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You searched for +publisher:"Miami University" +contributor:("Armstrong, Ann"). Showing records 1 – 13 of 13 total matches.

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Miami University

1. Stamoolis, Leslie Anne Wise. The Body Underneath: A Method of Costume Design.

Degree: MA, Theatre, 2007, Miami University

 A survey of costume design texts currently available to designers revealed that the research-based, scholarly design methods that experienced designers use have not been theorized… (more)

Subjects/Keywords: The Conversion of Ka'ahumanu; Victoria Nalani Kneubuhl; costume design; Hawai'i; Congregational Church; missionaries; female body; intercultural theatre; Ka'ahumanu; 19th century New England women; 19th century Hawaiian women

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APA (6th Edition):

Stamoolis, L. A. W. (2007). The Body Underneath: A Method of Costume Design. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1177096688

Chicago Manual of Style (16th Edition):

Stamoolis, Leslie Anne Wise. “The Body Underneath: A Method of Costume Design.” 2007. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1177096688.

MLA Handbook (7th Edition):

Stamoolis, Leslie Anne Wise. “The Body Underneath: A Method of Costume Design.” 2007. Web. 11 Nov 2019.

Vancouver:

Stamoolis LAW. The Body Underneath: A Method of Costume Design. [Internet] [Masters thesis]. Miami University; 2007. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1177096688.

Council of Science Editors:

Stamoolis LAW. The Body Underneath: A Method of Costume Design. [Masters Thesis]. Miami University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1177096688


Miami University

2. Siplin, Bianca Alechia. ENGAGING AND EDUCATING AMERICAN CULTURE THROUGH PERFORMANCE, ART, AND COMMUNITY OUTREACH IN THE STAGE PRODUCTION OF MICHAEL CRISTOFER’S THE SHADOW BOX.

Degree: MA, Theatre, 2007, Miami University

 Community theatre is designed to adhere to social issues that may affect the way people think and live. In the production of The Shadow Box,… (more)

Subjects/Keywords: Theater; living; dying; The Shadow Box; community theatre; performance; art; culture

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APA (6th Edition):

Siplin, B. A. (2007). ENGAGING AND EDUCATING AMERICAN CULTURE THROUGH PERFORMANCE, ART, AND COMMUNITY OUTREACH IN THE STAGE PRODUCTION OF MICHAEL CRISTOFER’S THE SHADOW BOX. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1186176431

Chicago Manual of Style (16th Edition):

Siplin, Bianca Alechia. “ENGAGING AND EDUCATING AMERICAN CULTURE THROUGH PERFORMANCE, ART, AND COMMUNITY OUTREACH IN THE STAGE PRODUCTION OF MICHAEL CRISTOFER’S THE SHADOW BOX.” 2007. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1186176431.

MLA Handbook (7th Edition):

Siplin, Bianca Alechia. “ENGAGING AND EDUCATING AMERICAN CULTURE THROUGH PERFORMANCE, ART, AND COMMUNITY OUTREACH IN THE STAGE PRODUCTION OF MICHAEL CRISTOFER’S THE SHADOW BOX.” 2007. Web. 11 Nov 2019.

Vancouver:

Siplin BA. ENGAGING AND EDUCATING AMERICAN CULTURE THROUGH PERFORMANCE, ART, AND COMMUNITY OUTREACH IN THE STAGE PRODUCTION OF MICHAEL CRISTOFER’S THE SHADOW BOX. [Internet] [Masters thesis]. Miami University; 2007. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1186176431.

Council of Science Editors:

Siplin BA. ENGAGING AND EDUCATING AMERICAN CULTURE THROUGH PERFORMANCE, ART, AND COMMUNITY OUTREACH IN THE STAGE PRODUCTION OF MICHAEL CRISTOFER’S THE SHADOW BOX. [Masters Thesis]. Miami University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1186176431


Miami University

3. Wilder, Nicole Marie. “Set Me Free At Once”: Exploring Feminism and Freedom in the Text, Performance, and Production of Lanie Robertson’s <i>The Insanity of Mary Girard</i>.

