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You searched for +publisher:"Georgia State University" +contributor:("Kathy Fuller-Seeley"). Showing records 1 – 11 of 11 total matches.

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Georgia State University

1. Underwood, Aubrey. The Apocalypse will be Televised: Representations of the Cold War on Network Television, 1976-1987.

Degree: History, 2011, Georgia State University

  This dissertation examines how the major television networks, in conjunction with the Reagan administration, launched a lingering cloud of nuclear anxiety that helped to… (more)

Subjects/Keywords: Ronald Reagan; Cold War; Network television; Made-for-television movies; World War III; Special Bulletin; The Day After; Threads; Amerika; Nuclear freeze movement; Nuclear winter theory; Nuclear weapons; Strategic Defensive Initiative; “Star Wars; ; Great Nuclear Arms Debate; Infotainment; “Morning in America campaign” 1984 US Presidential Campaign; Walter Mondale; History

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APA (6th Edition):

Underwood, A. (2011). The Apocalypse will be Televised: Representations of the Cold War on Network Television, 1976-1987. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/history_diss/27

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Underwood, Aubrey. “The Apocalypse will be Televised: Representations of the Cold War on Network Television, 1976-1987.” 2011. Thesis, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/history_diss/27.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Underwood, Aubrey. “The Apocalypse will be Televised: Representations of the Cold War on Network Television, 1976-1987.” 2011. Web. 19 Nov 2019.

Vancouver:

Underwood A. The Apocalypse will be Televised: Representations of the Cold War on Network Television, 1976-1987. [Internet] [Thesis]. Georgia State University; 2011. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/history_diss/27.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Underwood A. The Apocalypse will be Televised: Representations of the Cold War on Network Television, 1976-1987. [Thesis]. Georgia State University; 2011. Available from: https://scholarworks.gsu.edu/history_diss/27

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

2. West, Darcey. The Evolution of Cable Network Branding: Time Warner in the Post-Network Era, 2001-2011.

Degree: PhD, Communication, 2015, Georgia State University

  From 2001 to 2011, there were a number of significant changes, such as increased audience fragmentation and new media technologies, which impacted the television… (more)

Subjects/Keywords: Television studies; Cable television; Branding; Media industry studies; Cultural studies; Post-network era; Non-linear television; New media

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APA (6th Edition):

West, D. (2015). The Evolution of Cable Network Branding: Time Warner in the Post-Network Era, 2001-2011. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/62

Chicago Manual of Style (16th Edition):

West, Darcey. “The Evolution of Cable Network Branding: Time Warner in the Post-Network Era, 2001-2011.” 2015. Doctoral Dissertation, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_diss/62.

MLA Handbook (7th Edition):

West, Darcey. “The Evolution of Cable Network Branding: Time Warner in the Post-Network Era, 2001-2011.” 2015. Web. 19 Nov 2019.

Vancouver:

West D. The Evolution of Cable Network Branding: Time Warner in the Post-Network Era, 2001-2011. [Internet] [Doctoral dissertation]. Georgia State University; 2015. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_diss/62.

Council of Science Editors:

West D. The Evolution of Cable Network Branding: Time Warner in the Post-Network Era, 2001-2011. [Doctoral Dissertation]. Georgia State University; 2015. Available from: https://scholarworks.gsu.edu/communication_diss/62

3. Besozzi, Michael T. "To Blaze Forever in a Blazing World": Queer Reconstruction and Cultural Memory in the Works of Alan Moore.

Degree: MA, Communication, 2011, Georgia State University

  This thesis is a queer analysis of two graphic novels by writer Alan Moore: The League of Extraordinary Gentlemen series (art by Kevin O’Neill,… (more)

Subjects/Keywords: Alan Moore; Comic books; Dracula; Dr. Jekyll and Mr. Hyde; Graphic novels; The League of Extraordinary Gentlemen; Lost Girls; Queer theory; Sexuality

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APA (6th Edition):

Besozzi, M. T. (2011). "To Blaze Forever in a Blazing World": Queer Reconstruction and Cultural Memory in the Works of Alan Moore. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/79

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Besozzi, Michael T. “"To Blaze Forever in a Blazing World": Queer Reconstruction and Cultural Memory in the Works of Alan Moore.” 2011. Thesis, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_theses/79.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Besozzi, Michael T. “"To Blaze Forever in a Blazing World": Queer Reconstruction and Cultural Memory in the Works of Alan Moore.” 2011. Web. 19 Nov 2019.

