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You searched for +publisher:"Leiden University" +contributor:("Zijlmans, C.J.M"). Showing records 1 – 18 of 18 total matches.

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Leiden University

1. Snorradottir, Aldis. Art Matters: An Inquiry into Corporate Art Collections in Banks in Iceland.

Degree: 2017, Leiden University

 This thesis examines the role and function of art collections in corporations such as banks. The study focuses on the Icelandic banks, Arion Banki, Landsbanki… (more)

Subjects/Keywords: corporate art collection; collection management; employee well-being; corporate image; corporate social responsibility

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APA (6th Edition):

Snorradottir, A. (2017). Art Matters: An Inquiry into Corporate Art Collections in Banks in Iceland. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52400

Chicago Manual of Style (16th Edition):

Snorradottir, Aldis. “Art Matters: An Inquiry into Corporate Art Collections in Banks in Iceland.” 2017. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/52400.

MLA Handbook (7th Edition):

Snorradottir, Aldis. “Art Matters: An Inquiry into Corporate Art Collections in Banks in Iceland.” 2017. Web. 16 Feb 2019.

Vancouver:

Snorradottir A. Art Matters: An Inquiry into Corporate Art Collections in Banks in Iceland. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/52400.

Council of Science Editors:

Snorradottir A. Art Matters: An Inquiry into Corporate Art Collections in Banks in Iceland. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52400


Leiden University

2. Florander, Sarah Benedicte. Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address.

Degree: 2017, Leiden University

 Since entering the international fine arts market in the 1970s, Indigenous Australian art has long contended with its positioning within a system that — until… (more)

Subjects/Keywords: curatorial studies; Indigenous art; colonial collections; contemporary art; exhibition strategy; modes of address

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APA (6th Edition):

Florander, S. B. (2017). Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52385

Chicago Manual of Style (16th Edition):

Florander, Sarah Benedicte. “Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address.” 2017. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/52385.

MLA Handbook (7th Edition):

Florander, Sarah Benedicte. “Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address.” 2017. Web. 16 Feb 2019.

Vancouver:

Florander SB. Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/52385.

Council of Science Editors:

Florander SB. Curating Difference: An Analysis of Contemporary Curatorial Practices in the Context of Indigenous Australian Art - Burgeoning Strategies in the Modes of Address. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52385


Leiden University

3. Magalhaes de Oliveira, J. A Lens to Candomblé: Afro-Brazilian culture through the work of Pierre Verger.

Degree: 2015, Leiden University

 This thesis concerns the Afro-Brazilian cult of Candomblé, focusing on the work of Pierre Verger. The research presents Candomblé as a cultural-religious practice, which is… (more)

Subjects/Keywords: candomblé; Afro-Brazilian culture; orisha; ethnicity; interculturality

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APA (6th Edition):

Magalhaes de Oliveira, J. (2015). A Lens to Candomblé: Afro-Brazilian culture through the work of Pierre Verger. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/33946

Chicago Manual of Style (16th Edition):

Magalhaes de Oliveira, J. “A Lens to Candomblé: Afro-Brazilian culture through the work of Pierre Verger.” 2015. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/33946.

MLA Handbook (7th Edition):

Magalhaes de Oliveira, J. “A Lens to Candomblé: Afro-Brazilian culture through the work of Pierre Verger.” 2015. Web. 16 Feb 2019.

Vancouver:

Magalhaes de Oliveira J. A Lens to Candomblé: Afro-Brazilian culture through the work of Pierre Verger. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/33946.

Council of Science Editors:

Magalhaes de Oliveira J. A Lens to Candomblé: Afro-Brazilian culture through the work of Pierre Verger. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/33946


Leiden University

4. Iliopoulou, Anastasia Maria. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].

Degree: 2015, Leiden University

 This research looks at two parallel theoretical approaches. The first deals with contemporary exhibitions and the curatorial procedures that are introduced in the 1960s, while… (more)

Subjects/Keywords: Conceptual Art; Exhibitions; Sculpture; Stedelijk Museum; MoMA

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APA (6th Edition):

Iliopoulou, A. M. (2015). From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/36446

Chicago Manual of Style (16th Edition):

Iliopoulou, Anastasia Maria. “From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].” 2015. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/36446.