Degree: MA, Theatre, 2008, Miami University

 Over the years, feminist dramatists have used various techniques in order to bring their politics to the stage. In this thesis I explore the ways… (more)

Subjects/Keywords: Gender; Theater; Womens Studies; Lanie Robertson; The Insanity of Mary Girard; Feminism; Madness; Directing; Theatre

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APA (6th Edition):

Wilder, N. M. (2008). “Set Me Free At Once”: Exploring Feminism and Freedom in the Text, Performance, and Production of Lanie Robertson’s <i>The Insanity of Mary Girard</i>. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1217004796

Chicago Manual of Style (16th Edition):

Wilder, Nicole Marie. ““Set Me Free At Once”: Exploring Feminism and Freedom in the Text, Performance, and Production of Lanie Robertson’s <i>The Insanity of Mary Girard</i>.” 2008. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1217004796.

MLA Handbook (7th Edition):

Wilder, Nicole Marie. ““Set Me Free At Once”: Exploring Feminism and Freedom in the Text, Performance, and Production of Lanie Robertson’s <i>The Insanity of Mary Girard</i>.” 2008. Web. 11 Nov 2019.

Vancouver:

Wilder NM. “Set Me Free At Once”: Exploring Feminism and Freedom in the Text, Performance, and Production of Lanie Robertson’s <i>The Insanity of Mary Girard</i>. [Internet] [Masters thesis]. Miami University; 2008. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1217004796.

Council of Science Editors:

Wilder NM. “Set Me Free At Once”: Exploring Feminism and Freedom in the Text, Performance, and Production of Lanie Robertson’s <i>The Insanity of Mary Girard</i>. [Masters Thesis]. Miami University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1217004796


Miami University

4. Senff, Sarah A. IN SEARCH OF A POLYPHONIC COUNTERNARRATIVE: COMMUNITY-BASED THEATRE, AUTOPATHOGRAPHY, AND NEOLIBERAL PINK RIBBON CULTURE.

Degree: MA, Theatre, 2013, Miami University

 This thesis uses practice-based research to explore possible interventions into the traumatic impact of illness upon breast cancer survivors' voices and the role of neoliberal… (more)

Subjects/Keywords: Theater; Theater Studies; Medical Ethics; Pedagogy; Performing Arts; Fine Arts; Womens Studies; pink ribbon; neoliberalism; community-based theatre; autopathography; storytelling; illness narrative; counternarrative; My Left Breast; Susan Miller; breast cancer; breast cancer culture; theatre in health education; medical humanities; applied theatre

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APA (6th Edition):

Senff, S. A. (2013). IN SEARCH OF A POLYPHONIC COUNTERNARRATIVE: COMMUNITY-BASED THEATRE, AUTOPATHOGRAPHY, AND NEOLIBERAL PINK RIBBON CULTURE. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1376083772

Chicago Manual of Style (16th Edition):

Senff, Sarah A. “IN SEARCH OF A POLYPHONIC COUNTERNARRATIVE: COMMUNITY-BASED THEATRE, AUTOPATHOGRAPHY, AND NEOLIBERAL PINK RIBBON CULTURE.” 2013. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1376083772.

MLA Handbook (7th Edition):

Senff, Sarah A. “IN SEARCH OF A POLYPHONIC COUNTERNARRATIVE: COMMUNITY-BASED THEATRE, AUTOPATHOGRAPHY, AND NEOLIBERAL PINK RIBBON CULTURE.” 2013. Web. 11 Nov 2019.

Vancouver:

Senff SA. IN SEARCH OF A POLYPHONIC COUNTERNARRATIVE: COMMUNITY-BASED THEATRE, AUTOPATHOGRAPHY, AND NEOLIBERAL PINK RIBBON CULTURE. [Internet] [Masters thesis]. Miami University; 2013. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1376083772.

