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You searched for +publisher:"Dalhousie University" +contributor:("Carrie Dawson"). Showing records 1 – 25 of 25 total matches.

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Dalhousie University

1. Author Not Available. Cockroaches: Refugee Justice in the Novels of Rawi Hage.

Degree: MA, Department of English, 2013, Dalhousie University

 Traditionally, refugees have been represented as passive, silent, and abject. While such representations are often used to elicit sympathy and support, they do so at… (more)

Subjects/Keywords: Refugee Literature

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APA (6th Edition):

Available, A. N. (2013). Cockroaches: Refugee Justice in the Novels of Rawi Hage. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/36297

Chicago Manual of Style (16th Edition):

Available, Author Not. “Cockroaches: Refugee Justice in the Novels of Rawi Hage.” 2013. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/36297.

MLA Handbook (7th Edition):

Available, Author Not. “Cockroaches: Refugee Justice in the Novels of Rawi Hage.” 2013. Web. 21 Oct 2019.

Vancouver:

Available AN. Cockroaches: Refugee Justice in the Novels of Rawi Hage. [Internet] [Masters thesis]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/36297.

Council of Science Editors:

Available AN. Cockroaches: Refugee Justice in the Novels of Rawi Hage. [Masters Thesis]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/36297


Dalhousie University

2. Massel, Gillian. Imagined Rendering: Photography, Memory, and Autobiography in Michael Ondaatjes Running in the Family and The Cats Table.

Degree: MA, Department of English, 2014, Dalhousie University

 This thesis examines the idea of memory as a creative and aesthetic process in Running in the Family and The Cats Table Michael Ondaatjes most… (more)

Subjects/Keywords: Michael Ondaatje; Autobiography; Memory; Photography; Visual Art; Aesthetics

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APA (6th Edition):

Massel, G. (2014). Imagined Rendering: Photography, Memory, and Autobiography in Michael Ondaatjes Running in the Family and The Cats Table. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/53974

Chicago Manual of Style (16th Edition):

Massel, Gillian. “Imagined Rendering: Photography, Memory, and Autobiography in Michael Ondaatjes Running in the Family and The Cats Table.” 2014. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/53974.

MLA Handbook (7th Edition):

Massel, Gillian. “Imagined Rendering: Photography, Memory, and Autobiography in Michael Ondaatjes Running in the Family and The Cats Table.” 2014. Web. 21 Oct 2019.

Vancouver:

Massel G. Imagined Rendering: Photography, Memory, and Autobiography in Michael Ondaatjes Running in the Family and The Cats Table. [Internet] [Masters thesis]. Dalhousie University; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/53974.

Council of Science Editors:

Massel G. Imagined Rendering: Photography, Memory, and Autobiography in Michael Ondaatjes Running in the Family and The Cats Table. [Masters Thesis]. Dalhousie University; 2014. Available from: http://hdl.handle.net/10222/53974


Dalhousie University

3. Georgia Grundlingh. Inventing the Past: Regional Myth in Michael Crummeys Galore and Richard Flanagans Goulds Book of Fish.

Degree: MA, Department of English, 2014, Dalhousie University

 This thesis seeks to investigate the ways in which a novel from Newfoundland and a novel from Tasmania use history and myth to reimagine their… (more)

Subjects/Keywords: post-colonial; Newfoundland; Tasmania; Folklore; Magic Realism; Historical fiction; national literature

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APA (6th Edition):

Grundlingh, G. (2014). Inventing the Past: Regional Myth in Michael Crummeys Galore and Richard Flanagans Goulds Book of Fish. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/56018

Chicago Manual of Style (16th Edition):

Grundlingh, Georgia. “Inventing the Past: Regional Myth in Michael Crummeys Galore and Richard Flanagans Goulds Book of Fish.” 2014. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/56018.

MLA Handbook (7th Edition):

Grundlingh, Georgia. “Inventing the Past: Regional Myth in Michael Crummeys Galore and Richard Flanagans Goulds Book of Fish.” 2014. Web. 21 Oct 2019.

Vancouver:

Grundlingh G. Inventing the Past: Regional Myth in Michael Crummeys Galore and Richard Flanagans Goulds Book of Fish. [Internet] [Masters thesis]. Dalhousie University; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/56018.

