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You searched for +publisher:"North Texas State Teachers College" +contributor:("Miller, Hugh Milton, 1908-1986"). Showing records 1 – 8 of 8 total matches.

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1. Harvey, Otis Poe. A Study of Dissonance and Harmonic Tradition in the Fugues of the Ludus Tonalis by Paul Hindemith.

Degree: 1947, North Texas State Teachers College

 This study considers only one aspect of music of the twentieth century – that of dissonance. Through an analysis of harmonic tension in the twelve fugues… (more)

Subjects/Keywords: harmony in music; dissonance; Ludus Tonalis; Paul Hindemith; Hindemith, Paul, 1895-1963. Ludus tonalis.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harvey, O. P. (1947). A Study of Dissonance and Harmonic Tradition in the Fugues of the Ludus Tonalis by Paul Hindemith. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699750/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harvey, Otis Poe. “A Study of Dissonance and Harmonic Tradition in the Fugues of the Ludus Tonalis by Paul Hindemith.” 1947. Thesis, North Texas State Teachers College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc699750/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harvey, Otis Poe. “A Study of Dissonance and Harmonic Tradition in the Fugues of the Ludus Tonalis by Paul Hindemith.” 1947. Web. 18 Dec 2017.

Vancouver:

Harvey OP. A Study of Dissonance and Harmonic Tradition in the Fugues of the Ludus Tonalis by Paul Hindemith. [Internet] [Thesis]. North Texas State Teachers College; 1947. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699750/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harvey OP. A Study of Dissonance and Harmonic Tradition in the Fugues of the Ludus Tonalis by Paul Hindemith. [Thesis]. North Texas State Teachers College; 1947. Available from: https://digital.library.unt.edu/ark:/67531/metadc699750/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Baber, Nettie Maxine. A Comparison of the Canzoni of Frescobaldi and Froberger.

Degree: 1942, North Texas State Teachers College

It is the purpose of this thesis to discuss and compare the canzoni of Frescobaldi and Froberger and to show something of their influences on their successors. Advisors/Committee Members: Bain, Wilfred C. (Wilfred Conwell), 1908-1997, Miller, Hugh Milton, 1908-1986.

Subjects/Keywords: canzoni; Girolamo Frescobaldi; Johann Jacob Froberger; canzona francese; instrumental musical forms; polyphonic songs; Frescobaldi, Girolamo  – 1583-1643  – Canzoni  – Selections.; Froberger, Johann Jacob  – 1616-1667  – Canzoni  – Selections.

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APA (6th Edition):

Baber, N. M. (1942). A Comparison of the Canzoni of Frescobaldi and Froberger. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663323/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baber, Nettie Maxine. “A Comparison of the Canzoni of Frescobaldi and Froberger.” 1942. Thesis, North Texas State Teachers College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc663323/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baber, Nettie Maxine. “A Comparison of the Canzoni of Frescobaldi and Froberger.” 1942. Web. 18 Dec 2017.

Vancouver:

Baber NM. A Comparison of the Canzoni of Frescobaldi and Froberger. [Internet] [Thesis]. North Texas State Teachers College; 1942. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663323/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baber NM. A Comparison of the Canzoni of Frescobaldi and Froberger. [Thesis]. North Texas State Teachers College; 1942. Available from: https://digital.library.unt.edu/ark:/67531/metadc663323/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Clemons, Ouida. Typical Elements of Brahms's Choral Style as Found in the German Requiem.

Degree: 1942, North Texas State Teachers College

 An unusual opportunity to hear and perform this work has been afforded at North Texas State Teachers College by the presentation of the German Requiem… (more)

Subjects/Keywords: Johannes Brahms; Brahms, Johannes  – 1833-1897  – Deutsches Requiem.; choral music; German requiem; classical music

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APA (6th Edition):

Clemons, O. (1942). Typical Elements of Brahms's Choral Style as Found in the German Requiem. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699559/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clemons, Ouida. “Typical Elements of Brahms's Choral Style as Found in the German Requiem.” 1942. Thesis, North Texas State Teachers College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc699559/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clemons, Ouida. “Typical Elements of Brahms's Choral Style as Found in the German Requiem.” 1942. Web. 18 Dec 2017.