Council of Science Editors:

Senff SA. IN SEARCH OF A POLYPHONIC COUNTERNARRATIVE: COMMUNITY-BASED THEATRE, AUTOPATHOGRAPHY, AND NEOLIBERAL PINK RIBBON CULTURE. [Masters Thesis]. Miami University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1376083772


Miami University

5. Ferdinand, Laura Jeanne. IMAGINING CHILDHOOD: CONSTRUCTIONS OF YOUTH, GENDER, AND IDENTITY AS PARTICIPANTS IN THE CULTURAL TRANSMISSION OF J.M. BARRIE'S PETER PAN.

Degree: MA, Theatre, 2014, Miami University

 This thesis takes a Performance Studies approach to explore the relationship between collective memory and imagination through the lens of J.M. Barrie’s Peter Pan (1904)… (more)

Subjects/Keywords: Theater; Performing Arts; Theater History; Peter Pan; Sir James Barrie; Performance Studies; Childhood; Masculinity; Collective Memory; Play Theory; Trauma; World War One

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APA (6th Edition):

Ferdinand, L. J. (2014). IMAGINING CHILDHOOD: CONSTRUCTIONS OF YOUTH, GENDER, AND IDENTITY AS PARTICIPANTS IN THE CULTURAL TRANSMISSION OF J.M. BARRIE'S PETER PAN. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1407511599

Chicago Manual of Style (16th Edition):

Ferdinand, Laura Jeanne. “IMAGINING CHILDHOOD: CONSTRUCTIONS OF YOUTH, GENDER, AND IDENTITY AS PARTICIPANTS IN THE CULTURAL TRANSMISSION OF J.M. BARRIE'S PETER PAN.” 2014. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1407511599.

MLA Handbook (7th Edition):

Ferdinand, Laura Jeanne. “IMAGINING CHILDHOOD: CONSTRUCTIONS OF YOUTH, GENDER, AND IDENTITY AS PARTICIPANTS IN THE CULTURAL TRANSMISSION OF J.M. BARRIE'S PETER PAN.” 2014. Web. 11 Nov 2019.

Vancouver:

Ferdinand LJ. IMAGINING CHILDHOOD: CONSTRUCTIONS OF YOUTH, GENDER, AND IDENTITY AS PARTICIPANTS IN THE CULTURAL TRANSMISSION OF J.M. BARRIE'S PETER PAN. [Internet] [Masters thesis]. Miami University; 2014. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1407511599.

Council of Science Editors:

Ferdinand LJ. IMAGINING CHILDHOOD: CONSTRUCTIONS OF YOUTH, GENDER, AND IDENTITY AS PARTICIPANTS IN THE CULTURAL TRANSMISSION OF J.M. BARRIE'S PETER PAN. [Masters Thesis]. Miami University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1407511599


Miami University

6. Wu, Guanda. Negotiations of Cultural Aesthetics in the “Reforms” of Mei Lanfang and the “Mei Party” Members to Jingju in China’s Early Republican Era (1912-1937).

Degree: MA, Theatre, 2010, Miami University

 China’s early Republican stage witnessed the rise of Mei Lanfang and his “reformed” jingju plays. Mei’s successful career in the early Republican era not only… (more)

Subjects/Keywords: Theater; Mei Lanfang; jingju; theatre aesthetics

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APA (6th Edition):

Wu, G. (2010). Negotiations of Cultural Aesthetics in the “Reforms” of Mei Lanfang and the “Mei Party” Members to Jingju in China’s Early Republican Era (1912-1937). (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1271281752

Chicago Manual of Style (16th Edition):

Wu, Guanda. “Negotiations of Cultural Aesthetics in the “Reforms” of Mei Lanfang and the “Mei Party” Members to Jingju in China’s Early Republican Era (1912-1937).” 2010. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1271281752.

