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You searched for +publisher:"North Texas State University" +contributor:("Brothers, Lester Dwayne, 1945-"). Showing records 1 – 30 of 40 total matches.

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1. Chang, Sangtae. The Sonatas of Domenico Gabrielli (1651-1690) in San Petronio MSS G.I: 3-9.

Degree: 1986, North Texas State University

 Domenico Gabrielli's seven trumpet sonatas are among seventeenth-century trumpet repertoire predominant in the instrumental tradition of the basilica San Petronio, which flourished roughly from the… (more)

Subjects/Keywords: musicology; Domenico Gabrielli; trumpet sonatas; Gabrielli, Domenico, 1659-1690  – Sonatas  – trumpet, string orchestra.

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APA (6th Edition):

Chang, S. (1986). The Sonatas of Domenico Gabrielli (1651-1690) in San Petronio MSS G.I: 3-9. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chang, Sangtae. “The Sonatas of Domenico Gabrielli (1651-1690) in San Petronio MSS G.I: 3-9.” 1986. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc500373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chang, Sangtae. “The Sonatas of Domenico Gabrielli (1651-1690) in San Petronio MSS G.I: 3-9.” 1986. Web. 19 Aug 2019.

Vancouver:

Chang S. The Sonatas of Domenico Gabrielli (1651-1690) in San Petronio MSS G.I: 3-9. [Internet] [Thesis]. North Texas State University; 1986. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chang S. The Sonatas of Domenico Gabrielli (1651-1690) in San Petronio MSS G.I: 3-9. [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc500373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Garven, Richard O. San Juan Ixcoi Mass: A Study of Liturgical Music in Northwestern Guatemala.

Degree: 1979, North Texas State University

 The San Juan Ixcoi Mass is part of the San Miguel Acatan Repertory which was found in the northwestern highlands of Guatemala before being purchased… (more)

Subjects/Keywords: San Juan Ixcoi Mass; San Juan Ixcoi Mass.; Church music  – Guatemala.; Masses  – Vocal scores.; liturgical music

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APA (6th Edition):

Garven, R. O. (1979). San Juan Ixcoi Mass: A Study of Liturgical Music in Northwestern Guatemala. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc504065/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garven, Richard O. “San Juan Ixcoi Mass: A Study of Liturgical Music in Northwestern Guatemala.” 1979. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc504065/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garven, Richard O. “San Juan Ixcoi Mass: A Study of Liturgical Music in Northwestern Guatemala.” 1979. Web. 19 Aug 2019.

Vancouver:

Garven RO. San Juan Ixcoi Mass: A Study of Liturgical Music in Northwestern Guatemala. [Internet] [Thesis]. North Texas State University; 1979. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc504065/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garven RO. San Juan Ixcoi Mass: A Study of Liturgical Music in Northwestern Guatemala. [Thesis]. North Texas State University; 1979. Available from: https://digital.library.unt.edu/ark:/67531/metadc504065/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Van der Merwe, Johan. A Stylistic Analysis of Liszt's Settings of the Three Petrarchan Sonnets.

Degree: 1975, North Texas State University

 This is a stylistic study of the four versions of Liszt's Three Petrarchan Sonnets with special emphasis on the revision of poetic settings to the… (more)

Subjects/Keywords: Petrarchan Sonnets; Liszt, Franz, 1811-1886.; Petrarca, Francesco, 1304-1374  – Musical settings.; Music appreciation.; Franz Liszts

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APA (6th Edition):

Van der Merwe, J. (1975). A Stylistic Analysis of Liszt's Settings of the Three Petrarchan Sonnets. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663042/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Van der Merwe, Johan. “A Stylistic Analysis of Liszt's Settings of the Three Petrarchan Sonnets.” 1975. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc663042/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Van der Merwe, Johan. “A Stylistic Analysis of Liszt's Settings of the Three Petrarchan Sonnets.” 1975. Web. 19 Aug 2019.

Vancouver:

Van der Merwe J. A Stylistic Analysis of Liszt's Settings of the Three Petrarchan Sonnets. [Internet] [Thesis]. North Texas State University; 1975. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663042/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Van der Merwe J. A Stylistic Analysis of Liszt's Settings of the Three Petrarchan Sonnets. [Thesis]. North Texas State University; 1975. Available from: https://digital.library.unt.edu/ark:/67531/metadc663042/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Bardin, Charles Randall. Songs of Praise.

Degree: 1983, North Texas State University

 Songs of Praise is a setting of four passages from the Psalms for soprano and chamber orchestra. The text is taken from Psalms 96, 114,… (more)

Subjects/Keywords: music composition; sacred songs; psalms music; Sacred songs (High voice) with chamber orchestra  – Scores.; Psalms (Music)

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APA (6th Edition):

Bardin, C. R. (1983). Songs of Praise. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663549/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bardin, Charles Randall. “Songs of Praise.” 1983. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc663549/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bardin, Charles Randall. “Songs of Praise.” 1983. Web. 19 Aug 2019.