Vancouver:

Clemons O. Typical Elements of Brahms's Choral Style as Found in the German Requiem. [Internet] [Thesis]. North Texas State Teachers College; 1942. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699559/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clemons O. Typical Elements of Brahms's Choral Style as Found in the German Requiem. [Thesis]. North Texas State Teachers College; 1942. Available from: https://digital.library.unt.edu/ark:/67531/metadc699559/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Daniel, Ralph Thomas. A Stylistic Analysis of Béla Bartók's "Mikrokosmos".

Degree: 1942, North Texas State Teachers College

 Bela Bartok's art is a perfect microcosm of the art of the twentieth century. It is interwoven with the musical conceptions and techniques of the… (more)

Subjects/Keywords: Béla Bartók; Mikrokosmos; Hungarian composers; piano music; Microcosm; Bartók, Béla,1881-1945  – Mikrokosmos.

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APA (6th Edition):

Daniel, R. T. (1942). A Stylistic Analysis of Béla Bartók's "Mikrokosmos". (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699406/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Daniel, Ralph Thomas. “A Stylistic Analysis of Béla Bartók's "Mikrokosmos".” 1942. Thesis, North Texas State Teachers College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc699406/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Daniel, Ralph Thomas. “A Stylistic Analysis of Béla Bartók's "Mikrokosmos".” 1942. Web. 18 Dec 2017.

Vancouver:

Daniel RT. A Stylistic Analysis of Béla Bartók's "Mikrokosmos". [Internet] [Thesis]. North Texas State Teachers College; 1942. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699406/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Daniel RT. A Stylistic Analysis of Béla Bartók's "Mikrokosmos". [Thesis]. North Texas State Teachers College; 1942. Available from: https://digital.library.unt.edu/ark:/67531/metadc699406/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Jameson, Elizabeth Rose. A Stylistic Analysis of the Piano Works of Debussy and Ravel.

Degree: 1942, North Texas State Teachers College

 This study has three purposes: first, to point out the stylistic elements of music that are present in the piano works of Debussy and Ravel;… (more)

Subjects/Keywords: music education; piano music; french music; Claude-Achille Debussy; Joseph Maurice Ravel; French composers; classical music; Debussy, Claude, 1862-1918  – Piano music.; Ravel, Maurice, 1875-1937  – Piano music.

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APA (6th Edition):

Jameson, E. R. (1942). A Stylistic Analysis of the Piano Works of Debussy and Ravel. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699677/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jameson, Elizabeth Rose. “A Stylistic Analysis of the Piano Works of Debussy and Ravel.” 1942. Thesis, North Texas State Teachers College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc699677/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jameson, Elizabeth Rose. “A Stylistic Analysis of the Piano Works of Debussy and Ravel.” 1942. Web. 18 Dec 2017.

Vancouver:

Jameson ER. A Stylistic Analysis of the Piano Works of Debussy and Ravel. [Internet] [Thesis]. North Texas State Teachers College; 1942. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699677/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jameson ER. A Stylistic Analysis of the Piano Works of Debussy and Ravel. [Thesis]. North Texas State Teachers College; 1942. Available from: https://digital.library.unt.edu/ark:/67531/metadc699677/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Sloan, Kathleen, 1917-. The Structure of the Mendelssohn Organ Sonatas.

Degree: 1947, North Texas State Teachers College

 The following study deals with the structural elements of the six Mendelssohn Organ Sonatas, opus 65. The problem excludes stylistic considerations. The Mendelssohn organ works… (more)

Subjects/Keywords: organ music; Mendelssohn Organ Works; Felix Mendelssohn; sonatas; Mendelssohn-Bartholdy, Felix, 1809-1847  – Sonatas  – organ, op. 65.