MLA Handbook (7th Edition):

Wu, Guanda. “Negotiations of Cultural Aesthetics in the “Reforms” of Mei Lanfang and the “Mei Party” Members to Jingju in China’s Early Republican Era (1912-1937).” 2010. Web. 11 Nov 2019.

Vancouver:

Wu G. Negotiations of Cultural Aesthetics in the “Reforms” of Mei Lanfang and the “Mei Party” Members to Jingju in China’s Early Republican Era (1912-1937). [Internet] [Masters thesis]. Miami University; 2010. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1271281752.

Council of Science Editors:

Wu G. Negotiations of Cultural Aesthetics in the “Reforms” of Mei Lanfang and the “Mei Party” Members to Jingju in China’s Early Republican Era (1912-1937). [Masters Thesis]. Miami University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1271281752


Miami University

7. Kirkman, Mackenzie Raine. "Man, the Creature": A Dramaturgically Driven Adaptation of Dostoevsky's "Notes from a Dead House".

Degree: MA, Theatre, 2019, Miami University

 This thesis expands the field of violence theory by way of adapting Dostoevsky’s Notes from a Dead House. I propose a new dramaturgically driven analysis… (more)

Subjects/Keywords: Theater Studies; Theater; Russian History; Literature; theatre; adaptation; Russia; literature; Dostoevsky; violence; violence on stage; violence in literature; violence in Russian literature; violence and Dostoevsky; Fyodor Dostoevsky; stage adaptation; play; Notes from a Dead House; violence theory

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APA (6th Edition):

Kirkman, M. R. (2019). "Man, the Creature": A Dramaturgically Driven Adaptation of Dostoevsky's "Notes from a Dead House". (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami156450135543229

Chicago Manual of Style (16th Edition):

Kirkman, Mackenzie Raine. “"Man, the Creature": A Dramaturgically Driven Adaptation of Dostoevsky's "Notes from a Dead House".” 2019. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami156450135543229.

MLA Handbook (7th Edition):

Kirkman, Mackenzie Raine. “"Man, the Creature": A Dramaturgically Driven Adaptation of Dostoevsky's "Notes from a Dead House".” 2019. Web. 11 Nov 2019.

Vancouver:

Kirkman MR. "Man, the Creature": A Dramaturgically Driven Adaptation of Dostoevsky's "Notes from a Dead House". [Internet] [Masters thesis]. Miami University; 2019. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami156450135543229.

Council of Science Editors:

Kirkman MR. "Man, the Creature": A Dramaturgically Driven Adaptation of Dostoevsky's "Notes from a Dead House". [Masters Thesis]. Miami University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami156450135543229

8. Coaker, Jaime Morgan. From Commodity to Conversation: Applied Theatre, Public Higher Education, and the Miami University Theatre Department.

Degree: MA, Theatre, 2015, Miami University

 This creative thesis in applied theatre is from a participant research perspective focused on building community in Miami University’s theatre department. Borrowing from Zygmunt Bauman’s… (more)

Subjects/Keywords: Theater; Personal Relationships; Higher Education; applied theatre, public higher education, theatre department, conversation, dialogue, social change

…Conversations: Case Study of Community Building in the Miami University… …facilitated at Miami University that focus on having conversations about… …R. Johnson at our very own Miami University (in Oxford… 

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APA (6th Edition):

Coaker, J. M. (2015). From Commodity to Conversation: Applied Theatre, Public Higher Education, and the Miami University Theatre Department. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1448290982

Chicago Manual of Style (16th Edition):

Coaker, Jaime Morgan. “From Commodity to Conversation: Applied Theatre, Public Higher Education, and the Miami University Theatre Department.” 2015. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1448290982.

MLA Handbook (7th Edition):

Coaker, Jaime Morgan. “From Commodity to Conversation: Applied Theatre, Public Higher Education, and the Miami University Theatre Department.” 2015. Web. 11 Nov 2019.