Vancouver:

Bardin CR. Songs of Praise. [Internet] [Thesis]. North Texas State University; 1983. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663549/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bardin CR. Songs of Praise. [Thesis]. North Texas State University; 1983. Available from: https://digital.library.unt.edu/ark:/67531/metadc663549/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. McCrory, Jennifer A. Goethe's Kennst du das Land: Eight Musical Settings, 1795-1888.

Degree: 1977, North Texas State University

 This thesis studies the problem of combining a poem with music in nineteenth-century Lieder so that the music enhances the poetry rather than detracting from… (more)

Subjects/Keywords: Lied music; Wilhelm Meisters Lehrjahr; musico-poetic synthesis; Johann Wolfgang von Goethe; Goethe, Johann Wolfgang von,  – 1749-1832  – Musical settings  – History and criticism.; Goethe, Johann Wolfgang von,  – 1749-1832.  – Wilhelm Meisters Lehrjahre. Kennst du das Land.

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APA (6th Edition):

McCrory, J. A. (1977). Goethe's Kennst du das Land: Eight Musical Settings, 1795-1888. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663331/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCrory, Jennifer A. “Goethe's Kennst du das Land: Eight Musical Settings, 1795-1888.” 1977. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc663331/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCrory, Jennifer A. “Goethe's Kennst du das Land: Eight Musical Settings, 1795-1888.” 1977. Web. 19 Aug 2019.

Vancouver:

McCrory JA. Goethe's Kennst du das Land: Eight Musical Settings, 1795-1888. [Internet] [Thesis]. North Texas State University; 1977. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663331/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCrory JA. Goethe's Kennst du das Land: Eight Musical Settings, 1795-1888. [Thesis]. North Texas State University; 1977. Available from: https://digital.library.unt.edu/ark:/67531/metadc663331/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Carson, Michael, 1959-. Watership Down.

Degree: 1987, North Texas State University

 Watership Down is a work for chamber orchestra in four movements, approximately sixteen minutes in duration. The piece is a programmatic work based on the… (more)

Subjects/Keywords: Watership Down; scores; Richard Adams; Chamber orchestra music  – Scores.

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APA (6th Edition):

Carson, Michael, 1. (1987). Watership Down. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carson, Michael, 1959-. “Watership Down.” 1987. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc935663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carson, Michael, 1959-. “Watership Down.” 1987. Web. 19 Aug 2019.

Vancouver:

Carson, Michael 1. Watership Down. [Internet] [Thesis]. North Texas State University; 1987. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carson, Michael 1. Watership Down. [Thesis]. North Texas State University; 1987. Available from: https://digital.library.unt.edu/ark:/67531/metadc935663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Nosow, Robert Michael. Respond Motets from Matins for the Dead by Robert Parsons.

Degree: 1984, North Texas State University

 The three respond motets from Matins for the Dead by Robert Parsons constitute an important part of the sacred Latin repertory of mid-sixteenth-century England, illustrating… (more)

Subjects/Keywords: motets; musica ficta; motets history; Parsons, Robert,|dd. 1570.  – Motets.; Motets  – History and criticism.; Motets.; Musica ficta.

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APA (6th Edition):

Nosow, R. M. (1984). Respond Motets from Matins for the Dead by Robert Parsons. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935722/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nosow, Robert Michael. “Respond Motets from Matins for the Dead by Robert Parsons.” 1984. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc935722/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nosow, Robert Michael. “Respond Motets from Matins for the Dead by Robert Parsons.” 1984. Web. 19 Aug 2019.

Vancouver:

Nosow RM. Respond Motets from Matins for the Dead by Robert Parsons. [Internet] [Thesis]. North Texas State University; 1984. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935722/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nosow RM. Respond Motets from Matins for the Dead by Robert Parsons. [Thesis]. North Texas State University; 1984. Available from: https://digital.library.unt.edu/ark:/67531/metadc935722/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Hamilton, Richard L. A Study of Timbre Modulation Using a Digital Computer, with Applications to Composition.

Degree: 1977, North Texas State University

 This paper presents a means of modulating timbre in digital sound synthesis using additive processes . A major portion of the paper is a computer… (more)

Subjects/Keywords: computer sound processing; computer music; digital sound synthesis; Computer sound processing.; Computer composition.; CART (Computer file); Computer music.

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APA (6th Edition):

Hamilton, R. L. (1977). A Study of Timbre Modulation Using a Digital Computer, with Applications to Composition. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935817/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hamilton, Richard L. “A Study of Timbre Modulation Using a Digital Computer, with Applications to Composition.” 1977. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc935817/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hamilton, Richard L. “A Study of Timbre Modulation Using a Digital Computer, with Applications to Composition.” 1977. Web. 19 Aug 2019.

Vancouver:

Hamilton RL. A Study of Timbre Modulation Using a Digital Computer, with Applications to Composition. [Internet] [Thesis]. North Texas State University; 1977. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935817/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hamilton RL. A Study of Timbre Modulation Using a Digital Computer, with Applications to Composition. [Thesis]. North Texas State University; 1977. Available from: https://digital.library.unt.edu/ark:/67531/metadc935817/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Ray, Karen, 1951-. Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925.