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APA (6th Edition):

Sloan, Kathleen, 1. (1947). The Structure of the Mendelssohn Organ Sonatas. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699715/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sloan, Kathleen, 1917-. “The Structure of the Mendelssohn Organ Sonatas.” 1947. Thesis, North Texas State Teachers College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc699715/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sloan, Kathleen, 1917-. “The Structure of the Mendelssohn Organ Sonatas.” 1947. Web. 18 Dec 2017.

Vancouver:

Sloan, Kathleen 1. The Structure of the Mendelssohn Organ Sonatas. [Internet] [Thesis]. North Texas State Teachers College; 1947. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699715/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sloan, Kathleen 1. The Structure of the Mendelssohn Organ Sonatas. [Thesis]. North Texas State Teachers College; 1947. Available from: https://digital.library.unt.edu/ark:/67531/metadc699715/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Alexander, William Don, 1920-. A Stylistic Comparison of the Accompanied Violin Sonatas of Bach and Handel.

Degree: 1944, North Texas State Teachers College

It is the purpose of this thesis to determine the comparative differences and similarities of the accompanied violin sonatas of the two contemporary eighteenth-century composers, Johann Sebastian Bach and George Frederick Handel. Advisors/Committee Members: Bain, Wilfred C. (Wilfred Conwell), 1908-1997, Miller, Hugh Milton, 1908-1986.

Subjects/Keywords: violin sonatas; Johann Sebastian Bach; George Frederick Handel; classical music; Bach, Johann Sebastian  – 1685-1750  – Sonatas  – violin, harpsichord  – BWV 1014-1019.; Handel, George Frideric  – 1685-1759  – Sonatas  – violin, continuo.

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APA (6th Edition):

Alexander, William Don, 1. (1944). A Stylistic Comparison of the Accompanied Violin Sonatas of Bach and Handel. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699618/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alexander, William Don, 1920-. “A Stylistic Comparison of the Accompanied Violin Sonatas of Bach and Handel.” 1944. Thesis, North Texas State Teachers College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc699618/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alexander, William Don, 1920-. “A Stylistic Comparison of the Accompanied Violin Sonatas of Bach and Handel.” 1944. Web. 18 Dec 2017.

Vancouver:

Alexander, William Don 1. A Stylistic Comparison of the Accompanied Violin Sonatas of Bach and Handel. [Internet] [Thesis]. North Texas State Teachers College; 1944. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699618/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alexander, William Don 1. A Stylistic Comparison of the Accompanied Violin Sonatas of Bach and Handel. [Thesis]. North Texas State Teachers College; 1944. Available from: https://digital.library.unt.edu/ark:/67531/metadc699618/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Provence, Ethelston. A Stylistic Analysis of the Twenty-Four Piano Preludes by Dmitri Shostakovich.

Degree: 1945, North Texas State Teachers College

 The study of the twenty-four preludes of Shostakovitch [sic] has a three-fold significance. First, it deals with a body of music literature representing important aspects… (more)

Subjects/Keywords: Dmitri Shostakovich; Russian compositions; piano music; Russian composers; Shostakovich, Dmitriĭ Dmitrievich, 1906-1975. Preludes, piano, op. 34.

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APA (6th Edition):

Provence, E. (1945). A Stylistic Analysis of the Twenty-Four Piano Preludes by Dmitri Shostakovich. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699539/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Provence, Ethelston. “A Stylistic Analysis of the Twenty-Four Piano Preludes by Dmitri Shostakovich.” 1945. Thesis, North Texas State Teachers College. Accessed December 18, 2017. https://digital.library.unt.edu/ark:/67531/metadc699539/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Provence, Ethelston. “A Stylistic Analysis of the Twenty-Four Piano Preludes by Dmitri Shostakovich.” 1945. Web. 18 Dec 2017.

Vancouver:

Provence E. A Stylistic Analysis of the Twenty-Four Piano Preludes by Dmitri Shostakovich. [Internet] [Thesis]. North Texas State Teachers College; 1945. [cited 2017 Dec 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699539/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Provence E. A Stylistic Analysis of the Twenty-Four Piano Preludes by Dmitri Shostakovich. [Thesis]. North Texas State Teachers College; 1945. Available from: https://digital.library.unt.edu/ark:/67531/metadc699539/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.