Vancouver:

Coaker JM. From Commodity to Conversation: Applied Theatre, Public Higher Education, and the Miami University Theatre Department. [Internet] [Masters thesis]. Miami University; 2015. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1448290982.

Council of Science Editors:

Coaker JM. From Commodity to Conversation: Applied Theatre, Public Higher Education, and the Miami University Theatre Department. [Masters Thesis]. Miami University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1448290982

9. Deng, Xiaoyan. Modernity and Hybridity: Tian Han's Xingeju Creations and Theatre Criticism(1937-1958).

Degree: MA, Theatre, 2012, Miami University

 Tian Han (1898-1968) was a Japanese-educated Marxist playwright, screenwriter, literary critic, and the director of the Xiqu Improvement Bureau (1949-1966). Throughout his life, Tian was… (more)

Subjects/Keywords: Theater; Tian Han; Chinese Theatre; Socialist Realism; Xingeju

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Deng, X. (2012). Modernity and Hybridity: Tian Han's Xingeju Creations and Theatre Criticism(1937-1958). (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1343706981

Chicago Manual of Style (16th Edition):

Deng, Xiaoyan. “Modernity and Hybridity: Tian Han's Xingeju Creations and Theatre Criticism(1937-1958).” 2012. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1343706981.

MLA Handbook (7th Edition):

Deng, Xiaoyan. “Modernity and Hybridity: Tian Han's Xingeju Creations and Theatre Criticism(1937-1958).” 2012. Web. 11 Nov 2019.

Vancouver:

Deng X. Modernity and Hybridity: Tian Han's Xingeju Creations and Theatre Criticism(1937-1958). [Internet] [Masters thesis]. Miami University; 2012. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1343706981.

Council of Science Editors:

Deng X. Modernity and Hybridity: Tian Han's Xingeju Creations and Theatre Criticism(1937-1958). [Masters Thesis]. Miami University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1343706981


Miami University

10. Lee, Insoo. A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>.

Degree: MA, Theatre, 2004, Miami University

 This thesis is a feminist research on Korean gender ideology through the actual case of the popular actress Whang Sujung’s drug abuse and adultery case.… (more)

Subjects/Keywords: Theater; gender ideology; feminist theatre; feminist media and film theory; play

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APA (6th Edition):

Lee, I. (2004). A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1082751903

Chicago Manual of Style (16th Edition):

Lee, Insoo. “A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>.” 2004. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1082751903.

MLA Handbook (7th Edition):

Lee, Insoo. “A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>.” 2004. Web. 11 Nov 2019.

Vancouver:

Lee I. A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>. [Internet] [Masters thesis]. Miami University; 2004. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1082751903.

Council of Science Editors:

Lee I. A Feminist Interpretation of Korean Gender Ideology Through the Play <i>If You Look for Me, I Won’t Be There</i>. [Masters Thesis]. Miami University; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1082751903


Miami University

11. Zhuang, Jia-Yun. Searching for the Consciousness of Thirdness Through Gao Xingjian's <i>The Other Shore</i> and <i>Six Ways of Running</i>.

Degree: MA, Theatre, 2004, Miami University

 This creative thesis includes an introduction of the “Gao Xingjian Effect,” a review on the major themes in his work, and theoretical research on diasporic… (more)

Subjects/Keywords: Theater; Diasporic Consciousness; Gao Xingjian; Thirdness

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APA (6th Edition):

Zhuang, J. (2004). Searching for the Consciousness of Thirdness Through Gao Xingjian's <i>The Other Shore</i> and <i>Six Ways of Running</i>. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1082753926

Chicago Manual of Style (16th Edition):

Zhuang, Jia-Yun. “Searching for the Consciousness of Thirdness Through Gao Xingjian's <i>The Other Shore</i> and <i>Six Ways of Running</i>.” 2004. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1082753926.

