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You searched for +publisher:"Georgia State University" +contributor:("Angelo Restivo"). Showing records 1 – 22 of 22 total matches.

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Georgia State University

1. Horton, Justin. The Flow of the Water: Contemporary American Realisms.

Degree: MA, Communication, 2011, Georgia State University

 "Realism" is one of the enduring theoretical problems of the cinema. This study aims to broaden the parameters of the term by focusing on an… (more)

Subjects/Keywords: Bazin; Deleuze; Free Indirect Discourse; Sound; Gus Van Sant; David Gordon Green; Communication

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APA (6th Edition):

Horton, J. (2011). The Flow of the Water: Contemporary American Realisms. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/67

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Horton, Justin. “The Flow of the Water: Contemporary American Realisms.” 2011. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_theses/67.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Horton, Justin. “The Flow of the Water: Contemporary American Realisms.” 2011. Web. 16 Oct 2019.

Vancouver:

Horton J. The Flow of the Water: Contemporary American Realisms. [Internet] [Thesis]. Georgia State University; 2011. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_theses/67.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Horton J. The Flow of the Water: Contemporary American Realisms. [Thesis]. Georgia State University; 2011. Available from: https://scholarworks.gsu.edu/communication_theses/67

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

2. Wilcox, Charleen M. Constructing Asian/American Women on Screen.

Degree: MA, Communication, 2011, Georgia State University

  Asian/American women occupy a highly circumscribed subject position in popular Western culture that entails a unique reading of our bodies. My discussion of this… (more)

Subjects/Keywords: Asian/American Women; Race; Miscegenation; Blackface; Masquerade; Free Indirect Images; Communication

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APA (6th Edition):

Wilcox, C. M. (2011). Constructing Asian/American Women on Screen. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/68

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilcox, Charleen M. “Constructing Asian/American Women on Screen.” 2011. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_theses/68.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilcox, Charleen M. “Constructing Asian/American Women on Screen.” 2011. Web. 16 Oct 2019.

Vancouver:

Wilcox CM. Constructing Asian/American Women on Screen. [Internet] [Thesis]. Georgia State University; 2011. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_theses/68.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilcox CM. Constructing Asian/American Women on Screen. [Thesis]. Georgia State University; 2011. Available from: https://scholarworks.gsu.edu/communication_theses/68

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

3. Boehm, Wolfgang. Animating Social Pathology: Ontology, Aesthetics, and Cartoon Alienation.

Degree: MA, Moving Image Studies, 2018, Georgia State University

  This thesis grounds an unstable ontology in animation’s industrial history and its plasmatic aesthetics, in-so-doing I find animation to be a site of rendering… (more)

Subjects/Keywords: Animation; Aesthetics; Ontology; Cartoons; Utopia; Technology; Film studies; Media studies; Walter Benjamin; Television

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APA (6th Edition):

Boehm, W. (2018). Animating Social Pathology: Ontology, Aesthetics, and Cartoon Alienation. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/fmt_theses/2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boehm, Wolfgang. “Animating Social Pathology: Ontology, Aesthetics, and Cartoon Alienation.” 2018. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/fmt_theses/2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boehm, Wolfgang. “Animating Social Pathology: Ontology, Aesthetics, and Cartoon Alienation.” 2018. Web. 16 Oct 2019.

Vancouver:

Boehm W. Animating Social Pathology: Ontology, Aesthetics, and Cartoon Alienation. [Internet] [Thesis]. Georgia State University; 2018. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/fmt_theses/2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boehm W. Animating Social Pathology: Ontology, Aesthetics, and Cartoon Alienation. [Thesis]. Georgia State University; 2018. Available from: https://scholarworks.gsu.edu/fmt_theses/2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

4. Couch, Corey. A Return to Commercial Cinema in a Digital Age: Rerouting the Affective Impulse Under Neoliberalism.

Degree: MA, Film, Video & Digital Imaging, 2018, Georgia State University

  I return to Siegfried Kracauer’s questions regarding cinema’s capacity to illuminate the state of our political environment through film aesthetics, now within the context… (more)

Subjects/Keywords: Neoliberalism; Affect theory; Frankfurt School; Hollywood; Critical theory; Film theory

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APA (6th Edition):

Couch, C. (2018). A Return to Commercial Cinema in a Digital Age: Rerouting the Affective Impulse Under Neoliberalism. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/fmt_theses/3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Couch, Corey. “A Return to Commercial Cinema in a Digital Age: Rerouting the Affective Impulse Under Neoliberalism.” 2018. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/fmt_theses/3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Couch, Corey. “A Return to Commercial Cinema in a Digital Age: Rerouting the Affective Impulse Under Neoliberalism.” 2018. Web. 16 Oct 2019.