Degree: 1986, North Texas State University

 Alan Berg's two musical settings of Theodor Storm's poem"Schliesse mir die Augen beide" have received little in the way of scholarly analytical attention. The three… (more)

Subjects/Keywords: Alban Berg; Theodor Storm; musical analysis; Berg, Alban, 1885-1935.  – Schliesse mir die Augen beide.

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APA (6th Edition):

Ray, Karen, 1. (1986). Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935595/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ray, Karen, 1951-. “Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925.” 1986. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc935595/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ray, Karen, 1951-. “Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925.” 1986. Web. 19 Aug 2019.

Vancouver:

Ray, Karen 1. Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925. [Internet] [Thesis]. North Texas State University; 1986. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935595/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ray, Karen 1. Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925. [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc935595/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Smialek, William. Ignacy Feliks Dobrzyński (1807-1867): His Life And Symphonies.

Degree: 1981, North Texas State University

 Ignacy Feliks , a Polish composer active in Warsaw, is best known for having been a colleague of Frederic Chopin while they were both composition… (more)

Subjects/Keywords: musicology; Ignacy Feliks Dobrzyński; symphony music; polish composers; Dobrzyński, Ignacy Feliks, 1807-1867.; Composers  – Poland  – Biography.; Symphony.; Music  – Poland  – 19th century  – History and criticism.; Dobrzyński, Ignacy Feliks, 1807-1867. Symphonies, no. 2, op. 15, C minor.

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APA (6th Edition):

Smialek, W. (1981). Ignacy Feliks Dobrzyński (1807-1867): His Life And Symphonies. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331594/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smialek, William. “Ignacy Feliks Dobrzyński (1807-1867): His Life And Symphonies.” 1981. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc331594/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smialek, William. “Ignacy Feliks Dobrzyński (1807-1867): His Life And Symphonies.” 1981. Web. 19 Aug 2019.

Vancouver:

Smialek W. Ignacy Feliks Dobrzyński (1807-1867): His Life And Symphonies. [Internet] [Thesis]. North Texas State University; 1981. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331594/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smialek W. Ignacy Feliks Dobrzyński (1807-1867): His Life And Symphonies. [Thesis]. North Texas State University; 1981. Available from: https://digital.library.unt.edu/ark:/67531/metadc331594/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Cox, Joseph L. (Joseph Lee). The Solo Trombone Works of Kazimierz Serocki, A Lecture Recital, Together with Three Recitals of Selected Works by W. Hartley, P. Dubois, H. Dutilleux, H. Tomasi, G. Jacobs, L. Grondahl, J. Aubain and Others.

Degree: 1981, North Texas State University

 The three recitals consisted of performances of original twentieth century solo works for trombone with the exception of two trombone quartets, Adagio, by C. Saint-Saëns,… (more)

Subjects/Keywords: trombone quartets; trombone solos; Kazimierz Serocki; Polish neoclassicists; Serocki, Kazimierz. Sonatina, trombone, piano.; Serocki, Kazimierz. Concertos, trombone, orchestra.

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APA (6th Edition):

Cox, J. L. (. L. (1981). The Solo Trombone Works of Kazimierz Serocki, A Lecture Recital, Together with Three Recitals of Selected Works by W. Hartley, P. Dubois, H. Dutilleux, H. Tomasi, G. Jacobs, L. Grondahl, J. Aubain and Others. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332118/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cox, Joseph L (Joseph Lee). “The Solo Trombone Works of Kazimierz Serocki, A Lecture Recital, Together with Three Recitals of Selected Works by W. Hartley, P. Dubois, H. Dutilleux, H. Tomasi, G. Jacobs, L. Grondahl, J. Aubain and Others.” 1981. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc332118/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cox, Joseph L (Joseph Lee). “The Solo Trombone Works of Kazimierz Serocki, A Lecture Recital, Together with Three Recitals of Selected Works by W. Hartley, P. Dubois, H. Dutilleux, H. Tomasi, G. Jacobs, L. Grondahl, J. Aubain and Others.” 1981. Web. 19 Aug 2019.

Vancouver:

Cox JL(L. The Solo Trombone Works of Kazimierz Serocki, A Lecture Recital, Together with Three Recitals of Selected Works by W. Hartley, P. Dubois, H. Dutilleux, H. Tomasi, G. Jacobs, L. Grondahl, J. Aubain and Others. [Internet] [Thesis]. North Texas State University; 1981. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332118/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cox JL(L. The Solo Trombone Works of Kazimierz Serocki, A Lecture Recital, Together with Three Recitals of Selected Works by W. Hartley, P. Dubois, H. Dutilleux, H. Tomasi, G. Jacobs, L. Grondahl, J. Aubain and Others. [Thesis]. North Texas State University; 1981. Available from: https://digital.library.unt.edu/ark:/67531/metadc332118/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Treacy, Susan. English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture.

Degree: 1986, North Texas State University

 Seventeenth-century England witnessed profound historical, theological, and musical changes. A king was overthrown and executed; religion was practiced fervently and disputed hotly; and English musicians… (more)

Subjects/Keywords: stile nuovo; religion and music; devotional songs; Church music  – England  – 17th century  – History and criticism.; England  – Religious life and customs.