MLA Handbook (7th Edition):

Iliopoulou, Anastasia Maria. “From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975].” 2015. Web. 16 Feb 2019.

Vancouver:

Iliopoulou AM. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/36446.

Council of Science Editors:

Iliopoulou AM. From Sculpture to Conceptual Art: A Transition in Curating Exhibitions [1960-1975]. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/36446


Leiden University

5. Greuningen, Hidde van. Dissecting online cosmopolitanism. An analysis of contemporary art as examinations and examples of the circulation of online imagery.

Degree: 2015, Leiden University

 This thesis offers an analysis of several contemporary artworks that address the role of imagery on the Internet, which increasingly constitutes our worldview. Although the… (more)

Subjects/Keywords: digital culture; internet art; deep remixability; new media art; personalization; stock photos

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APA (6th Edition):

Greuningen, H. v. (2015). Dissecting online cosmopolitanism. An analysis of contemporary art as examinations and examples of the circulation of online imagery. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/36384

Chicago Manual of Style (16th Edition):

Greuningen, Hidde van. “Dissecting online cosmopolitanism. An analysis of contemporary art as examinations and examples of the circulation of online imagery.” 2015. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/36384.

MLA Handbook (7th Edition):

Greuningen, Hidde van. “Dissecting online cosmopolitanism. An analysis of contemporary art as examinations and examples of the circulation of online imagery.” 2015. Web. 16 Feb 2019.

Vancouver:

Greuningen Hv. Dissecting online cosmopolitanism. An analysis of contemporary art as examinations and examples of the circulation of online imagery. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/36384.

Council of Science Editors:

Greuningen Hv. Dissecting online cosmopolitanism. An analysis of contemporary art as examinations and examples of the circulation of online imagery. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/36384


Leiden University

6. Bundy, Fiona. Maker and Matter // A Material View on Art.

Degree: 2017, Leiden University

 Central to much analysis and research within the artistic field is the artwork itself, as an object, a product, experience or situation that has been… (more)

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APA (6th Edition):

Bundy, F. (2017). Maker and Matter // A Material View on Art. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52598

Chicago Manual of Style (16th Edition):

Bundy, Fiona. “Maker and Matter // A Material View on Art.” 2017. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/52598.

MLA Handbook (7th Edition):

Bundy, Fiona. “Maker and Matter // A Material View on Art.” 2017. Web. 16 Feb 2019.

Vancouver:

Bundy F. Maker and Matter // A Material View on Art. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/52598.

Council of Science Editors:

Bundy F. Maker and Matter // A Material View on Art. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52598


Leiden University

7. Stienstra, Kari-Anne. Discussing 'Global Art' and the Role of the Museum: Museological challenges of global contemporary art in the Tropenmuseum and the Stedelijk Museum in Amsterdam.

Degree: 2015, Leiden University

 Over the last thirty years, the globalization debate within the (contemporary) art discourse has gained and generated a lot of attention. However, in 2015, a… (more)

Subjects/Keywords: global art; stedelijk musem; tropenmusem; museum studies; roy villevoye; smba; project space; globalization

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APA (6th Edition):

Stienstra, K. (2015). Discussing 'Global Art' and the Role of the Museum: Museological challenges of global contemporary art in the Tropenmuseum and the Stedelijk Museum in Amsterdam. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/36452

Chicago Manual of Style (16th Edition):

Stienstra, Kari-Anne. “Discussing 'Global Art' and the Role of the Museum: Museological challenges of global contemporary art in the Tropenmuseum and the Stedelijk Museum in Amsterdam.” 2015. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/36452.