Vancouver:

Couch C. A Return to Commercial Cinema in a Digital Age: Rerouting the Affective Impulse Under Neoliberalism. [Internet] [Thesis]. Georgia State University; 2018. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/fmt_theses/3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Couch C. A Return to Commercial Cinema in a Digital Age: Rerouting the Affective Impulse Under Neoliberalism. [Thesis]. Georgia State University; 2018. Available from: https://scholarworks.gsu.edu/fmt_theses/3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

5. Huff, Kimberly D. Rhetorical Failures, Psychoanalytic Heroes: A Psychorhetoric of Social Change.

Degree: PhD, Communication, 2011, Georgia State University

  This dissertation confronts the rhetorical discipline with the Real of an antagonism illuminated through its encounter with Lacanian psychoanalysis. Rather than eliding the desire… (more)

Subjects/Keywords: Psychoanalysis; Rhetoric; Lacan; Desire; Symbolic; Real; Imaginary; Persuasion; Social change; Poststructuralism; Communication

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APA (6th Edition):

Huff, K. D. (2011). Rhetorical Failures, Psychoanalytic Heroes: A Psychorhetoric of Social Change. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/28

Chicago Manual of Style (16th Edition):

Huff, Kimberly D. “Rhetorical Failures, Psychoanalytic Heroes: A Psychorhetoric of Social Change.” 2011. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/28.

MLA Handbook (7th Edition):

Huff, Kimberly D. “Rhetorical Failures, Psychoanalytic Heroes: A Psychorhetoric of Social Change.” 2011. Web. 16 Oct 2019.

Vancouver:

Huff KD. Rhetorical Failures, Psychoanalytic Heroes: A Psychorhetoric of Social Change. [Internet] [Doctoral dissertation]. Georgia State University; 2011. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/28.

Council of Science Editors:

Huff KD. Rhetorical Failures, Psychoanalytic Heroes: A Psychorhetoric of Social Change. [Doctoral Dissertation]. Georgia State University; 2011. Available from: https://scholarworks.gsu.edu/communication_diss/28


Georgia State University

6. Pustay, Steven. The Digital Logic of Death.

Degree: PhD, Communication, 2015, Georgia State University

  The Digital Logic of Death analyzes recent reconfigurations in our relationship to death which have emerged in response to the rupture of the digital,… (more)

Subjects/Keywords: Death; Digital culture; Critical theory; Film; Video Games

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APA (6th Edition):

Pustay, S. (2015). The Digital Logic of Death. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/68

Chicago Manual of Style (16th Edition):

Pustay, Steven. “The Digital Logic of Death.” 2015. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/68.

MLA Handbook (7th Edition):

Pustay, Steven. “The Digital Logic of Death.” 2015. Web. 16 Oct 2019.

Vancouver:

Pustay S. The Digital Logic of Death. [Internet] [Doctoral dissertation]. Georgia State University; 2015. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/68.

Council of Science Editors:

Pustay S. The Digital Logic of Death. [Doctoral Dissertation]. Georgia State University; 2015. Available from: https://scholarworks.gsu.edu/communication_diss/68


Georgia State University

7. Rusnak, Stacy S. Mexican Cinema in a Global Age: The Films of Guillermo Del Toro, Alfonso Cuarón, and Alejandro González Iñárritu.

Degree: PhD, Communication, 2010, Georgia State University

  This study investigates the participation of cinema in the continuing debates over Mexican national identity. Part one lays out the problem of defining “Mexicanness”… (more)

Subjects/Keywords: Mexican cinema; Identity; Transnational; Guillermo Del Toro; Alfonso Cuarón; Alejandro González Iñárritu; Communication

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APA (6th Edition):

Rusnak, S. S. (2010). Mexican Cinema in a Global Age: The Films of Guillermo Del Toro, Alfonso Cuarón, and Alejandro González Iñárritu. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/23

Chicago Manual of Style (16th Edition):

Rusnak, Stacy S. “Mexican Cinema in a Global Age: The Films of Guillermo Del Toro, Alfonso Cuarón, and Alejandro González Iñárritu.” 2010. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/23.