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APA (6th Edition):

Treacy, S. (1986). English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331253/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Treacy, Susan. “English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture.” 1986. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc331253/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Treacy, Susan. “English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture.” 1986. Web. 19 Aug 2019.

Vancouver:

Treacy S. English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture. [Internet] [Thesis]. North Texas State University; 1986. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331253/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Treacy S. English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture. [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc331253/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Woodruff, Lawrence Theodore. The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality.

Degree: 1986, North Texas State University

 While musical sources and documents from throughout the Middle Ages reveal that mode was an enduring and consciously derived trait of monophonic chant, modality in… (more)

Subjects/Keywords: music theory; modality; Masses|y16th century  – Analysis, appreciation.; Musical intervals and scales  – History.

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APA (6th Edition):

Woodruff, L. T. (1986). The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331202/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Woodruff, Lawrence Theodore. “The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality.” 1986. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc331202/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Woodruff, Lawrence Theodore. “The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality.” 1986. Web. 19 Aug 2019.

Vancouver:

Woodruff LT. The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality. [Internet] [Thesis]. North Texas State University; 1986. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331202/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woodruff LT. The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality. [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc331202/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Lee, Namjai. Anton Bruckner's Treatment of the Credo Text in His Last Three Masses.

Degree: 1985, North Texas State University

 In order to investigate the stylistic transformation that occured before Bruckner abandoned the composition of Masses, this paper analyzes the Credo settings in his last… (more)

Subjects/Keywords: Credo text; Bruckner, Anton, 1824-1896  – Masses, D minor.; Bruckner, Anton, 1824-1896  – Masses, E minor.; Bruckner, Anton, 1824-1896  – Masses, F minor.; Anton Bruckner; Mass compostitions

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APA (6th Edition):

Lee, N. (1985). Anton Bruckner's Treatment of the Credo Text in His Last Three Masses. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500366/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Namjai. “Anton Bruckner's Treatment of the Credo Text in His Last Three Masses.” 1985. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc500366/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Namjai. “Anton Bruckner's Treatment of the Credo Text in His Last Three Masses.” 1985. Web. 19 Aug 2019.

Vancouver:

Lee N. Anton Bruckner's Treatment of the Credo Text in His Last Three Masses. [Internet] [Thesis]. North Texas State University; 1985. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500366/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee N. Anton Bruckner's Treatment of the Credo Text in His Last Three Masses. [Thesis]. North Texas State University; 1985. Available from: https://digital.library.unt.edu/ark:/67531/metadc500366/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Balthrop, Sharon. Twenty-Six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn.

Degree: 1988, North Texas State University

 This thesis provides modern transcriptions for horn of twenty-six two- and three-voiced canons by Johann Walter, thereby adding to the literature available from the sixteenth… (more)

Subjects/Keywords: french horn music; canons; Johann Walter; Walter, Johann, 1496-1570. Fugen auf die acht Tonos.; Canons, fugues, etc. (Horns (3))  – Scores.; Canons, fugues, etc. (Horns (2))  – Scores.

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APA (6th Edition):

Balthrop, S. (1988). Twenty-Six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501248/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Balthrop, Sharon. “Twenty-Six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn.” 1988. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc501248/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Balthrop, Sharon. “Twenty-Six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn.” 1988. Web. 19 Aug 2019.

Vancouver:

Balthrop S. Twenty-Six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn. [Internet] [Thesis]. North Texas State University; 1988. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501248/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Balthrop S. Twenty-Six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn. [Thesis]. North Texas State University; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc501248/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Hallquist, Robert N. Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka.

Degree: 1979, North Texas State University

 After considering Petrouchka's historical and compositional background and the orchestral revision of 1947, this thesis analyzes the composition, dealing specifically with formal, harmonic, and melodic… (more)

Subjects/Keywords: Petrouchka; Stravinsky; transcriptional procedures; Stravinsky, Igor, 1882-1971.  – Petroushka.; Music appreciation.; Arrangement (Music)

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APA (6th Edition):

Hallquist, R. N. (1979). Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500654/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hallquist, Robert N. “Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka.” 1979. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc500654/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hallquist, Robert N. “Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka.” 1979. Web. 19 Aug 2019.

Vancouver:

Hallquist RN. Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka. [Internet] [Thesis]. North Texas State University; 1979. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500654/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hallquist RN. Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka. [Thesis]. North Texas State University; 1979. Available from: https://digital.library.unt.edu/ark:/67531/metadc500654/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Russom, Philip Wade. Seven Early Songs of Arnold Schoenberg from the Nachod Collection.