MLA Handbook (7th Edition):

Zhuang, Jia-Yun. “Searching for the Consciousness of Thirdness Through Gao Xingjian's <i>The Other Shore</i> and <i>Six Ways of Running</i>.” 2004. Web. 11 Nov 2019.

Vancouver:

Zhuang J. Searching for the Consciousness of Thirdness Through Gao Xingjian's <i>The Other Shore</i> and <i>Six Ways of Running</i>. [Internet] [Masters thesis]. Miami University; 2004. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1082753926.

Council of Science Editors:

Zhuang J. Searching for the Consciousness of Thirdness Through Gao Xingjian's <i>The Other Shore</i> and <i>Six Ways of Running</i>. [Masters Thesis]. Miami University; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1082753926


Miami University

12. Porterfield, Melissa Rynn. Warning, Familiarity and Ridicule: Tracing the Theatrical Representation of the Witch in Early Modern England.

Degree: MA, Theatre, 2005, Miami University

 This work traces the theatrical representation of the witch on the Early Modern English stage. I examine the ways in which the witch was constructed… (more)

Subjects/Keywords: Theater; Theatre; Witch; Early Modern England; Macbeth; The Witch of Edmonton; The Witches of Lancashire; Feminist; Cultural Representations

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APA (6th Edition):

Porterfield, M. R. (2005). Warning, Familiarity and Ridicule: Tracing the Theatrical Representation of the Witch in Early Modern England. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1114108678

Chicago Manual of Style (16th Edition):

Porterfield, Melissa Rynn. “Warning, Familiarity and Ridicule: Tracing the Theatrical Representation of the Witch in Early Modern England.” 2005. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1114108678.

MLA Handbook (7th Edition):

Porterfield, Melissa Rynn. “Warning, Familiarity and Ridicule: Tracing the Theatrical Representation of the Witch in Early Modern England.” 2005. Web. 11 Nov 2019.

Vancouver:

Porterfield MR. Warning, Familiarity and Ridicule: Tracing the Theatrical Representation of the Witch in Early Modern England. [Internet] [Masters thesis]. Miami University; 2005. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1114108678.

Council of Science Editors:

Porterfield MR. Warning, Familiarity and Ridicule: Tracing the Theatrical Representation of the Witch in Early Modern England. [Masters Thesis]. Miami University; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1114108678


Miami University

13. Mehta, Gouri Nilakantan. Enacting New Spatial Contexts: Pan Indian Identity of Female Performers of Seraikela and Mayurbhanj Chhau.

Degree: MA, Theatre, 2004, Miami University

 This thesis reports on the participation of women in Chhau, an all male folk theatre form of Seraikela and Mayurbhanj regions of Eastern India. This… (more)

Subjects/Keywords: Theater; Chhau; pan Indian; Seraikela; Jharkhand Postcolonailism; India; theatre; Female

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APA (6th Edition):

Mehta, G. N. (2004). Enacting New Spatial Contexts: Pan Indian Identity of Female Performers of Seraikela and Mayurbhanj Chhau. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1091823201

Chicago Manual of Style (16th Edition):

Mehta, Gouri Nilakantan. “Enacting New Spatial Contexts: Pan Indian Identity of Female Performers of Seraikela and Mayurbhanj Chhau.” 2004. Masters Thesis, Miami University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1091823201.

MLA Handbook (7th Edition):

Mehta, Gouri Nilakantan. “Enacting New Spatial Contexts: Pan Indian Identity of Female Performers of Seraikela and Mayurbhanj Chhau.” 2004. Web. 11 Nov 2019.

Vancouver:

Mehta GN. Enacting New Spatial Contexts: Pan Indian Identity of Female Performers of Seraikela and Mayurbhanj Chhau. [Internet] [Masters thesis]. Miami University; 2004. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1091823201.

Council of Science Editors:

Mehta GN. Enacting New Spatial Contexts: Pan Indian Identity of Female Performers of Seraikela and Mayurbhanj Chhau. [Masters Thesis]. Miami University; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1091823201

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