MLA Handbook (7th Edition):

Rusnak, Stacy S. “Mexican Cinema in a Global Age: The Films of Guillermo Del Toro, Alfonso Cuarón, and Alejandro González Iñárritu.” 2010. Web. 16 Oct 2019.

Vancouver:

Rusnak SS. Mexican Cinema in a Global Age: The Films of Guillermo Del Toro, Alfonso Cuarón, and Alejandro González Iñárritu. [Internet] [Doctoral dissertation]. Georgia State University; 2010. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/23.

Council of Science Editors:

Rusnak SS. Mexican Cinema in a Global Age: The Films of Guillermo Del Toro, Alfonso Cuarón, and Alejandro González Iñárritu. [Doctoral Dissertation]. Georgia State University; 2010. Available from: https://scholarworks.gsu.edu/communication_diss/23


Georgia State University

8. Dewberry, Eric. Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925.

Degree: PhD, Communication, 2010, Georgia State University

  This dissertation explores the development of commercial entertainments and film exhibition in the urban South around the turn of the last century through the… (more)

Subjects/Keywords: Jake Wells; Cinema History; Vaudeville; Baseball; Popular Culture; Communication

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APA (6th Edition):

Dewberry, E. (2010). Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/24

Chicago Manual of Style (16th Edition):

Dewberry, Eric. “Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925.” 2010. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/24.

MLA Handbook (7th Edition):

Dewberry, Eric. “Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925.” 2010. Web. 16 Oct 2019.

Vancouver:

Dewberry E. Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925. [Internet] [Doctoral dissertation]. Georgia State University; 2010. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/24.

Council of Science Editors:

Dewberry E. Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925. [Doctoral Dissertation]. Georgia State University; 2010. Available from: https://scholarworks.gsu.edu/communication_diss/24


Georgia State University

9. Dudenhoeffer, Larrie. Corruptions of the Flesh: The Body, Subjectivity, Postmodernity.

Degree: PhD, Communication, 2010, Georgia State University

 This study will embrace certain features of postmodern experience so as to underline subjective embodiment as the condition, corollary, and appropriate focus of textual, rhetorical,… (more)

Subjects/Keywords: representations of Hell; cognitive mapping; film studies; classical rhetoric; dialecticism; postmodernism; semiotics; phenomenology; psychoanalysis; deconstruction; structuralism; somantics; Communication

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APA (6th Edition):

Dudenhoeffer, L. (2010). Corruptions of the Flesh: The Body, Subjectivity, Postmodernity. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/20

Chicago Manual of Style (16th Edition):

Dudenhoeffer, Larrie. “Corruptions of the Flesh: The Body, Subjectivity, Postmodernity.” 2010. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/20.

MLA Handbook (7th Edition):

Dudenhoeffer, Larrie. “Corruptions of the Flesh: The Body, Subjectivity, Postmodernity.” 2010. Web. 16 Oct 2019.

Vancouver:

Dudenhoeffer L. Corruptions of the Flesh: The Body, Subjectivity, Postmodernity. [Internet] [Doctoral dissertation]. Georgia State University; 2010. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/20.

Council of Science Editors:

Dudenhoeffer L. Corruptions of the Flesh: The Body, Subjectivity, Postmodernity. [Doctoral Dissertation]. Georgia State University; 2010. Available from: https://scholarworks.gsu.edu/communication_diss/20


Georgia State University

10. Beverly, Michele P. Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture.

Degree: PhD, Communication, 2012, Georgia State University

  In recent years, film, art, new media, and music video works created by black makers have demonstrated an increasingly “post-black” impulse. The term “post-black”… (more)

Subjects/Keywords: Black film; Hip-hop; African American culture; African American film; African American cinema; Race and visual culture

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APA (6th Edition):

Beverly, M. P. (2012). Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/37

Chicago Manual of Style (16th Edition):

Beverly, Michele P. “Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture.” 2012. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/37.