Vancouver:

Besozzi MT. "To Blaze Forever in a Blazing World": Queer Reconstruction and Cultural Memory in the Works of Alan Moore. [Internet] [Thesis]. Georgia State University; 2011. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_theses/79.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Besozzi MT. "To Blaze Forever in a Blazing World": Queer Reconstruction and Cultural Memory in the Works of Alan Moore. [Thesis]. Georgia State University; 2011. Available from: https://scholarworks.gsu.edu/communication_theses/79

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

4. Schiffman, James R. Mass Media and Representation: a Critical Comparison of the CCTV and NBC Presentations of the Opening Ceremony of the 2008 Beijing Olympic Summer Games.

Degree: PhD, Communication, 2012, Georgia State University

  A critical comparison of the CCTV and NBC broadcasts of the Opening Ceremony of the 2008 Beijing Olympics demonstrates how two sets of narratives… (more)

Subjects/Keywords: China; Olympics; Mass media; Representation; NBC; CCTV; Orientalism

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APA (6th Edition):

Schiffman, J. R. (2012). Mass Media and Representation: a Critical Comparison of the CCTV and NBC Presentations of the Opening Ceremony of the 2008 Beijing Olympic Summer Games. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/31

Chicago Manual of Style (16th Edition):

Schiffman, James R. “Mass Media and Representation: a Critical Comparison of the CCTV and NBC Presentations of the Opening Ceremony of the 2008 Beijing Olympic Summer Games.” 2012. Doctoral Dissertation, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_diss/31.

MLA Handbook (7th Edition):

Schiffman, James R. “Mass Media and Representation: a Critical Comparison of the CCTV and NBC Presentations of the Opening Ceremony of the 2008 Beijing Olympic Summer Games.” 2012. Web. 19 Nov 2019.

Vancouver:

Schiffman JR. Mass Media and Representation: a Critical Comparison of the CCTV and NBC Presentations of the Opening Ceremony of the 2008 Beijing Olympic Summer Games. [Internet] [Doctoral dissertation]. Georgia State University; 2012. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_diss/31.

Council of Science Editors:

Schiffman JR. Mass Media and Representation: a Critical Comparison of the CCTV and NBC Presentations of the Opening Ceremony of the 2008 Beijing Olympic Summer Games. [Doctoral Dissertation]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/communication_diss/31

5. Fawaz, May. The Role of The Media in a Precarious Plural Democracy: The Case of Lebanon.

Degree: PhD, Communication, 2013, Georgia State University

  This dissertation probes the role of the media in Lebanon, a plural democracy, characterized by a deeply divided society and a fragmented political culture.… (more)

Subjects/Keywords: Plural society; Plural democracy; Consociational democracy; Lebanese media; Political sectarianism; Social sectarianism; Identity conflicts; Lebanese television; Media battles

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fawaz, M. (2013). The Role of The Media in a Precarious Plural Democracy: The Case of Lebanon. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/45

Chicago Manual of Style (16th Edition):

Fawaz, May. “The Role of The Media in a Precarious Plural Democracy: The Case of Lebanon.” 2013. Doctoral Dissertation, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_diss/45.

MLA Handbook (7th Edition):

Fawaz, May. “The Role of The Media in a Precarious Plural Democracy: The Case of Lebanon.” 2013. Web. 19 Nov 2019.

Vancouver:

Fawaz M. The Role of The Media in a Precarious Plural Democracy: The Case of Lebanon. [Internet] [Doctoral dissertation]. Georgia State University; 2013. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_diss/45.

Council of Science Editors:

Fawaz M. The Role of The Media in a Precarious Plural Democracy: The Case of Lebanon. [Doctoral Dissertation]. Georgia State University; 2013. Available from: https://scholarworks.gsu.edu/communication_diss/45

6. Williams, Danielle E. Black Public Creative Figures in the Neo-Racial Moment: An Analysis of Tyra Banks, Tyler Perry and Shonda Rhimes, 2005-2010.