Council of Science Editors:

Grundlingh G. Inventing the Past: Regional Myth in Michael Crummeys Galore and Richard Flanagans Goulds Book of Fish. [Masters Thesis]. Dalhousie University; 2014. Available from: http://hdl.handle.net/10222/56018


Dalhousie University

4. Gallant, Laura. Writing the Ethics of Water in Michael Ondaatje, Thomas King, and Anne Michaels.

Degree: MA, Department of English, 2010, Dalhousie University

 In July 2010, the United Nations declared access to water and sanitation a human right. Certainly a success for water rights advocates worldwide, this resolution… (more)

Subjects/Keywords: canadian literature; water management; damming; Ondaatje, michael; King, thomas; Michaels, anne

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APA (6th Edition):

Gallant, L. (2010). Writing the Ethics of Water in Michael Ondaatje, Thomas King, and Anne Michaels. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/13044

Chicago Manual of Style (16th Edition):

Gallant, Laura. “Writing the Ethics of Water in Michael Ondaatje, Thomas King, and Anne Michaels.” 2010. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/13044.

MLA Handbook (7th Edition):

Gallant, Laura. “Writing the Ethics of Water in Michael Ondaatje, Thomas King, and Anne Michaels.” 2010. Web. 21 Oct 2019.

Vancouver:

Gallant L. Writing the Ethics of Water in Michael Ondaatje, Thomas King, and Anne Michaels. [Internet] [Masters thesis]. Dalhousie University; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/13044.

Council of Science Editors:

Gallant L. Writing the Ethics of Water in Michael Ondaatje, Thomas King, and Anne Michaels. [Masters Thesis]. Dalhousie University; 2010. Available from: http://hdl.handle.net/10222/13044


Dalhousie University

5. Abeysekera, Vasana. An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay.

Degree: MA, Department of English, 2011, Dalhousie University

 Numerous scholars have observed that Don McKay’s poetry is profoundly musical and particularly attentive to the sounds of birds. However, it has not been examined… (more)

Subjects/Keywords: Poetry; Music; Ecocriticism; Birdsong

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APA (6th Edition):

Abeysekera, V. (2011). An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14170

Chicago Manual of Style (16th Edition):

Abeysekera, Vasana. “An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay.” 2011. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/14170.

MLA Handbook (7th Edition):

Abeysekera, Vasana. “An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay.” 2011. Web. 21 Oct 2019.

Vancouver:

Abeysekera V. An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay. [Internet] [Masters thesis]. Dalhousie University; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/14170.

Council of Science Editors:

Abeysekera V. An Astonishing Symphony of Voices: Birdsong in the Poetry of Don McKay. [Masters Thesis]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14170


Dalhousie University

6. Shwetz, Katherine. Communicable Stories: HIV in Canadian Aboriginal Literature.

Degree: MA, Department of English, 2011, Dalhousie University

 The devastation wrought by the HIV/AIDS epidemic in Aboriginal communities is both physical and metaphorical, as the stigmas associated with the virus mediate the way… (more)

Subjects/Keywords: Canadian; Aboriginal; Literature; HIV; AIDS; disease

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APA (6th Edition):

Shwetz, K. (2011). Communicable Stories: HIV in Canadian Aboriginal Literature. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14199

Chicago Manual of Style (16th Edition):

Shwetz, Katherine. “Communicable Stories: HIV in Canadian Aboriginal Literature.” 2011. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/14199.

MLA Handbook (7th Edition):

Shwetz, Katherine. “Communicable Stories: HIV in Canadian Aboriginal Literature.” 2011. Web. 21 Oct 2019.

Vancouver:

Shwetz K. Communicable Stories: HIV in Canadian Aboriginal Literature. [Internet] [Masters thesis]. Dalhousie University; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/14199.

Council of Science Editors:

Shwetz K. Communicable Stories: HIV in Canadian Aboriginal Literature. [Masters Thesis]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14199


Dalhousie University

7. Varma, Elizabeth Meera. Writing Palestine: Personal and National Identity Construction in Exile.

Degree: MA, Department of English, 2011, Dalhousie University

This thesis also examines literary considerations such as memoir as a genre, use of figurative language, and authorial presence.

This thesis examines representations of nationhood,… (more)

Subjects/Keywords: Palestine; Identity; Nationhood; National Belonging; Exile; Return; Nostalgia; Representation

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APA (6th Edition):

Varma, E. M. (2011). Writing Palestine: Personal and National Identity Construction in Exile. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14272

Chicago Manual of Style (16th Edition):

Varma, Elizabeth Meera. “Writing Palestine: Personal and National Identity Construction in Exile.” 2011. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/14272.

MLA Handbook (7th Edition):

Varma, Elizabeth Meera. “Writing Palestine: Personal and National Identity Construction in Exile.” 2011. Web. 21 Oct 2019.

Vancouver:

Varma EM. Writing Palestine: Personal and National Identity Construction in Exile. [Internet] [Masters thesis]. Dalhousie University; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/14272.