MLA Handbook (7th Edition):

Beverly, Michele P. “Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture.” 2012. Web. 16 Oct 2019.

Vancouver:

Beverly MP. Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture. [Internet] [Doctoral dissertation]. Georgia State University; 2012. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/37.

Council of Science Editors:

Beverly MP. Phenomenal Bodies: The Metaphysical Possibilities of Post-Black Film and Visual Culture. [Doctoral Dissertation]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/communication_diss/37


Georgia State University

11. James, David Wesley. The Failed NC-17 Rating, Screen Violence and Sexuality, and the Viability of the Current MPAA Ratings System.

Degree: MA, Communication, 2010, Georgia State University

 While the MPAA’s Classification and Ratings Administration – or CARA – has generally expanded the freedoms of filmmakers since its 1968 inception, the economic failure… (more)

Subjects/Keywords: MPAA; NC-17; Film ratings; Screen sexuality; Screen violence; Classification and Ratings Administration; Communication

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APA (6th Edition):

James, D. W. (2010). The Failed NC-17 Rating, Screen Violence and Sexuality, and the Viability of the Current MPAA Ratings System. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/61

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

James, David Wesley. “The Failed NC-17 Rating, Screen Violence and Sexuality, and the Viability of the Current MPAA Ratings System.” 2010. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_theses/61.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

James, David Wesley. “The Failed NC-17 Rating, Screen Violence and Sexuality, and the Viability of the Current MPAA Ratings System.” 2010. Web. 16 Oct 2019.

Vancouver:

James DW. The Failed NC-17 Rating, Screen Violence and Sexuality, and the Viability of the Current MPAA Ratings System. [Internet] [Thesis]. Georgia State University; 2010. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_theses/61.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

James DW. The Failed NC-17 Rating, Screen Violence and Sexuality, and the Viability of the Current MPAA Ratings System. [Thesis]. Georgia State University; 2010. Available from: https://scholarworks.gsu.edu/communication_theses/61

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Fowler, Daren. Step Into a Blue Funk: Transversal Color and Derek Jarman's Blue.

Degree: MA, Communication, 2014, Georgia State University

  Derek Jarman’s Blue has a complicated reception and exhibition history. Stuck between his past representational queer cinema and the inability to represent the suffering… (more)

Subjects/Keywords: Blue; Derek Jarman; Color; Transversality; Collective; Felix Guattari

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Fowler, D. (2014). Step Into a Blue Funk: Transversal Color and Derek Jarman's Blue. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fowler, Daren. “Step Into a Blue Funk: Transversal Color and Derek Jarman's Blue.” 2014. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_theses/109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fowler, Daren. “Step Into a Blue Funk: Transversal Color and Derek Jarman's Blue.” 2014. Web. 16 Oct 2019.

Vancouver:

Fowler D. Step Into a Blue Funk: Transversal Color and Derek Jarman's Blue. [Internet] [Thesis]. Georgia State University; 2014. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_theses/109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fowler D. Step Into a Blue Funk: Transversal Color and Derek Jarman's Blue. [Thesis]. Georgia State University; 2014. Available from: https://scholarworks.gsu.edu/communication_theses/109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Tucan, Ella. “Beloved Be the Ones Who Sit Down”: Aesthetics and Political Affect in Roy Andersson’s “Living” Trilogy.

Degree: MA, Communication, 2016, Georgia State University

  Roy Andersson’s unique surrealist style and the affect it gives rise to, situated somewhere between deep existential dread and the most absurdist humor, are… (more)

Subjects/Keywords: Affect; Postmodernism; Sweden; Performance; Temporality; History; Surrealism; European identity; Long take

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APA (6th Edition):

Tucan, E. (2016). “Beloved Be the Ones Who Sit Down”: Aesthetics and Political Affect in Roy Andersson’s “Living” Trilogy. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tucan, Ella. ““Beloved Be the Ones Who Sit Down”: Aesthetics and Political Affect in Roy Andersson’s “Living” Trilogy.” 2016. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_theses/114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tucan, Ella. ““Beloved Be the Ones Who Sit Down”: Aesthetics and Political Affect in Roy Andersson’s “Living” Trilogy.” 2016. Web. 16 Oct 2019.