MLA Handbook (7th Edition):

Stienstra, Kari-Anne. “Discussing 'Global Art' and the Role of the Museum: Museological challenges of global contemporary art in the Tropenmuseum and the Stedelijk Museum in Amsterdam.” 2015. Web. 16 Feb 2019.

Vancouver:

Stienstra K. Discussing 'Global Art' and the Role of the Museum: Museological challenges of global contemporary art in the Tropenmuseum and the Stedelijk Museum in Amsterdam. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/36452.

Council of Science Editors:

Stienstra K. Discussing 'Global Art' and the Role of the Museum: Museological challenges of global contemporary art in the Tropenmuseum and the Stedelijk Museum in Amsterdam. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/36452


Leiden University

8. Wegman, Simone. Framed Beyond History: the curatorial practices of the exhibition Crisis of History3 as alternative approach to framing contemporary visual art from Iran and beyond.

Degree: 2016, Leiden University

 This thesis explores the exhibition-tryptic Crisis of History held at the gallery space Framer Framed in Amsterdam in 2014-2015. It investigates how its practices can… (more)

Subjects/Keywords: Global art; Contemporary art; Exhibition practices; Institutional critique; World Art Studies; Iran; Framer Framed

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APA (6th Edition):

Wegman, S. (2016). Framed Beyond History: the curatorial practices of the exhibition Crisis of History3 as alternative approach to framing contemporary visual art from Iran and beyond. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42251

Chicago Manual of Style (16th Edition):

Wegman, Simone. “Framed Beyond History: the curatorial practices of the exhibition Crisis of History3 as alternative approach to framing contemporary visual art from Iran and beyond.” 2016. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/42251.

MLA Handbook (7th Edition):

Wegman, Simone. “Framed Beyond History: the curatorial practices of the exhibition Crisis of History3 as alternative approach to framing contemporary visual art from Iran and beyond.” 2016. Web. 16 Feb 2019.

Vancouver:

Wegman S. Framed Beyond History: the curatorial practices of the exhibition Crisis of History3 as alternative approach to framing contemporary visual art from Iran and beyond. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/42251.

Council of Science Editors:

Wegman S. Framed Beyond History: the curatorial practices of the exhibition Crisis of History3 as alternative approach to framing contemporary visual art from Iran and beyond. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42251


Leiden University

9. Knaap, Raisa van der. From Vincent to the Visitor: A Rhetorical Analysis of the Van Gogh Museum in Amsterdam (2014-present) Considering Audience Awareness in Establishing Museum Communication.

Degree: 2018, Leiden University

 This thesis analyzes the rhetoric of the Van Gogh Museum and exposes its communicative strategies holistically. An extensive and multi-faceted analysis on the persuasive character… (more)

Subjects/Keywords: Rhetoric; Museum; Communication

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APA (6th Edition):

Knaap, R. v. d. (2018). From Vincent to the Visitor: A Rhetorical Analysis of the Van Gogh Museum in Amsterdam (2014-present) Considering Audience Awareness in Establishing Museum Communication. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/64832

Chicago Manual of Style (16th Edition):

Knaap, Raisa van der. “From Vincent to the Visitor: A Rhetorical Analysis of the Van Gogh Museum in Amsterdam (2014-present) Considering Audience Awareness in Establishing Museum Communication.” 2018. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/64832.

MLA Handbook (7th Edition):

Knaap, Raisa van der. “From Vincent to the Visitor: A Rhetorical Analysis of the Van Gogh Museum in Amsterdam (2014-present) Considering Audience Awareness in Establishing Museum Communication.” 2018. Web. 16 Feb 2019.

Vancouver:

Knaap Rvd. From Vincent to the Visitor: A Rhetorical Analysis of the Van Gogh Museum in Amsterdam (2014-present) Considering Audience Awareness in Establishing Museum Communication. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/64832.