Degree: 1980, North Texas State University

 Arnold Schoenberg viewed himself as an extension of the German Romantic tradition. Schoenberg's early unpublished songs prove his indebtedness to nineteenth century music, but they… (more)

Subjects/Keywords: Arnold Schoenberg; Schoenberg, Arnold, 1874-1951  – Songs.; Lied traditions; Grundgestalt principle; music compositions

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APA (6th Edition):

Russom, P. W. (1980). Seven Early Songs of Arnold Schoenberg from the Nachod Collection. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc504048/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Russom, Philip Wade. “Seven Early Songs of Arnold Schoenberg from the Nachod Collection.” 1980. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc504048/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Russom, Philip Wade. “Seven Early Songs of Arnold Schoenberg from the Nachod Collection.” 1980. Web. 19 Aug 2019.

Vancouver:

Russom PW. Seven Early Songs of Arnold Schoenberg from the Nachod Collection. [Internet] [Thesis]. North Texas State University; 1980. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc504048/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Russom PW. Seven Early Songs of Arnold Schoenberg from the Nachod Collection. [Thesis]. North Texas State University; 1980. Available from: https://digital.library.unt.edu/ark:/67531/metadc504048/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Harrison, Charles Scott. Busoni's Doktor Faust.

Degree: 1976, North Texas State University

 It is the intent of this thesis to shed a new investigative light upon a musician whose importance as a creative personality and aesthetician has… (more)

Subjects/Keywords: Ferruccio Busoni; Busoni, Ferruccio, 1866-1924  – Doktor Faust.; Faust legend; Doktor Faust

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APA (6th Edition):

Harrison, C. S. (1976). Busoni's Doktor Faust. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc504216/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harrison, Charles Scott. “Busoni's Doktor Faust.” 1976. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc504216/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harrison, Charles Scott. “Busoni's Doktor Faust.” 1976. Web. 19 Aug 2019.

Vancouver:

Harrison CS. Busoni's Doktor Faust. [Internet] [Thesis]. North Texas State University; 1976. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc504216/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harrison CS. Busoni's Doktor Faust. [Thesis]. North Texas State University; 1976. Available from: https://digital.library.unt.edu/ark:/67531/metadc504216/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Ensey, Robert W. (Robert Walton). Promulgation An Original Musical Composition for Chamber Orchestra and Computer.

Degree: 1981, North Texas State University

 Promulgation is an interactive composition in which the orchestra and computer communicate through musical motives contained in the Command Motive Score. The musical content as… (more)

Subjects/Keywords: orchestra music; Chamber orchestra music  – Scores.; Computer music.; Aleatory music.; computer music; aleatory music

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APA (6th Edition):

Ensey, R. W. (. W. (1981). Promulgation An Original Musical Composition for Chamber Orchestra and Computer. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663443/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ensey, Robert W (Robert Walton). “Promulgation An Original Musical Composition for Chamber Orchestra and Computer.” 1981. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc663443/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ensey, Robert W (Robert Walton). “Promulgation An Original Musical Composition for Chamber Orchestra and Computer.” 1981. Web. 19 Aug 2019.

Vancouver:

Ensey RW(W. Promulgation An Original Musical Composition for Chamber Orchestra and Computer. [Internet] [Thesis]. North Texas State University; 1981. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663443/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ensey RW(W. Promulgation An Original Musical Composition for Chamber Orchestra and Computer. [Thesis]. North Texas State University; 1981. Available from: https://digital.library.unt.edu/ark:/67531/metadc663443/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Allen, Debra K. (Debra Kaye). Drama and Characterization in Opera Settings of "A Midsummer Nightʼs Dream" by Britten and Siegmeister.

Degree: 1982, North Texas State University

 Although Shakespeare deliberately downplays characterization in his moonlit dream fantasy, both Britten and Siegmeister exploit this dramatic element as the basis of their opera settings… (more)

Subjects/Keywords: Benjamin Britten; Britten, Benjamin, 1913-1976  – Midsummer night's dream.; Siegmeister, Elie, 1909-1991  – Night of the moonspell.; Elie Siegmeister; A Midsummer Night's Dream; opera settings

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APA (6th Edition):

Allen, D. K. (. K. (1982). Drama and Characterization in Opera Settings of "A Midsummer Nightʼs Dream" by Britten and Siegmeister. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663718/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allen, Debra K (Debra Kaye). “Drama and Characterization in Opera Settings of "A Midsummer Nightʼs Dream" by Britten and Siegmeister.” 1982. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc663718/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allen, Debra K (Debra Kaye). “Drama and Characterization in Opera Settings of "A Midsummer Nightʼs Dream" by Britten and Siegmeister.” 1982. Web. 19 Aug 2019.

Vancouver:

Allen DK(K. Drama and Characterization in Opera Settings of "A Midsummer Nightʼs Dream" by Britten and Siegmeister. [Internet] [Thesis]. North Texas State University; 1982. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663718/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allen DK(K. Drama and Characterization in Opera Settings of "A Midsummer Nightʼs Dream" by Britten and Siegmeister. [Thesis]. North Texas State University; 1982. Available from: https://digital.library.unt.edu/ark:/67531/metadc663718/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Harvey, Dixie Lynn. The Theoretical Treatises of Josef Matthias Hauer.

Degree: 1980, North Texas State University

 This study makes available in English translations the three most important theoretical writings of the Austrian composer Josef Matthias Hauer (1883—1959), whose experiments with atonal… (more)

Subjects/Keywords: Josef Matthias Hauer; atonal music; dodecaphonic music; Hauer, Josef Matthias, 1883-1959.; Twelve-tone system.