Vancouver:

Tucan E. “Beloved Be the Ones Who Sit Down”: Aesthetics and Political Affect in Roy Andersson’s “Living” Trilogy. [Internet] [Thesis]. Georgia State University; 2016. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_theses/114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tucan E. “Beloved Be the Ones Who Sit Down”: Aesthetics and Political Affect in Roy Andersson’s “Living” Trilogy. [Thesis]. Georgia State University; 2016. Available from: https://scholarworks.gsu.edu/communication_theses/114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Ayers, Drew R. Vernacular Posthumanism: Visual Culture and Material Imagination.

Degree: PhD, Communication, 2012, Georgia State University

  Vernacular Posthumanism: Visual Culture and Material Imagination uses a theory of image vernaculars in order to explore the ways in which contemporary visual culture… (more)

Subjects/Keywords: Visual culture; Posthumanism; Nonhumanism; Film studies; Phenomenology; Digital culture

Georgia State University in 2007, during which time I was enrolled… …it is my own time and effort. My time at Georgia State… …University has been infinitely enriched by my cohort of fellow PhDs… 

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APA (6th Edition):

Ayers, D. R. (2012). Vernacular Posthumanism: Visual Culture and Material Imagination. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/34

Chicago Manual of Style (16th Edition):

Ayers, Drew R. “Vernacular Posthumanism: Visual Culture and Material Imagination.” 2012. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/34.

MLA Handbook (7th Edition):

Ayers, Drew R. “Vernacular Posthumanism: Visual Culture and Material Imagination.” 2012. Web. 16 Oct 2019.

Vancouver:

Ayers DR. Vernacular Posthumanism: Visual Culture and Material Imagination. [Internet] [Doctoral dissertation]. Georgia State University; 2012. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/34.

Council of Science Editors:

Ayers DR. Vernacular Posthumanism: Visual Culture and Material Imagination. [Doctoral Dissertation]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/communication_diss/34


Georgia State University

15. Toepfer, Shane. A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers.

Degree: MA, Communication, 2006, Georgia State University

  This analysis of the professional wrestling genre attempts to understand the complex reading practices employed by wrestling’s fan community. I argue that wrestling fans… (more)

Subjects/Keywords: productive audience; professional wrestling; official narratives; meta-narratives; fan community; audience; smark

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APA (6th Edition):

Toepfer, S. (2006). A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/15

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Toepfer, Shane. “A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers.” 2006. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_theses/15.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Toepfer, Shane. “A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers.” 2006. Web. 16 Oct 2019.

Vancouver:

Toepfer S. A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers. [Internet] [Thesis]. Georgia State University; 2006. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_theses/15.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Toepfer S. A Community of Smarks: Professional Wrestling and the Changing Relationship between Textual Producers and Consumers. [Thesis]. Georgia State University; 2006. Available from: https://scholarworks.gsu.edu/communication_theses/15

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

16. Hagan, Lindsey Ann. A New Approach to an Old Story: How Generation Y Views and Disseminates Echoes of Vietnam Films as seen in Videos Created by Troops in Iraq.

Degree: MA, Communication, 2007, Georgia State University

 This is an examination of how the fictional representation and re-creation of past wars is colliding with the personal video presentations of the Iraq War.… (more)

Subjects/Keywords: Vietnam; War; Military.com; video; YouTube; film; "instant history"; "Ramadi"; Iraq; Baby Boomers; Generation Y; videography; Communication

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APA (6th Edition):

Hagan, L. A. (2007). A New Approach to an Old Story: How Generation Y Views and Disseminates Echoes of Vietnam Films as seen in Videos Created by Troops in Iraq. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/21

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hagan, Lindsey Ann. “A New Approach to an Old Story: How Generation Y Views and Disseminates Echoes of Vietnam Films as seen in Videos Created by Troops in Iraq.” 2007. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_theses/21.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hagan, Lindsey Ann. “A New Approach to an Old Story: How Generation Y Views and Disseminates Echoes of Vietnam Films as seen in Videos Created by Troops in Iraq.” 2007. Web. 16 Oct 2019.