Degree: PhD, Communication, 2012, Georgia State University

  ABSTRACT This dissertation examines how Tyra Banks, Shonda Rhimes, and Tyler Perry negotiate blackness in terms of racial representation both in their interactions with… (more)

Subjects/Keywords: Neo-Racial; Shonda Rhimes; Neo-Cosby Moment; Tyler Perry; Tyra Banks; Assimilationist

…2012! I also want to thank Dr. Kathy Fuller-Seeley for her constant support, encouragement… …friendship, and support from faculty and staff at Georgia State University, Kennesaw State… 

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APA (6th Edition):

Williams, D. E. (2012). Black Public Creative Figures in the Neo-Racial Moment: An Analysis of Tyra Banks, Tyler Perry and Shonda Rhimes, 2005-2010. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/39

Chicago Manual of Style (16th Edition):

Williams, Danielle E. “Black Public Creative Figures in the Neo-Racial Moment: An Analysis of Tyra Banks, Tyler Perry and Shonda Rhimes, 2005-2010.” 2012. Doctoral Dissertation, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_diss/39.

MLA Handbook (7th Edition):

Williams, Danielle E. “Black Public Creative Figures in the Neo-Racial Moment: An Analysis of Tyra Banks, Tyler Perry and Shonda Rhimes, 2005-2010.” 2012. Web. 19 Nov 2019.

Vancouver:

Williams DE. Black Public Creative Figures in the Neo-Racial Moment: An Analysis of Tyra Banks, Tyler Perry and Shonda Rhimes, 2005-2010. [Internet] [Doctoral dissertation]. Georgia State University; 2012. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_diss/39.

Council of Science Editors:

Williams DE. Black Public Creative Figures in the Neo-Racial Moment: An Analysis of Tyra Banks, Tyler Perry and Shonda Rhimes, 2005-2010. [Doctoral Dissertation]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/communication_diss/39

7. Petruska, Karen C, PhD. The Critical Eye: Re-Viewing 1970s Television.

Degree: PhD, Communication, 2012, Georgia State University

  In my dissertation entitled “The Critical Eye: Re-Viewing 1970s Television,” I argue that TV scholars would benefit greatly by engaging in a more nuanced… (more)

Subjects/Keywords: Television studies; Media industry studies; Cultural studies; Television criticism; Media history

…identity as a scholar are Kathy Fuller-Seeley, Ted Friedman, Greg Smith, Angelo Restivo, Jennifer… …where Powers worked for much of the 1970s, is not at Georgia State, University of Georgia, or… 

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APA (6th Edition):

Petruska, Karen C, P. (2012). The Critical Eye: Re-Viewing 1970s Television. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/38

Chicago Manual of Style (16th Edition):

Petruska, Karen C, PhD. “The Critical Eye: Re-Viewing 1970s Television.” 2012. Doctoral Dissertation, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_diss/38.

MLA Handbook (7th Edition):

Petruska, Karen C, PhD. “The Critical Eye: Re-Viewing 1970s Television.” 2012. Web. 19 Nov 2019.

Vancouver:

Petruska, Karen C P. The Critical Eye: Re-Viewing 1970s Television. [Internet] [Doctoral dissertation]. Georgia State University; 2012. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_diss/38.

Council of Science Editors:

Petruska, Karen C P. The Critical Eye: Re-Viewing 1970s Television. [Doctoral Dissertation]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/communication_diss/38


Georgia State University

8. Toepfer, Shane. A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers.

Degree: MA, Communication, 2006, Georgia State University

  This analysis of the professional wrestling genre attempts to understand the complex reading practices employed by wrestling’s fan community. I argue that wrestling fans… (more)

Subjects/Keywords: productive audience; professional wrestling; official narratives; meta-narratives; fan community; audience; smark

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Toepfer, S. (2006). A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/15

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Toepfer, Shane. “A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers.” 2006. Thesis, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_theses/15.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Toepfer, Shane. “A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers.” 2006. Web. 19 Nov 2019.