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APA (6th Edition):

Harvey, D. L. (1980). The Theoretical Treatises of Josef Matthias Hauer. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harvey, Dixie Lynn. “The Theoretical Treatises of Josef Matthias Hauer.” 1980. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc331242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harvey, Dixie Lynn. “The Theoretical Treatises of Josef Matthias Hauer.” 1980. Web. 19 Aug 2019.

Vancouver:

Harvey DL. The Theoretical Treatises of Josef Matthias Hauer. [Internet] [Thesis]. North Texas State University; 1980. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harvey DL. The Theoretical Treatises of Josef Matthias Hauer. [Thesis]. North Texas State University; 1980. Available from: https://digital.library.unt.edu/ark:/67531/metadc331242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Collins, Glenda Whitman. Avant-Garde Techniques in the Organ Works of György Ligeti, a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, W.A. Mozart, M. Reger, and Others.

Degree: 1980, North Texas State University

 The Two Etudes: "Harmonies," and "Coulée" and the Volumina of Ligeti were performed following a lecture on avant-garde techniques in organ works of György Ligeti.… (more)

Subjects/Keywords: György Ligeti; organ performance; organ music; avant-garde techniques in music; Ligeti, György, 1923-2006. Organ music.; Ligeti, György, 1923-2006. Volumina.; Ligeti, György, 1923-2006. Études, organ.

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APA (6th Edition):

Collins, G. W. (1980). Avant-Garde Techniques in the Organ Works of György Ligeti, a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, W.A. Mozart, M. Reger, and Others. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332184/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Collins, Glenda Whitman. “Avant-Garde Techniques in the Organ Works of György Ligeti, a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, W.A. Mozart, M. Reger, and Others.” 1980. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc332184/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Collins, Glenda Whitman. “Avant-Garde Techniques in the Organ Works of György Ligeti, a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, W.A. Mozart, M. Reger, and Others.” 1980. Web. 19 Aug 2019.

Vancouver:

Collins GW. Avant-Garde Techniques in the Organ Works of György Ligeti, a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, W.A. Mozart, M. Reger, and Others. [Internet] [Thesis]. North Texas State University; 1980. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332184/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Collins GW. Avant-Garde Techniques in the Organ Works of György Ligeti, a Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, W.A. Mozart, M. Reger, and Others. [Thesis]. North Texas State University; 1980. Available from: https://digital.library.unt.edu/ark:/67531/metadc332184/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Lauderdale-Hinds, Lynne Allison. Four Organ Chorale Preludes of Johann Sebastian Bach (1685-1750) as Realized for the Piano by Ferruccio Busoni (1866-1924): A Comparative Analysis of the Piano Transcriptions and the Original Works for Organ. A Lecture Recital, Together with Three Recitals of Selected Works of J. Sweelinck, J.S. Bach, W. Mozart, F. Schubert, J. Brahms, and S. Prokofieff.

Degree: 1980, North Texas State University

 Busoni's contribution to the art of the piano transcription is formidable. His chorale prelude transcriptions make him responsible for giving over to the piano repertoire… (more)

Subjects/Keywords: piano transcriptions; Ferruccio Busoni; keyboard transcriptional practices; Bach, Johann Sebastian, 1685-1750. Chorale preludes.; Busoni, Ferruccio, 1866-1924.; Arrangement (Music)  – History.

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APA (6th Edition):

Lauderdale-Hinds, L. A. (1980). Four Organ Chorale Preludes of Johann Sebastian Bach (1685-1750) as Realized for the Piano by Ferruccio Busoni (1866-1924): A Comparative Analysis of the Piano Transcriptions and the Original Works for Organ. A Lecture Recital, Together with Three Recitals of Selected Works of J. Sweelinck, J.S. Bach, W. Mozart, F. Schubert, J. Brahms, and S. Prokofieff. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330879/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lauderdale-Hinds, Lynne Allison. “Four Organ Chorale Preludes of Johann Sebastian Bach (1685-1750) as Realized for the Piano by Ferruccio Busoni (1866-1924): A Comparative Analysis of the Piano Transcriptions and the Original Works for Organ. A Lecture Recital, Together with Three Recitals of Selected Works of J. Sweelinck, J.S. Bach, W. Mozart, F. Schubert, J. Brahms, and S. Prokofieff.” 1980. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc330879/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lauderdale-Hinds, Lynne Allison. “Four Organ Chorale Preludes of Johann Sebastian Bach (1685-1750) as Realized for the Piano by Ferruccio Busoni (1866-1924): A Comparative Analysis of the Piano Transcriptions and the Original Works for Organ. A Lecture Recital, Together with Three Recitals of Selected Works of J. Sweelinck, J.S. Bach, W. Mozart, F. Schubert, J. Brahms, and S. Prokofieff.” 1980. Web. 19 Aug 2019.