Council of Science Editors:

Varma EM. Writing Palestine: Personal and National Identity Construction in Exile. [Masters Thesis]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14272


Dalhousie University

8. Gallant, Mikala. Ideal Rule in Shakespeare's Romances: Politics in "The Winter's Tale" and "The Tempest".

Degree: MA, Department of English, 2013, Dalhousie University

 The Winter’s Tale (1611) and The Tempest (1611) are two of Shakespeare’s romances, written under the patronage of James I of England. While Shakespeare’s history… (more)

Subjects/Keywords: Romances; Kingship; Rule; Ruler; Power; Women; Knowledge; James I; The Tempest; The Winter's Tale; Faith; Shakespeare; Patriarchy

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APA (6th Edition):

Gallant, M. (2013). Ideal Rule in Shakespeare's Romances: Politics in "The Winter's Tale" and "The Tempest". (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/35443

Chicago Manual of Style (16th Edition):

Gallant, Mikala. “Ideal Rule in Shakespeare's Romances: Politics in "The Winter's Tale" and "The Tempest".” 2013. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/35443.

MLA Handbook (7th Edition):

Gallant, Mikala. “Ideal Rule in Shakespeare's Romances: Politics in "The Winter's Tale" and "The Tempest".” 2013. Web. 21 Oct 2019.

Vancouver:

Gallant M. Ideal Rule in Shakespeare's Romances: Politics in "The Winter's Tale" and "The Tempest". [Internet] [Masters thesis]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/35443.

Council of Science Editors:

Gallant M. Ideal Rule in Shakespeare's Romances: Politics in "The Winter's Tale" and "The Tempest". [Masters Thesis]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/35443


Dalhousie University

9. Bezanson, Brianne. Mimicry, Imitation, and Double Consciousness: The Absence and Presence of Black Heroines in The Woman of Colour and William Earle's Obi.

Degree: MA, Department of English, 2013, Dalhousie University

 This thesis demonstrates how two early nineteenth century British novels, William Earle’s Obi, or The History of Three-Fingered Jack (1800) and the anonymously-written The Woman… (more)

Subjects/Keywords: Heroine; nineteenth century; ambivalence; double consciousness; mimicry; gender-reversal; William Earle; Obi; The Woman of Colour; Maria Edgeworth; The Grateful Negro; John Thelwall; Incle and Yarico

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APA (6th Edition):

Bezanson, B. (2013). Mimicry, Imitation, and Double Consciousness: The Absence and Presence of Black Heroines in The Woman of Colour and William Earle's Obi. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/35469

Chicago Manual of Style (16th Edition):

Bezanson, Brianne. “Mimicry, Imitation, and Double Consciousness: The Absence and Presence of Black Heroines in The Woman of Colour and William Earle's Obi.” 2013. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/35469.

MLA Handbook (7th Edition):

Bezanson, Brianne. “Mimicry, Imitation, and Double Consciousness: The Absence and Presence of Black Heroines in The Woman of Colour and William Earle's Obi.” 2013. Web. 21 Oct 2019.

Vancouver:

Bezanson B. Mimicry, Imitation, and Double Consciousness: The Absence and Presence of Black Heroines in The Woman of Colour and William Earle's Obi. [Internet] [Masters thesis]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/35469.

Council of Science Editors:

Bezanson B. Mimicry, Imitation, and Double Consciousness: The Absence and Presence of Black Heroines in The Woman of Colour and William Earle's Obi. [Masters Thesis]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/35469


Dalhousie University

10. Secord, Amanda. Civilized Music: Postsecularism and the Humoured Body in Don DeLillo’s Underworld, Thomas Pynchon’s Vineland, and David Foster Wallace’s Infinite Jest.

Degree: MA, Department of English, 2015, Dalhousie University

 This thesis examines the way in which the representation of laughter, or the represented experience of humour, is postsecular in the contemporary American fiction of… (more)

Subjects/Keywords: Religion; Humour; Laughter; Postsecularism; Don DeLillo; Thomas Pynchon; David Foster Wallace; Infinite Jest; Vineland; Underworld

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APA (6th Edition):

Secord, A. (2015). Civilized Music: Postsecularism and the Humoured Body in Don DeLillo’s Underworld, Thomas Pynchon’s Vineland, and David Foster Wallace’s Infinite Jest. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/56306

Chicago Manual of Style (16th Edition):

Secord, Amanda. “Civilized Music: Postsecularism and the Humoured Body in Don DeLillo’s Underworld, Thomas Pynchon’s Vineland, and David Foster Wallace’s Infinite Jest.” 2015. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/56306.