Vancouver:

Toepfer S. A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers. [Internet] [Thesis]. Georgia State University; 2006. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_theses/15.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Toepfer S. A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers. [Thesis]. Georgia State University; 2006. Available from: https://scholarworks.gsu.edu/communication_theses/15

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

9. Strausz, Laszlo. Traveling through Space: Stylistic Progression and Camera Movement.

Degree: PhD, Communication, 2007, Georgia State University

  This project examines the how camera movement as a stylistic element is used as a storytelling device in the films of select international filmmakers.… (more)

Subjects/Keywords: History of film style; Normative- and Figurative Textual Codes; Camera movement; Tracking shot; Interaction of Style and Cultural Motifs; Communication

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APA (6th Edition):

Strausz, L. (2007). Traveling through Space: Stylistic Progression and Camera Movement. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/9

Chicago Manual of Style (16th Edition):

Strausz, Laszlo. “Traveling through Space: Stylistic Progression and Camera Movement.” 2007. Doctoral Dissertation, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_diss/9.

MLA Handbook (7th Edition):

Strausz, Laszlo. “Traveling through Space: Stylistic Progression and Camera Movement.” 2007. Web. 19 Nov 2019.

Vancouver:

Strausz L. Traveling through Space: Stylistic Progression and Camera Movement. [Internet] [Doctoral dissertation]. Georgia State University; 2007. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_diss/9.

Council of Science Editors:

Strausz L. Traveling through Space: Stylistic Progression and Camera Movement. [Doctoral Dissertation]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/communication_diss/9


Georgia State University

10. Cossar, John Harper. Snakes and Funerals: Aesthetics and American Widescreen Films.

Degree: PhD, Communication, 2007, Georgia State University

 The study of widescreen cinema historically has been under analyzed with regard to aesthetics. This project examines the visual poetics of the wide frame from… (more)

Subjects/Keywords: Widescreen; HDTV; Letterbox; CinemaScope; Auteur; Genre; Preminger; Tashlin; Ray; Sirk; Fleischer; Griffith; Gance; Keaton; Aesthetics; Aspect ratio; Communication

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cossar, J. H. (2007). Snakes and Funerals: Aesthetics and American Widescreen Films. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/12

Chicago Manual of Style (16th Edition):

Cossar, John Harper. “Snakes and Funerals: Aesthetics and American Widescreen Films.” 2007. Doctoral Dissertation, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_diss/12.

MLA Handbook (7th Edition):

Cossar, John Harper. “Snakes and Funerals: Aesthetics and American Widescreen Films.” 2007. Web. 19 Nov 2019.

Vancouver:

Cossar JH. Snakes and Funerals: Aesthetics and American Widescreen Films. [Internet] [Doctoral dissertation]. Georgia State University; 2007. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_diss/12.

Council of Science Editors:

Cossar JH. Snakes and Funerals: Aesthetics and American Widescreen Films. [Doctoral Dissertation]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/communication_diss/12


Georgia State University

11. Ryu, Jae Hyung. Reality & Effect: A Cultural History of Visual Effects.

Degree: PhD, Communication, 2007, Georgia State University

 The purpose of this dissertation is to chart how the development of visual effects has changed popular cinema¡¯s vision of the real, producing the powerful… (more)

Subjects/Keywords: Tae Guk Gi: The Brotherhood of War; Welcome to Dongmakgol; 2009: Lost Memories; Special Effects; Tricks; Trickality; The Korean Wave; Hallyu; Shiri; Communication

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APA (6th Edition):

Ryu, J. H. (2007). Reality & Effect: A Cultural History of Visual Effects. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/13

Chicago Manual of Style (16th Edition):

Ryu, Jae Hyung. “Reality & Effect: A Cultural History of Visual Effects.” 2007. Doctoral Dissertation, Georgia State University. Accessed November 19, 2019. https://scholarworks.gsu.edu/communication_diss/13.

MLA Handbook (7th Edition):

Ryu, Jae Hyung. “Reality & Effect: A Cultural History of Visual Effects.” 2007. Web. 19 Nov 2019.

Vancouver:

Ryu JH. Reality & Effect: A Cultural History of Visual Effects. [Internet] [Doctoral dissertation]. Georgia State University; 2007. [cited 2019 Nov 19]. Available from: https://scholarworks.gsu.edu/communication_diss/13.

Council of Science Editors:

Ryu JH. Reality & Effect: A Cultural History of Visual Effects. [Doctoral Dissertation]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/communication_diss/13

.