Vancouver:

Hagan LA. A New Approach to an Old Story: How Generation Y Views and Disseminates Echoes of Vietnam Films as seen in Videos Created by Troops in Iraq. [Internet] [Thesis]. Georgia State University; 2007. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_theses/21.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hagan LA. A New Approach to an Old Story: How Generation Y Views and Disseminates Echoes of Vietnam Films as seen in Videos Created by Troops in Iraq. [Thesis]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/communication_theses/21

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

17. Strausz, Laszlo. Traveling through Space: Stylistic Progression and Camera Movement.

Degree: PhD, Communication, 2007, Georgia State University

  This project examines the how camera movement as a stylistic element is used as a storytelling device in the films of select international filmmakers.… (more)

Subjects/Keywords: History of film style; Normative- and Figurative Textual Codes; Camera movement; Tracking shot; Interaction of Style and Cultural Motifs; Communication

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APA (6th Edition):

Strausz, L. (2007). Traveling through Space: Stylistic Progression and Camera Movement. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/9

Chicago Manual of Style (16th Edition):

Strausz, Laszlo. “Traveling through Space: Stylistic Progression and Camera Movement.” 2007. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/9.

MLA Handbook (7th Edition):

Strausz, Laszlo. “Traveling through Space: Stylistic Progression and Camera Movement.” 2007. Web. 16 Oct 2019.

Vancouver:

Strausz L. Traveling through Space: Stylistic Progression and Camera Movement. [Internet] [Doctoral dissertation]. Georgia State University; 2007. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/9.

Council of Science Editors:

Strausz L. Traveling through Space: Stylistic Progression and Camera Movement. [Doctoral Dissertation]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/communication_diss/9


Georgia State University

18. Cossar, John Harper. Snakes and Funerals: Aesthetics and American Widescreen Films.

Degree: PhD, Communication, 2007, Georgia State University

 The study of widescreen cinema historically has been under analyzed with regard to aesthetics. This project examines the visual poetics of the wide frame from… (more)

Subjects/Keywords: Widescreen; HDTV; Letterbox; CinemaScope; Auteur; Genre; Preminger; Tashlin; Ray; Sirk; Fleischer; Griffith; Gance; Keaton; Aesthetics; Aspect ratio; Communication

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APA (6th Edition):

Cossar, J. H. (2007). Snakes and Funerals: Aesthetics and American Widescreen Films. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/12

Chicago Manual of Style (16th Edition):

Cossar, John Harper. “Snakes and Funerals: Aesthetics and American Widescreen Films.” 2007. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/12.

MLA Handbook (7th Edition):

Cossar, John Harper. “Snakes and Funerals: Aesthetics and American Widescreen Films.” 2007. Web. 16 Oct 2019.

Vancouver:

Cossar JH. Snakes and Funerals: Aesthetics and American Widescreen Films. [Internet] [Doctoral dissertation]. Georgia State University; 2007. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/12.

Council of Science Editors:

Cossar JH. Snakes and Funerals: Aesthetics and American Widescreen Films. [Doctoral Dissertation]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/communication_diss/12


Georgia State University

19. McFarlane-Alvarez, Susan Lillian. Imaging and the National Imagining: Theorizing Visual Sovereignty in Trinidad and Tobago Moving Image Media through Analysis of Television Advertising.

Degree: PhD, Communication, 2006, Georgia State University

  Academic and popular discourse frequently positions postcolonial countries as receivers of visual culture rather than as producers and transmitters. These countries are often deemed… (more)

Subjects/Keywords: Visual Sovereignty; Advertising; Television; Moving image media; National identity; Caribbean; Postcolonial; Communication

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APA (6th Edition):

McFarlane-Alvarez, S. L. (2006). Imaging and the National Imagining: Theorizing Visual Sovereignty in Trinidad and Tobago Moving Image Media through Analysis of Television Advertising. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/3

Chicago Manual of Style (16th Edition):

McFarlane-Alvarez, Susan Lillian. “Imaging and the National Imagining: Theorizing Visual Sovereignty in Trinidad and Tobago Moving Image Media through Analysis of Television Advertising.” 2006. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/3.

MLA Handbook (7th Edition):

McFarlane-Alvarez, Susan Lillian. “Imaging and the National Imagining: Theorizing Visual Sovereignty in Trinidad and Tobago Moving Image Media through Analysis of Television Advertising.” 2006. Web. 16 Oct 2019.