MLA Handbook (7th Edition):

Secord, Amanda. “Civilized Music: Postsecularism and the Humoured Body in Don DeLillo’s Underworld, Thomas Pynchon’s Vineland, and David Foster Wallace’s Infinite Jest.” 2015. Web. 21 Oct 2019.

Vancouver:

Secord A. Civilized Music: Postsecularism and the Humoured Body in Don DeLillo’s Underworld, Thomas Pynchon’s Vineland, and David Foster Wallace’s Infinite Jest. [Internet] [Masters thesis]. Dalhousie University; 2015. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/56306.

Council of Science Editors:

Secord A. Civilized Music: Postsecularism and the Humoured Body in Don DeLillo’s Underworld, Thomas Pynchon’s Vineland, and David Foster Wallace’s Infinite Jest. [Masters Thesis]. Dalhousie University; 2015. Available from: http://hdl.handle.net/10222/56306


Dalhousie University

11. Fontaine, Michael. The Impediments of Inheritance: Living with the Legacies of Irish History in John McGahern's Early Novels.

Degree: MA, Department of English, 2014, Dalhousie University

 In this thesis I argue that John McGaherns early novels treat the rampant social despondency of mid-twentieth-century Ireland by revealing its roots in the social… (more)

Subjects/Keywords: McGahern, John; Ireland; History; "The Dark"; "The Barracks"

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APA (6th Edition):

Fontaine, M. (2014). The Impediments of Inheritance: Living with the Legacies of Irish History in John McGahern's Early Novels. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/53775

Chicago Manual of Style (16th Edition):

Fontaine, Michael. “The Impediments of Inheritance: Living with the Legacies of Irish History in John McGahern's Early Novels.” 2014. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/53775.

MLA Handbook (7th Edition):

Fontaine, Michael. “The Impediments of Inheritance: Living with the Legacies of Irish History in John McGahern's Early Novels.” 2014. Web. 21 Oct 2019.

Vancouver:

Fontaine M. The Impediments of Inheritance: Living with the Legacies of Irish History in John McGahern's Early Novels. [Internet] [Masters thesis]. Dalhousie University; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/53775.

Council of Science Editors:

Fontaine M. The Impediments of Inheritance: Living with the Legacies of Irish History in John McGahern's Early Novels. [Masters Thesis]. Dalhousie University; 2014. Available from: http://hdl.handle.net/10222/53775


Dalhousie University

12. Ibsen, Celine. Lowly Wisdom: An Ecological Reading of Book Eight in Paradise Lost.

Degree: MA, Department of English, 2014, Dalhousie University

 This thesis offers an ecocritical and rhetorical analysis of the archangel Raphael's discourse on the limits of human knowledge in Book Eight of Paradise Lost… (more)

Subjects/Keywords: Milton; ecocriticism; Adam; Raphael; ecology; ontology; epistemology; knowledge; wisdom; lowly; humility; wonder; rhetoric; Paradise Lost

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APA (6th Edition):

Ibsen, C. (2014). Lowly Wisdom: An Ecological Reading of Book Eight in Paradise Lost. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/54018

Chicago Manual of Style (16th Edition):

Ibsen, Celine. “Lowly Wisdom: An Ecological Reading of Book Eight in Paradise Lost.” 2014. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/54018.

MLA Handbook (7th Edition):

Ibsen, Celine. “Lowly Wisdom: An Ecological Reading of Book Eight in Paradise Lost.” 2014. Web. 21 Oct 2019.

Vancouver:

Ibsen C. Lowly Wisdom: An Ecological Reading of Book Eight in Paradise Lost. [Internet] [Masters thesis]. Dalhousie University; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/54018.

Council of Science Editors:

Ibsen C. Lowly Wisdom: An Ecological Reading of Book Eight in Paradise Lost. [Masters Thesis]. Dalhousie University; 2014. Available from: http://hdl.handle.net/10222/54018


Dalhousie University

13. Edwards, Samuel. Revising Documentary Modes: a Critical Study of American Iraq and Afghanistan War Documentaries, 2003 present.

Degree: MA, Department of English, 2014, Dalhousie University

 This thesis identifies and examines a corpus of American documentary films, released between 2003 and 2014, that concern themselves with the US recent concurrent land… (more)

Subjects/Keywords: Documentary; Film; Iraq War; War in Afghanistan

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APA (6th Edition):

Edwards, S. (2014). Revising Documentary Modes: a Critical Study of American Iraq and Afghanistan War Documentaries, 2003 present. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/55955

Chicago Manual of Style (16th Edition):

Edwards, Samuel. “Revising Documentary Modes: a Critical Study of American Iraq and Afghanistan War Documentaries, 2003 present.” 2014. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/55955.