Council of Science Editors:

Knaap Rvd. From Vincent to the Visitor: A Rhetorical Analysis of the Van Gogh Museum in Amsterdam (2014-present) Considering Audience Awareness in Establishing Museum Communication. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/64832


Leiden University

10. Rüegger, Andreas Michael. A decentralised approach to artist initiatives – Alternative Modes in the Guatemalan Contemporary Art Scene.

Degree: 2018, Leiden University

 This thesis argues how to create a decentralised approach to artist initiatives, using a non-'western' centric framework, which dominates the art world by creating centres… (more)

Subjects/Keywords: Guatemala; Artist Initiatives; decentralising; multicultural education

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APA (6th Edition):

Rüegger, A. M. (2018). A decentralised approach to artist initiatives – Alternative Modes in the Guatemalan Contemporary Art Scene. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/57834

Chicago Manual of Style (16th Edition):

Rüegger, Andreas Michael. “A decentralised approach to artist initiatives – Alternative Modes in the Guatemalan Contemporary Art Scene.” 2018. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/57834.

MLA Handbook (7th Edition):

Rüegger, Andreas Michael. “A decentralised approach to artist initiatives – Alternative Modes in the Guatemalan Contemporary Art Scene.” 2018. Web. 16 Feb 2019.

Vancouver:

Rüegger AM. A decentralised approach to artist initiatives – Alternative Modes in the Guatemalan Contemporary Art Scene. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/57834.

Council of Science Editors:

Rüegger AM. A decentralised approach to artist initiatives – Alternative Modes in the Guatemalan Contemporary Art Scene. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/57834


Leiden University

11. Tissen, L.N.M. Indistinguishable likeness: 3D replication as a conservation strategy and the moral & ethical discussions on our perception of art.

Degree: 2018, Leiden University

 The ability to print objects in three-dimensions is a new form of copying that has recently entered the art world. Even though we are familiar… (more)

Subjects/Keywords: Conservation; Restoration; Replication; Rembrandt; Walter Benjamin; 3D printing; 3D; Authenticity; Forgery

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APA (6th Edition):

Tissen, L. N. M. (2018). Indistinguishable likeness: 3D replication as a conservation strategy and the moral & ethical discussions on our perception of art. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/64816

Chicago Manual of Style (16th Edition):

Tissen, L N M. “Indistinguishable likeness: 3D replication as a conservation strategy and the moral & ethical discussions on our perception of art.” 2018. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/64816.

MLA Handbook (7th Edition):

Tissen, L N M. “Indistinguishable likeness: 3D replication as a conservation strategy and the moral & ethical discussions on our perception of art.” 2018. Web. 16 Feb 2019.

Vancouver:

Tissen LNM. Indistinguishable likeness: 3D replication as a conservation strategy and the moral & ethical discussions on our perception of art. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/64816.

Council of Science Editors:

Tissen LNM. Indistinguishable likeness: 3D replication as a conservation strategy and the moral & ethical discussions on our perception of art. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/64816

12. Groot, M.A.E. Chilean Art under Dictatorship 1973-1989. A Study on Art and Giorgio Agamben's Theory on Politics.

Degree: 2015, Leiden University

Subjects/Keywords: Chile Dictatorship Agamben Eltit Nunez Jaar

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APA (6th Edition):

Groot, M. A. E. (2015). Chilean Art under Dictatorship 1973-1989. A Study on Art and Giorgio Agamben's Theory on Politics. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/33947

Chicago Manual of Style (16th Edition):

Groot, M A E. “Chilean Art under Dictatorship 1973-1989. A Study on Art and Giorgio Agamben's Theory on Politics.” 2015. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/33947.

MLA Handbook (7th Edition):

Groot, M A E. “Chilean Art under Dictatorship 1973-1989. A Study on Art and Giorgio Agamben's Theory on Politics.” 2015. Web. 16 Feb 2019.