Vancouver:

McFarlane-Alvarez SL. Imaging and the National Imagining: Theorizing Visual Sovereignty in Trinidad and Tobago Moving Image Media through Analysis of Television Advertising. [Internet] [Doctoral dissertation]. Georgia State University; 2006. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/3.

Council of Science Editors:

McFarlane-Alvarez SL. Imaging and the National Imagining: Theorizing Visual Sovereignty in Trinidad and Tobago Moving Image Media through Analysis of Television Advertising. [Doctoral Dissertation]. Georgia State University; 2006. Available from: https://scholarworks.gsu.edu/communication_diss/3


Georgia State University

20. Ryu, Jae Hyung. Reality & Effect: A Cultural History of Visual Effects.

Degree: PhD, Communication, 2007, Georgia State University

 The purpose of this dissertation is to chart how the development of visual effects has changed popular cinema¡¯s vision of the real, producing the powerful… (more)

Subjects/Keywords: Tae Guk Gi: The Brotherhood of War; Welcome to Dongmakgol; 2009: Lost Memories; Special Effects; Tricks; Trickality; The Korean Wave; Hallyu; Shiri; Communication

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ryu, J. H. (2007). Reality & Effect: A Cultural History of Visual Effects. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/13

Chicago Manual of Style (16th Edition):

Ryu, Jae Hyung. “Reality & Effect: A Cultural History of Visual Effects.” 2007. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/13.

MLA Handbook (7th Edition):

Ryu, Jae Hyung. “Reality & Effect: A Cultural History of Visual Effects.” 2007. Web. 16 Oct 2019.

Vancouver:

Ryu JH. Reality & Effect: A Cultural History of Visual Effects. [Internet] [Doctoral dissertation]. Georgia State University; 2007. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/13.

Council of Science Editors:

Ryu JH. Reality & Effect: A Cultural History of Visual Effects. [Doctoral Dissertation]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/communication_diss/13


Georgia State University

21. Tims, William Keith. Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness.

Degree: PhD, Communication, 2007, Georgia State University

 The use of masks in performance and actor training is often linked to the imagination, but there is seldom discussion of the nature of this… (more)

Subjects/Keywords: Masks; Performance; Sartre; Imaginary; Movement; Ambiguity; Communication

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APA (6th Edition):

Tims, W. K. (2007). Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/10

Chicago Manual of Style (16th Edition):

Tims, William Keith. “Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness.” 2007. Doctoral Dissertation, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/communication_diss/10.

MLA Handbook (7th Edition):

Tims, William Keith. “Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness.” 2007. Web. 16 Oct 2019.

Vancouver:

Tims WK. Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness. [Internet] [Doctoral dissertation]. Georgia State University; 2007. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/communication_diss/10.

Council of Science Editors:

Tims WK. Masks and Sartre's Imaginary: Masked Performance and the Imaging Consciousness. [Doctoral Dissertation]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/communication_diss/10


Georgia State University

22. Moschetta, Massimiliano. Carlo Michelstaedter: Persuasion and Rhetoric.

Degree: MA, Philosophy, 2007, Georgia State University

 Carlo Michelstaedter's Persuasion and Rhetoric (1910) is one of best examples of what Massimo Cacciari calls the early twentieth century "metaphysics of youth." Persuasion and… (more)

Subjects/Keywords: Lukács; Wittgenstein; Parmenides; Plato; Persuasion; Rhetoric; Dialectic; Aporia; Michelstaedter; Cacciari; Socrates; Philosophy

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APA (6th Edition):

Moschetta, M. (2007). Carlo Michelstaedter: Persuasion and Rhetoric. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/philosophy_theses/33

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moschetta, Massimiliano. “Carlo Michelstaedter: Persuasion and Rhetoric.” 2007. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/philosophy_theses/33.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moschetta, Massimiliano. “Carlo Michelstaedter: Persuasion and Rhetoric.” 2007. Web. 16 Oct 2019.

Vancouver:

Moschetta M. Carlo Michelstaedter: Persuasion and Rhetoric. [Internet] [Thesis]. Georgia State University; 2007. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/philosophy_theses/33.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moschetta M. Carlo Michelstaedter: Persuasion and Rhetoric. [Thesis]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/philosophy_theses/33

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.