MLA Handbook (7th Edition):

Edwards, Samuel. “Revising Documentary Modes: a Critical Study of American Iraq and Afghanistan War Documentaries, 2003 present.” 2014. Web. 21 Oct 2019.

Vancouver:

Edwards S. Revising Documentary Modes: a Critical Study of American Iraq and Afghanistan War Documentaries, 2003 present. [Internet] [Masters thesis]. Dalhousie University; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/55955.

Council of Science Editors:

Edwards S. Revising Documentary Modes: a Critical Study of American Iraq and Afghanistan War Documentaries, 2003 present. [Masters Thesis]. Dalhousie University; 2014. Available from: http://hdl.handle.net/10222/55955


Dalhousie University

14. Vautour, Bart. Writing Left: The Emergence of Modernism in English Canadian Literature.

Degree: PhD, Department of English, 2011, Dalhousie University

 This dissertation complicates conventional understandings of the emergence of modernism in Canadian cultural production, proposing instead a multiplicity of modernist practices that emerge through direct… (more)

Subjects/Keywords: Canadian Literature; Modernism; Politics; Spanish Civil War; Canadian Modernism

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APA (6th Edition):

Vautour, B. (2011). Writing Left: The Emergence of Modernism in English Canadian Literature. (Doctoral Dissertation). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14075

Chicago Manual of Style (16th Edition):

Vautour, Bart. “Writing Left: The Emergence of Modernism in English Canadian Literature.” 2011. Doctoral Dissertation, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/14075.

MLA Handbook (7th Edition):

Vautour, Bart. “Writing Left: The Emergence of Modernism in English Canadian Literature.” 2011. Web. 21 Oct 2019.

Vancouver:

Vautour B. Writing Left: The Emergence of Modernism in English Canadian Literature. [Internet] [Doctoral dissertation]. Dalhousie University; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/14075.

Council of Science Editors:

Vautour B. Writing Left: The Emergence of Modernism in English Canadian Literature. [Doctoral Dissertation]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14075


Dalhousie University

15. Author Not Available. “One Small Way”: Racism, Redress, and Reconciliation in Canadian Women's Fiction,1980-2000.

Degree: PhD, Department of English, 2011, Dalhousie University

 Canada’s Multiculturalism Act insists that Canada embraces its ethnic and racial diversity. At the same time, the broader discourse of multiculturalism tends to figure Canada… (more)

Subjects/Keywords: Canadian Literature; multiculturalism; fiction; women

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APA (6th Edition):

Available, A. N. (2011). “One Small Way”: Racism, Redress, and Reconciliation in Canadian Women's Fiction,1980-2000. (Doctoral Dissertation). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14198

Chicago Manual of Style (16th Edition):

Available, Author Not. ““One Small Way”: Racism, Redress, and Reconciliation in Canadian Women's Fiction,1980-2000.” 2011. Doctoral Dissertation, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/14198.

MLA Handbook (7th Edition):

Available, Author Not. ““One Small Way”: Racism, Redress, and Reconciliation in Canadian Women's Fiction,1980-2000.” 2011. Web. 21 Oct 2019.

Vancouver:

Available AN. “One Small Way”: Racism, Redress, and Reconciliation in Canadian Women's Fiction,1980-2000. [Internet] [Doctoral dissertation]. Dalhousie University; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/14198.

Council of Science Editors:

Available AN. “One Small Way”: Racism, Redress, and Reconciliation in Canadian Women's Fiction,1980-2000. [Doctoral Dissertation]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14198


Dalhousie University

16. Lent, Vanessa. "I am not I": Late Modernism and Metafiction in Canadian Fiction.

Degree: PhD, Department of English, 2012, Dalhousie University

 This dissertation argues that a number of works of Canadian fiction usually designated as modernist fit more properly into the category of “late modernism”: a… (more)

Subjects/Keywords: Modernism; Late Modernism; Canadian Literature; Metafiction; Sheila Watson; Elizabeth Smart; Malcolm Lowry; John Glassco

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APA (6th Edition):

Lent, V. (2012). "I am not I": Late Modernism and Metafiction in Canadian Fiction. (Doctoral Dissertation). Dalhousie University. Retrieved from http://hdl.handle.net/10222/15367

Chicago Manual of Style (16th Edition):

Lent, Vanessa. “"I am not I": Late Modernism and Metafiction in Canadian Fiction.” 2012. Doctoral Dissertation, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/15367.

MLA Handbook (7th Edition):

Lent, Vanessa. “"I am not I": Late Modernism and Metafiction in Canadian Fiction.” 2012. Web. 21 Oct 2019.