Vancouver:

Groot MAE. Chilean Art under Dictatorship 1973-1989. A Study on Art and Giorgio Agamben's Theory on Politics. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/33947.

Council of Science Editors:

Groot MAE. Chilean Art under Dictatorship 1973-1989. A Study on Art and Giorgio Agamben's Theory on Politics. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/33947

13. Anic, Vesna. REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale.

Degree: 2016, Leiden University

 Using three different national representations from the 55th Venice Biennale as case studies, this thesis investigates the complexities of post Yugoslav national identities as articulated… (more)

Subjects/Keywords: post Yugoslavia; national identity; Slovenia; Bosnia and Herzegovina; Kosovo; Venice Biennale; representation

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APA (6th Edition):

Anic, V. (2016). REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42486

Chicago Manual of Style (16th Edition):

Anic, Vesna. “REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale.” 2016. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/42486.

MLA Handbook (7th Edition):

Anic, Vesna. “REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale.” 2016. Web. 16 Feb 2019.

Vancouver:

Anic V. REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/42486.

Council of Science Editors:

Anic V. REVISITING THE PAST, (RE)IMAGINING THE FUTURE. Three Case Studies on Post Yugoslavia: Articulations of Post Yugoslav National Identities at the 55th Venice Biennale. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42486


Leiden University

14. Leonardo, Dellanoce. The All Infrared Line: Femke Herregraven's Art Project on Financial Capitalism.

Degree: 2016, Leiden University

Subjects/Keywords: finance; capitalism; art; contemporary art; telegraph; infrastructure

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APA (6th Edition):

Leonardo, D. (2016). The All Infrared Line: Femke Herregraven's Art Project on Financial Capitalism. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42418

Chicago Manual of Style (16th Edition):

Leonardo, Dellanoce. “The All Infrared Line: Femke Herregraven's Art Project on Financial Capitalism.” 2016. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/42418.

MLA Handbook (7th Edition):

Leonardo, Dellanoce. “The All Infrared Line: Femke Herregraven's Art Project on Financial Capitalism.” 2016. Web. 16 Feb 2019.

Vancouver:

Leonardo D. The All Infrared Line: Femke Herregraven's Art Project on Financial Capitalism. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/42418.

Council of Science Editors:

Leonardo D. The All Infrared Line: Femke Herregraven's Art Project on Financial Capitalism. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42418


Leiden University

15. Somos, Kato. The Contemporary Condition of Hungarian ArtThe exhibitions of the Hungarian Pavilion.

Degree: 2014, Leiden University

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APA (6th Edition):

Somos, K. (2014). The Contemporary Condition of Hungarian ArtThe exhibitions of the Hungarian Pavilion. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/32920

Chicago Manual of Style (16th Edition):

Somos, Kato. “The Contemporary Condition of Hungarian ArtThe exhibitions of the Hungarian Pavilion.” 2014. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/32920.

MLA Handbook (7th Edition):

Somos, Kato. “The Contemporary Condition of Hungarian ArtThe exhibitions of the Hungarian Pavilion.” 2014. Web. 16 Feb 2019.

Vancouver:

Somos K. The Contemporary Condition of Hungarian ArtThe exhibitions of the Hungarian Pavilion. [Internet] [Masters thesis]. Leiden University; 2014. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/32920.

Council of Science Editors:

Somos K. The Contemporary Condition of Hungarian ArtThe exhibitions of the Hungarian Pavilion. [Masters Thesis]. Leiden University; 2014. Available from: http://hdl.handle.net/1887/32920


Leiden University

16. Gomes Barbosa Moreira, Julia. Drafting Global Perspectives: A Critical Analysis of 'Multiple Modernities 1905-1970' (Centre Pompidou) and 'How Far How Near – The World in the Stedelijk' (Stedelijk Museum Amsterdam).