Vancouver:

Lauderdale-Hinds LA. Four Organ Chorale Preludes of Johann Sebastian Bach (1685-1750) as Realized for the Piano by Ferruccio Busoni (1866-1924): A Comparative Analysis of the Piano Transcriptions and the Original Works for Organ. A Lecture Recital, Together with Three Recitals of Selected Works of J. Sweelinck, J.S. Bach, W. Mozart, F. Schubert, J. Brahms, and S. Prokofieff. [Internet] [Thesis]. North Texas State University; 1980. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330879/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lauderdale-Hinds LA. Four Organ Chorale Preludes of Johann Sebastian Bach (1685-1750) as Realized for the Piano by Ferruccio Busoni (1866-1924): A Comparative Analysis of the Piano Transcriptions and the Original Works for Organ. A Lecture Recital, Together with Three Recitals of Selected Works of J. Sweelinck, J.S. Bach, W. Mozart, F. Schubert, J. Brahms, and S. Prokofieff. [Thesis]. North Texas State University; 1980. Available from: https://digital.library.unt.edu/ark:/67531/metadc330879/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Houston, Robert E. A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others.

Degree: 1980, North Texas State University

 This study is an examination of Earl Hatch and Clair Musser's transcriptions for marimba of Chopin's Waltz, Opus 64 No. 1, Musser's arrangement of Chopin's… (more)

Subjects/Keywords: marimba music; marimba transcriptions; Frederick Chopin; Johannes Brahms; César Franck; Marimba music  – History and criticism.; Arrangement (Music)

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APA (6th Edition):

Houston, R. E. (1980). A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331782/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Houston, Robert E. “A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others.” 1980. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc331782/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Houston, Robert E. “A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others.” 1980. Web. 19 Aug 2019.

Vancouver:

Houston RE. A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others. [Internet] [Thesis]. North Texas State University; 1980. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331782/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Houston RE. A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others. [Thesis]. North Texas State University; 1980. Available from: https://digital.library.unt.edu/ark:/67531/metadc331782/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Roberson, Richard E. The Nocturnes of Frédéric Chopin and Gabriel Fauré, a Lecture Recital, Together with Three Recitals of Selected Works by Other Composers for Piano.

Degree: 1979, North Texas State University

 The romantic piano literature contains three important collections of nocturnes. The nocturnes of John Field (1782-1837) were the first to appear, and were followed by… (more)

Subjects/Keywords: Gabriel Fauré; Frédéric Chopin; piano nocturnes; lecture recital; Chopin, Frédéric, 1810-1849  – Influence.; Fauré, Gabriel, 1845-1924.; Chopin, Frédéric, 1810-1849  – Nocturnes  – piano.; Fauré, Gabriel, 1845-1924  – Nocturnes  – piano.

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APA (6th Edition):

Roberson, R. E. (1979). The Nocturnes of Frédéric Chopin and Gabriel Fauré, a Lecture Recital, Together with Three Recitals of Selected Works by Other Composers for Piano. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331461/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roberson, Richard E. “The Nocturnes of Frédéric Chopin and Gabriel Fauré, a Lecture Recital, Together with Three Recitals of Selected Works by Other Composers for Piano.” 1979. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc331461/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roberson, Richard E. “The Nocturnes of Frédéric Chopin and Gabriel Fauré, a Lecture Recital, Together with Three Recitals of Selected Works by Other Composers for Piano.” 1979. Web. 19 Aug 2019.

Vancouver:

Roberson RE. The Nocturnes of Frédéric Chopin and Gabriel Fauré, a Lecture Recital, Together with Three Recitals of Selected Works by Other Composers for Piano. [Internet] [Thesis]. North Texas State University; 1979. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331461/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roberson RE. The Nocturnes of Frédéric Chopin and Gabriel Fauré, a Lecture Recital, Together with Three Recitals of Selected Works by Other Composers for Piano. [Thesis]. North Texas State University; 1979. Available from: https://digital.library.unt.edu/ark:/67531/metadc331461/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. McCutchen, Thomas W. (Thomas Wendell). An Examination of Selected Ragtime Solos by Zez Confrey, George Hamilton Green, Charles Johnson and Red Norvo as Transcribed for Xylophone Solo with Marimba Ensemble Accompaniment.

Degree: 1984, North Texas State University

 This lecture-recital paper deals with some of the music of the early 1900's, examining both original xylophone solos and piano rags arranged for the xylophone.… (more)

Subjects/Keywords: xylophone performance; xylophone music; music ensembles; Xylophone music (Ragtime)  – History and criticism.; Ragtime music  – History and criticism.

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APA (6th Edition):

McCutchen, T. W. (. W. (1984). An Examination of Selected Ragtime Solos by Zez Confrey, George Hamilton Green, Charles Johnson and Red Norvo as Transcribed for Xylophone Solo with Marimba Ensemble Accompaniment. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330920/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCutchen, Thomas W (Thomas Wendell). “An Examination of Selected Ragtime Solos by Zez Confrey, George Hamilton Green, Charles Johnson and Red Norvo as Transcribed for Xylophone Solo with Marimba Ensemble Accompaniment.” 1984. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc330920/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCutchen, Thomas W (Thomas Wendell). “An Examination of Selected Ragtime Solos by Zez Confrey, George Hamilton Green, Charles Johnson and Red Norvo as Transcribed for Xylophone Solo with Marimba Ensemble Accompaniment.” 1984. Web. 19 Aug 2019.