Vancouver:

Lent V. "I am not I": Late Modernism and Metafiction in Canadian Fiction. [Internet] [Doctoral dissertation]. Dalhousie University; 2012. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/15367.

Council of Science Editors:

Lent V. "I am not I": Late Modernism and Metafiction in Canadian Fiction. [Doctoral Dissertation]. Dalhousie University; 2012. Available from: http://hdl.handle.net/10222/15367


Dalhousie University

17. Taekema, Michelle. Rejuvenating the Renaissance Sonnet: Writing in a Woman's Voice.

Degree: MA, Department of English, 2014, Dalhousie University

 By looking at the female authored sonnet-letter in Shakespeares Alls Well, That Ends Well (1603) and Lady Mary Wroths 1621 sonnet sequence Pamphilia to Amphilanthus,… (more)

Subjects/Keywords: Sonnet; Women; Wroth

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APA (6th Edition):

Taekema, M. (2014). Rejuvenating the Renaissance Sonnet: Writing in a Woman's Voice. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/53971

Chicago Manual of Style (16th Edition):

Taekema, Michelle. “Rejuvenating the Renaissance Sonnet: Writing in a Woman's Voice.” 2014. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/53971.

MLA Handbook (7th Edition):

Taekema, Michelle. “Rejuvenating the Renaissance Sonnet: Writing in a Woman's Voice.” 2014. Web. 21 Oct 2019.

Vancouver:

Taekema M. Rejuvenating the Renaissance Sonnet: Writing in a Woman's Voice. [Internet] [Masters thesis]. Dalhousie University; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/53971.

Council of Science Editors:

Taekema M. Rejuvenating the Renaissance Sonnet: Writing in a Woman's Voice. [Masters Thesis]. Dalhousie University; 2014. Available from: http://hdl.handle.net/10222/53971

18. Shield, Kathryn Alix. Intercultural Mediations: Cross-Cultural Collaborations in Early Twentieth-Century First Nations Literature.

Degree: MA, Department of English, 2013, Dalhousie University

 This thesis examines the implications of three early twentieth-century First Nations collaborations that were produced in the context of salvage ethnography and attributed mainly to… (more)

Subjects/Keywords: First Nations literature; Juxta Commons; Versioning theory; Franz Boas; Pauline Johnson; Chief Sepass; Eloise Street; Chief Capilano; Henry Tate; Digital repatriation; Salvage ethnography

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APA (6th Edition):

Shield, K. A. (2013). Intercultural Mediations: Cross-Cultural Collaborations in Early Twentieth-Century First Nations Literature. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/36234

Chicago Manual of Style (16th Edition):

Shield, Kathryn Alix. “Intercultural Mediations: Cross-Cultural Collaborations in Early Twentieth-Century First Nations Literature.” 2013. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/36234.

MLA Handbook (7th Edition):

Shield, Kathryn Alix. “Intercultural Mediations: Cross-Cultural Collaborations in Early Twentieth-Century First Nations Literature.” 2013. Web. 21 Oct 2019.

Vancouver:

Shield KA. Intercultural Mediations: Cross-Cultural Collaborations in Early Twentieth-Century First Nations Literature. [Internet] [Masters thesis]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/36234.

Council of Science Editors:

Shield KA. Intercultural Mediations: Cross-Cultural Collaborations in Early Twentieth-Century First Nations Literature. [Masters Thesis]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/36234

19. Bryson, Shane. Hopeless Poetics in Ecological Poetry.

Degree: MA, Department of English, 2013, Dalhousie University

 In this thesis I theorize hopelessness in contemporary Canadian ecological poetry in contrast to capitalist ideology and activist discourse. Drawing on Tim Lilburn’s work, I… (more)

Subjects/Keywords: poetry; hopelessness

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APA (6th Edition):

Bryson, S. (2013). Hopeless Poetics in Ecological Poetry. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/36246

Chicago Manual of Style (16th Edition):

Bryson, Shane. “Hopeless Poetics in Ecological Poetry.” 2013. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/36246.

MLA Handbook (7th Edition):

Bryson, Shane. “Hopeless Poetics in Ecological Poetry.” 2013. Web. 21 Oct 2019.

Vancouver:

Bryson S. Hopeless Poetics in Ecological Poetry. [Internet] [Masters thesis]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/36246.