Degree: 2015, Leiden University

Subjects/Keywords: Museums; Globalisation; Exhibitions; Modern & Contemporary Art; Centre Pompidou; Stedelijk Museum Amsterdam

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APA (6th Edition):

Gomes Barbosa Moreira, J. (2015). Drafting Global Perspectives: A Critical Analysis of 'Multiple Modernities 1905-1970' (Centre Pompidou) and 'How Far How Near – The World in the Stedelijk' (Stedelijk Museum Amsterdam). (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/36390

Chicago Manual of Style (16th Edition):

Gomes Barbosa Moreira, Julia. “Drafting Global Perspectives: A Critical Analysis of 'Multiple Modernities 1905-1970' (Centre Pompidou) and 'How Far How Near – The World in the Stedelijk' (Stedelijk Museum Amsterdam).” 2015. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/36390.

MLA Handbook (7th Edition):

Gomes Barbosa Moreira, Julia. “Drafting Global Perspectives: A Critical Analysis of 'Multiple Modernities 1905-1970' (Centre Pompidou) and 'How Far How Near – The World in the Stedelijk' (Stedelijk Museum Amsterdam).” 2015. Web. 16 Feb 2019.

Vancouver:

Gomes Barbosa Moreira J. Drafting Global Perspectives: A Critical Analysis of 'Multiple Modernities 1905-1970' (Centre Pompidou) and 'How Far How Near – The World in the Stedelijk' (Stedelijk Museum Amsterdam). [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/36390.

Council of Science Editors:

Gomes Barbosa Moreira J. Drafting Global Perspectives: A Critical Analysis of 'Multiple Modernities 1905-1970' (Centre Pompidou) and 'How Far How Near – The World in the Stedelijk' (Stedelijk Museum Amsterdam). [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/36390


Leiden University

17. Couvee, Judith. Make Friendship, It Is Art. On artist collectives engaging in the urban now.

Degree: 2015, Leiden University

Subjects/Keywords: artist collective; urban space; collaborative art; transculturality; multimedia art; interdisciplinarity; contemporaneity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Couvee, J. (2015). Make Friendship, It Is Art. On artist collectives engaging in the urban now. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/36389

Chicago Manual of Style (16th Edition):

Couvee, Judith. “Make Friendship, It Is Art. On artist collectives engaging in the urban now.” 2015. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/36389.

MLA Handbook (7th Edition):

Couvee, Judith. “Make Friendship, It Is Art. On artist collectives engaging in the urban now.” 2015. Web. 16 Feb 2019.

Vancouver:

Couvee J. Make Friendship, It Is Art. On artist collectives engaging in the urban now. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/36389.

Council of Science Editors:

Couvee J. Make Friendship, It Is Art. On artist collectives engaging in the urban now. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/36389


Leiden University

18. Pizzinini, Barbara. Attraction and Repulsion. The Abject and Grotesque in Wangechi Mutu's works.

Degree: 2018, Leiden University

Subjects/Keywords: Mutu; Contemporary Art; African Art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pizzinini, B. (2018). Attraction and Repulsion. The Abject and Grotesque in Wangechi Mutu's works. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/64763

Chicago Manual of Style (16th Edition):

Pizzinini, Barbara. “Attraction and Repulsion. The Abject and Grotesque in Wangechi Mutu's works.” 2018. Masters Thesis, Leiden University. Accessed February 16, 2019. http://hdl.handle.net/1887/64763.

MLA Handbook (7th Edition):

Pizzinini, Barbara. “Attraction and Repulsion. The Abject and Grotesque in Wangechi Mutu's works.” 2018. Web. 16 Feb 2019.

Vancouver:

Pizzinini B. Attraction and Repulsion. The Abject and Grotesque in Wangechi Mutu's works. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Feb 16]. Available from: http://hdl.handle.net/1887/64763.

Council of Science Editors:

Pizzinini B. Attraction and Repulsion. The Abject and Grotesque in Wangechi Mutu's works. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/64763

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