Vancouver:

McCutchen TW(W. An Examination of Selected Ragtime Solos by Zez Confrey, George Hamilton Green, Charles Johnson and Red Norvo as Transcribed for Xylophone Solo with Marimba Ensemble Accompaniment. [Internet] [Thesis]. North Texas State University; 1984. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330920/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCutchen TW(W. An Examination of Selected Ragtime Solos by Zez Confrey, George Hamilton Green, Charles Johnson and Red Norvo as Transcribed for Xylophone Solo with Marimba Ensemble Accompaniment. [Thesis]. North Texas State University; 1984. Available from: https://digital.library.unt.edu/ark:/67531/metadc330920/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Bevil, J. Marshall (Jack Marshall). Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition.

Degree: 1984, North Texas State University

 This study presents a theory of melodic creation, transmission, memory, and recall within the Anglo- and Celtic-American culture of lower Appalachia, from the time of… (more)

Subjects/Keywords: folk tune centonization; melodic creation; melodic transmission; Folk music  – Appalachian Region, Southern  – History and criticism.; Oral tradition  – Appalachian Region, Southern.

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APA (6th Edition):

Bevil, J. M. (. M. (1984). Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331257/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bevil, J Marshall (Jack Marshall). “Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition.” 1984. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc331257/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bevil, J Marshall (Jack Marshall). “Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition.” 1984. Web. 19 Aug 2019.

Vancouver:

Bevil JM(M. Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition. [Internet] [Thesis]. North Texas State University; 1984. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331257/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bevil JM(M. Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition. [Thesis]. North Texas State University; 1984. Available from: https://digital.library.unt.edu/ark:/67531/metadc331257/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Flores, Carlos A. (Carlos Arturo). Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors.

Degree: 1986, North Texas State University

 This investigation traces the history and development of music theory in Mexico from the date of the first Mexican treatise available (1776) to the early… (more)

Subjects/Keywords: Music theory  – History.; music theory; theory development; Music  – Mexico  – Theory  – History  – 18th century.; Music  – Mexico  – Theory  – History  – 19th century.

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APA (6th Edition):

Flores, C. A. (. A. (1986). Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331988/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Flores, Carlos A (Carlos Arturo). “Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors.” 1986. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc331988/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Flores, Carlos A (Carlos Arturo). “Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors.” 1986. Web. 19 Aug 2019.

Vancouver:

Flores CA(A. Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors. [Internet] [Thesis]. North Texas State University; 1986. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331988/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Flores CA(A. Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors. [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc331988/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Fansler, Terry Lee. The Anthem in America: 1900-1950.

Degree: 1982, North Texas State University

 During the first half of this century, a wealth of anthem literature was published and performed in the United States that, as a result of… (more)

Subjects/Keywords: music history in America; musical anthems; church music; Anthems  – History and criticism.; Music  – United States  – 20th century  – History and criticism.

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APA (6th Edition):

Fansler, T. L. (1982). The Anthem in America: 1900-1950. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fansler, Terry Lee. “The Anthem in America: 1900-1950.” 1982. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc332335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fansler, Terry Lee. “The Anthem in America: 1900-1950.” 1982. Web. 19 Aug 2019.

Vancouver:

Fansler TL. The Anthem in America: 1900-1950. [Internet] [Thesis]. North Texas State University; 1982. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fansler TL. The Anthem in America: 1900-1950. [Thesis]. North Texas State University; 1982. Available from: https://digital.library.unt.edu/ark:/67531/metadc332335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Smialek, William. Édouard Batiste's Symphonie militaire (1845): edition and commentary.

Degree: 1976, North Texas State University

 Symphonie Militaire is a three movement work for twelve solo wind instruments composed by Edouard Batiste (1820-1876), a professor at the Paris Conservatoire and organist.… (more)

Subjects/Keywords: Édourade Batiste; symphonies; scores; symphonie militaire; Batiste, Edouard, 1820-1876.  – Symphonie militaire.; Symphonies (Band)  – Scores.

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APA (6th Edition):

Smialek, W. (1976). Édouard Batiste's Symphonie militaire (1845): edition and commentary. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935664/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smialek, William. “Édouard Batiste's Symphonie militaire (1845): edition and commentary.” 1976. Thesis, North Texas State University. Accessed August 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc935664/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smialek, William. “Édouard Batiste's Symphonie militaire (1845): edition and commentary.” 1976. Web. 19 Aug 2019.

Vancouver:

Smialek W. Édouard Batiste's Symphonie militaire (1845): edition and commentary. [Internet] [Thesis]. North Texas State University; 1976. [cited 2019 Aug 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935664/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smialek W. Édouard Batiste's Symphonie militaire (1845): edition and commentary. [Thesis]. North Texas State University; 1976. Available from: https://digital.library.unt.edu/ark:/67531/metadc935664/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

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