Council of Science Editors:

Bryson S. Hopeless Poetics in Ecological Poetry. [Masters Thesis]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/36246

20. Wooler, Katherine. Communication Codes and Critical Editing: Recognizing Materiality in the Work of bpNichol.

Degree: MA, Department of English, 2013, Dalhousie University

 Studying the diverse, experimental, and unconventional work—particularly poetry—of Canadian writer bpNichol requires a better understanding of the material characteristics he used to give his writing… (more)

Subjects/Keywords: BpNichol; Dada; genetic criticism; media archaeology; editing theory; concrete poetry

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APA (6th Edition):

Wooler, K. (2013). Communication Codes and Critical Editing: Recognizing Materiality in the Work of bpNichol. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/36232

Chicago Manual of Style (16th Edition):

Wooler, Katherine. “Communication Codes and Critical Editing: Recognizing Materiality in the Work of bpNichol.” 2013. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/36232.

MLA Handbook (7th Edition):

Wooler, Katherine. “Communication Codes and Critical Editing: Recognizing Materiality in the Work of bpNichol.” 2013. Web. 21 Oct 2019.

Vancouver:

Wooler K. Communication Codes and Critical Editing: Recognizing Materiality in the Work of bpNichol. [Internet] [Masters thesis]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/36232.

Council of Science Editors:

Wooler K. Communication Codes and Critical Editing: Recognizing Materiality in the Work of bpNichol. [Masters Thesis]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/36232

21. Hynes, Catherine. "Does Not Fempute": A Critique Of Liberal And Radical Feminism In Three Novels By Ursula K. Le Guin.

Degree: MA, Department of English, 2013, Dalhousie University

 Ursula K. Le Guin is often called a feminist science fiction author. Drawing on such theorists as bell hooks and R. W. Connell, I analyze… (more)

Subjects/Keywords: Ursula K. Le Guin; feminist criticism; feminist science fiction

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APA (6th Edition):

Hynes, C. (2013). "Does Not Fempute": A Critique Of Liberal And Radical Feminism In Three Novels By Ursula K. Le Guin. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/35455

Chicago Manual of Style (16th Edition):

Hynes, Catherine. “"Does Not Fempute": A Critique Of Liberal And Radical Feminism In Three Novels By Ursula K. Le Guin.” 2013. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/35455.

MLA Handbook (7th Edition):

Hynes, Catherine. “"Does Not Fempute": A Critique Of Liberal And Radical Feminism In Three Novels By Ursula K. Le Guin.” 2013. Web. 21 Oct 2019.

Vancouver:

Hynes C. "Does Not Fempute": A Critique Of Liberal And Radical Feminism In Three Novels By Ursula K. Le Guin. [Internet] [Masters thesis]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/35455.

Council of Science Editors:

Hynes C. "Does Not Fempute": A Critique Of Liberal And Radical Feminism In Three Novels By Ursula K. Le Guin. [Masters Thesis]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/35455

22. Rice, Christopher. The Binding of Ishmael: Autobiographical Consciousness and Tragedy in Moby-Dick.

Degree: MA, Department of English, 2014, Dalhousie University

MA Thesis

Since its publication in 1851, Herman Melville's Moby-Dick has been difficult to pin down in any formal sense. The book's experimental style, which… (more)

Subjects/Keywords: Melville; Moby-Dick; Ishmael; Autobiography; Tragedy; George Whalley; Choric Witness; Shakespeare

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APA (6th Edition):

Rice, C. (2014). The Binding of Ishmael: Autobiographical Consciousness and Tragedy in Moby-Dick. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/54035

Chicago Manual of Style (16th Edition):

Rice, Christopher. “The Binding of Ishmael: Autobiographical Consciousness and Tragedy in Moby-Dick.” 2014. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/54035.

MLA Handbook (7th Edition):

Rice, Christopher. “The Binding of Ishmael: Autobiographical Consciousness and Tragedy in Moby-Dick.” 2014. Web. 21 Oct 2019.

Vancouver:

Rice C. The Binding of Ishmael: Autobiographical Consciousness and Tragedy in Moby-Dick. [Internet] [Masters thesis]. Dalhousie University; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/54035.

Council of Science Editors:

Rice C. The Binding of Ishmael: Autobiographical Consciousness and Tragedy in Moby-Dick. [Masters Thesis]. Dalhousie University; 2014. Available from: http://hdl.handle.net/10222/54035

23. Albert-Howe, Nywani. COUNTERSTORYTELLING: INTERSECTIONS OF RACE AND AMERICAN LAW IN DERRICK BELL'S SCIENCE FICTION.

Degree: MA, Department of English, 2013, Dalhousie University

 Recently, a division of legal scholarship, Critical Race Theory, began examining the law from a new perspective: creative literature. Within the legal community, CRT legal… (more)

Subjects/Keywords: race; fiction; science fiction; law; scholarship

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APA (6th Edition):

Albert-Howe, N. (2013). COUNTERSTORYTELLING: INTERSECTIONS OF RACE AND AMERICAN LAW IN DERRICK BELL'S SCIENCE FICTION. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/36251

Chicago Manual of Style (16th Edition):

Albert-Howe, Nywani. “COUNTERSTORYTELLING: INTERSECTIONS OF RACE AND AMERICAN LAW IN DERRICK BELL'S SCIENCE FICTION.” 2013. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/36251.

