. (2012). Making and Unmaking of Freedom: Sound, Affect and Beijing. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1336097506

Chicago Manual of Style (16th Edition):

Wang, Jing. “Making and Unmaking of Freedom: Sound, Affect and Beijing.” 2012. Doctoral Dissertation, Ohio University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1336097506.

MLA Handbook (7th Edition):

Wang, Jing. “Making and Unmaking of Freedom: Sound, Affect and Beijing.” 2012. Web. 20 Oct 2020.

Vancouver:

Wang J. Making and Unmaking of Freedom: Sound, Affect and Beijing. [Internet] [Doctoral dissertation]. Ohio University; 2012. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1336097506.

Council of Science Editors:

Wang J. Making and Unmaking of Freedom: Sound, Affect and Beijing. [Doctoral Dissertation]. Ohio University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1336097506

6. Conboy, Matthew L. Mapping the Cultural Landscape: A Rephotographic Survey of W. Eugene Smith's <i>Pittsburgh Project</i>.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2015, Ohio University

 In this dissertation, I will apply the scholarly, creative, and descriptive traits of rephotography to document the city of Pittsburgh’s cultural landscape. Starting with images… (more)

Subjects/Keywords: Art History; Fine Arts; Geography; Rephotography; Photography; W Eugene Smith; Pittsburgh; Cultural Landscape; Tourism Studies; Geography

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APA (6th Edition):

Conboy, M. L. (2015). Mapping the Cultural Landscape: A Rephotographic Survey of W. Eugene Smith's <i>Pittsburgh Project</i>. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1427825071

Chicago Manual of Style (16th Edition):

Conboy, Matthew L. “Mapping the Cultural Landscape: A Rephotographic Survey of W. Eugene Smith's <i>Pittsburgh Project</i>.” 2015. Doctoral Dissertation, Ohio University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1427825071.

MLA Handbook (7th Edition):

Conboy, Matthew L. “Mapping the Cultural Landscape: A Rephotographic Survey of W. Eugene Smith's <i>Pittsburgh Project</i>.” 2015. Web. 20 Oct 2020.

Vancouver:

Conboy ML. Mapping the Cultural Landscape: A Rephotographic Survey of W. Eugene Smith's <i>Pittsburgh Project</i>. [Internet] [Doctoral dissertation]. Ohio University; 2015. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1427825071.

Council of Science Editors:

Conboy ML. Mapping the Cultural Landscape: A Rephotographic Survey of W. Eugene Smith's <i>Pittsburgh Project</i>. [Doctoral Dissertation]. Ohio University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1427825071

7. Murray, Peggy L. Dancing in the Seminary: Reconstructing Dances for a 1749 Viceregal Peruvian Opera.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2015, Ohio University

 This study explores the dance characteristics and aesthetics likely employed in Venid, venid deydades, a performance piece from mid-eighteenth-century Cusco, Peru. This seminary opera by… (more)

Subjects/Keywords: Cultural Anthropology; Dance; Fine Arts; Folklore; History; Latin American History; Music; Performing Arts; Theater History; dance; Peru; history; Baroque; colonial Peru; performance; dance reconstruction; historically informed performance; eighteenth-century performance; historical ethnography; cultural ethnography; historical anthropology; folklore

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APA (6th Edition):

Murray, P. L. (2015). Dancing in the Seminary: Reconstructing Dances for a 1749 Viceregal Peruvian Opera. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1448985385

Chicago Manual of Style (16th Edition):

Murray, Peggy L. “Dancing in the Seminary: Reconstructing Dances for a 1749 Viceregal Peruvian Opera.” 2015. Doctoral Dissertation, Ohio University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1448985385.

MLA Handbook (7th Edition):

Murray, Peggy L. “Dancing in the Seminary: Reconstructing Dances for a 1749 Viceregal Peruvian Opera.” 2015. Web. 20 Oct 2020.

Vancouver:

Murray PL. Dancing in the Seminary: Reconstructing Dances for a 1749 Viceregal Peruvian Opera. [Internet] [Doctoral dissertation]. Ohio University; 2015. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1448985385.

Council of Science Editors:

Murray PL. Dancing in the Seminary: Reconstructing Dances for a 1749 Viceregal Peruvian Opera. [Doctoral Dissertation]. Ohio University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1448985385


Ohio University

8. MacCarthy, Henry W. Cuban Zarzuela and the (Neo)Colonial Imagination: A Subaltern Historiography of Music Theater in The Caribbean.

Degree: PhD, Comparative Arts (Fine Arts), 2007, Ohio University

 Zarzuela is a musical theater genre in which alternating sung and spoken text do not rupture the dramatic action. It originated in Spain during the… (more)

Subjects/Keywords: Theater; Cuban Zarzuela; Zarzuela; Cuban Diaspora; Musical Theater

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APA (6th Edition):

MacCarthy, H. W. (2007). Cuban Zarzuela and the (Neo)Colonial Imagination: A Subaltern Historiography of Music Theater in The Caribbean. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1190899976

Chicago Manual of Style (16th Edition):

MacCarthy, Henry W. “Cuban Zarzuela and the (Neo)Colonial Imagination: A Subaltern Historiography of Music Theater in The Caribbean.” 2007. Doctoral Dissertation, Ohio University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1190899976.

MLA Handbook (7th Edition):

MacCarthy, Henry W. “Cuban Zarzuela and the (Neo)Colonial Imagination: A Subaltern Historiography of Music Theater in The Caribbean.” 2007. Web. 20 Oct 2020.

Vancouver:

MacCarthy HW. Cuban Zarzuela and the (Neo)Colonial Imagination: A Subaltern Historiography of Music Theater in The Caribbean. [Internet] [Doctoral dissertation]. Ohio University; 2007. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1190899976.

Council of Science Editors:

MacCarthy HW. Cuban Zarzuela and the (Neo)Colonial Imagination: A Subaltern Historiography of Music Theater in The Caribbean. [Doctoral Dissertation]. Ohio University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1190899976


Ohio University

9. MacDonald, T. Spreelin. Steve Biko and Black Consciousness in Post-Apartheid South African Poetry.

Degree: PhD, Interdisciplinary Arts (Fine Arts), 2010, Ohio University

  This dissertation rethinks the legacy of the anti-apartheid leader Steve Biko (1946-1977) in terms of his influence upon post-apartheid South African poetry. Comparing Biko's… (more)

Subjects/Keywords: African Literature; Literature; Theater; Steve Biko; Poetry; South Africa; Performativity; Blackness; Post-Apartheid

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APA (6th Edition):

MacDonald, T. S. (2010). Steve Biko and Black Consciousness in Post-Apartheid South African Poetry. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1273169552

Chicago Manual of Style (16th Edition):

MacDonald, T Spreelin. “Steve Biko and Black Consciousness in Post-Apartheid South African Poetry.” 2010. Doctoral Dissertation, Ohio University. Accessed October 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1273169552.

MLA Handbook (7th Edition):

MacDonald, T Spreelin. “Steve Biko and Black Consciousness in Post-Apartheid South African Poetry.” 2010. Web. 20 Oct 2020.

Vancouver:

MacDonald TS. Steve Biko and Black Consciousness in Post-Apartheid South African Poetry. [Internet] [Doctoral dissertation]. Ohio University; 2010. [cited 2020 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1273169552.

Council of Science Editors:

MacDonald TS. Steve Biko and Black Consciousness in Post-Apartheid South African Poetry. [Doctoral Dissertation]. Ohio University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1273169552

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