MLA Handbook (7th Edition):

Albert-Howe, Nywani. “COUNTERSTORYTELLING: INTERSECTIONS OF RACE AND AMERICAN LAW IN DERRICK BELL'S SCIENCE FICTION.” 2013. Web. 21 Oct 2019.

Vancouver:

Albert-Howe N. COUNTERSTORYTELLING: INTERSECTIONS OF RACE AND AMERICAN LAW IN DERRICK BELL'S SCIENCE FICTION. [Internet] [Masters thesis]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/36251.

Council of Science Editors:

Albert-Howe N. COUNTERSTORYTELLING: INTERSECTIONS OF RACE AND AMERICAN LAW IN DERRICK BELL'S SCIENCE FICTION. [Masters Thesis]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/36251

24. Rose, Robert. Experience, Interpretation, and the Performance of Authorship: A Study of Multiple Perspective in the Work of George Orwell.

Degree: PhD, Department of English, 2013, Dalhousie University

 This thesis examines stylistic technique and narrative strategy in a range of George Orwell’s fictional and non-fictional texts to demonstrate how personal experience and detached… (more)

Subjects/Keywords: Orwell; Burmese Days; Down and Out in Paris and London; The Road to Wigan Pier; Homage to Catalonia; Nineteen Eighty-Four; essays; persona; pseudonym; performance; narrative strategy

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APA (6th Edition):

Rose, R. (2013). Experience, Interpretation, and the Performance of Authorship: A Study of Multiple Perspective in the Work of George Orwell. (Doctoral Dissertation). Dalhousie University. Retrieved from http://hdl.handle.net/10222/42721

Chicago Manual of Style (16th Edition):

Rose, Robert. “Experience, Interpretation, and the Performance of Authorship: A Study of Multiple Perspective in the Work of George Orwell.” 2013. Doctoral Dissertation, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/42721.

MLA Handbook (7th Edition):

Rose, Robert. “Experience, Interpretation, and the Performance of Authorship: A Study of Multiple Perspective in the Work of George Orwell.” 2013. Web. 21 Oct 2019.

Vancouver:

Rose R. Experience, Interpretation, and the Performance of Authorship: A Study of Multiple Perspective in the Work of George Orwell. [Internet] [Doctoral dissertation]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/42721.

Council of Science Editors:

Rose R. Experience, Interpretation, and the Performance of Authorship: A Study of Multiple Perspective in the Work of George Orwell. [Doctoral Dissertation]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/42721

25. Gullander-Drolet, Louise. Renegotiating Authoritative Conventions: Wilkie Collins's Blurring of High and Low in The Law and the Lady, The Moonstone and Armadale.

Degree: MA, Department of English, 2013, Dalhousie University

 This thesis is interested in Wilkie Collins’s blurring of high and low, authoritative and non-authoritative discourses, in The Law and the Lady, The Moonstone and… (more)

Subjects/Keywords: Canon; sensation fiction; Victorian novel; authoritative; conventions

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APA (6th Edition):

Gullander-Drolet, L. (2013). Renegotiating Authoritative Conventions: Wilkie Collins's Blurring of High and Low in The Law and the Lady, The Moonstone and Armadale. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/36233

Chicago Manual of Style (16th Edition):

Gullander-Drolet, Louise. “Renegotiating Authoritative Conventions: Wilkie Collins's Blurring of High and Low in The Law and the Lady, The Moonstone and Armadale.” 2013. Masters Thesis, Dalhousie University. Accessed October 21, 2019. http://hdl.handle.net/10222/36233.

MLA Handbook (7th Edition):

Gullander-Drolet, Louise. “Renegotiating Authoritative Conventions: Wilkie Collins's Blurring of High and Low in The Law and the Lady, The Moonstone and Armadale.” 2013. Web. 21 Oct 2019.

Vancouver:

Gullander-Drolet L. Renegotiating Authoritative Conventions: Wilkie Collins's Blurring of High and Low in The Law and the Lady, The Moonstone and Armadale. [Internet] [Masters thesis]. Dalhousie University; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10222/36233.

Council of Science Editors:

Gullander-Drolet L. Renegotiating Authoritative Conventions: Wilkie Collins's Blurring of High and Low in The Law and the Lady, The Moonstone and Armadale. [Masters Thesis]. Dalhousie University; 2013. Available from: http://hdl.handle.net/10222/36233

.