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You searched for +publisher:"Brown University" +contributor:("Winkler, Todd"). Showing records 1 – 19 of 19 total matches.

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1. Wolfe, Kristina Marie. Sonic Mysticism and Composition.

Degree: PhD, Computer Music and Multimedia, 2016, Brown University

 This dissertation project consists of an album of three pieces based on mystical processes and shimmering intonation systems, a series of scores, and a codex… (more)

Subjects/Keywords: sound art

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APA (6th Edition):

Wolfe, K. M. (2016). Sonic Mysticism and Composition. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:674222/

Chicago Manual of Style (16th Edition):

Wolfe, Kristina Marie. “Sonic Mysticism and Composition.” 2016. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:674222/.

MLA Handbook (7th Edition):

Wolfe, Kristina Marie. “Sonic Mysticism and Composition.” 2016. Web. 19 Oct 2020.

Vancouver:

Wolfe KM. Sonic Mysticism and Composition. [Internet] [Doctoral dissertation]. Brown University; 2016. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:674222/.

Council of Science Editors:

Wolfe KM. Sonic Mysticism and Composition. [Doctoral Dissertation]. Brown University; 2016. Available from: https://repository.library.brown.edu/studio/item/bdr:674222/

2. Galvao, Martim Schneider. Defamiliarizing the Cart: Art as Interventionist Practice in the Age of Cyberdelic Consumerism.

Degree: Department of Music, 2017, Brown University

 Abstract of Defamiliarizing the Cart: Art as Interventionist Practice in the Age of Cyberdelic Consumerism, by Martim S. Galvão, Degree A.M., Brown University, May 2017.… (more)

Subjects/Keywords: Digital media

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APA (6th Edition):

Galvao, M. S. (2017). Defamiliarizing the Cart: Art as Interventionist Practice in the Age of Cyberdelic Consumerism. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:733335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Galvao, Martim Schneider. “Defamiliarizing the Cart: Art as Interventionist Practice in the Age of Cyberdelic Consumerism.” 2017. Thesis, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:733335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Galvao, Martim Schneider. “Defamiliarizing the Cart: Art as Interventionist Practice in the Age of Cyberdelic Consumerism.” 2017. Web. 19 Oct 2020.

Vancouver:

Galvao MS. Defamiliarizing the Cart: Art as Interventionist Practice in the Age of Cyberdelic Consumerism. [Internet] [Thesis]. Brown University; 2017. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:733335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Galvao MS. Defamiliarizing the Cart: Art as Interventionist Practice in the Age of Cyberdelic Consumerism. [Thesis]. Brown University; 2017. Available from: https://repository.library.brown.edu/studio/item/bdr:733335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Bartee, Jordan P. Ontological Toys.

Degree: PhD, Computer Music and Multimedia, 2014, Brown University

 This dissertation chronicles the development of Ming Mecca, an experimental modular synthesizer and videogame console designed and engineered by the author. Modular synthesizers are a… (more)

Subjects/Keywords: Modular Synthesis

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APA (6th Edition):

Bartee, J. P. (2014). Ontological Toys. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:729567/

Chicago Manual of Style (16th Edition):

Bartee, Jordan P. “Ontological Toys.” 2014. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:729567/.

MLA Handbook (7th Edition):

Bartee, Jordan P. “Ontological Toys.” 2014. Web. 19 Oct 2020.

Vancouver:

Bartee JP. Ontological Toys. [Internet] [Doctoral dissertation]. Brown University; 2014. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:729567/.

Council of Science Editors:

Bartee JP. Ontological Toys. [Doctoral Dissertation]. Brown University; 2014. Available from: https://repository.library.brown.edu/studio/item/bdr:729567/

4. Warne, Matthew JP. Listening and Reflection in an Electroacoustic Compositional Practice.

Degree: PhD, Computer Music and Multimedia Composition, 2013, Brown University

 This dissertation describes four associated musical compositions and represents an effort to advance electroacoustic musical compositional practices by examining and innovating two key technologies: listening… (more)

Subjects/Keywords: Electroacoustic Music

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APA (6th Edition):

Warne, M. J. (2013). Listening and Reflection in an Electroacoustic Compositional Practice. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:320562/

Chicago Manual of Style (16th Edition):

Warne, Matthew JP. “Listening and Reflection in an Electroacoustic Compositional Practice.” 2013. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:320562/.

MLA Handbook (7th Edition):

Warne, Matthew JP. “Listening and Reflection in an Electroacoustic Compositional Practice.” 2013. Web. 19 Oct 2020.

Vancouver:

Warne MJ. Listening and Reflection in an Electroacoustic Compositional Practice. [Internet] [Doctoral dissertation]. Brown University; 2013. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:320562/.

Council of Science Editors:

Warne MJ. Listening and Reflection in an Electroacoustic Compositional Practice. [Doctoral Dissertation]. Brown University; 2013. Available from: https://repository.library.brown.edu/studio/item/bdr:320562/

5. Carroll, Nicole Lea. Not To Touch The Earth: Process and Documentation.

Degree: Department of Music, 2017, Brown University

 Not to Touch the Earth is an audio-visual installation with three projection channels and four audio channels built in Max/MSP/Jitter. The installation is enclosed in… (more)

Subjects/Keywords: projection mapping

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APA (6th Edition):

Carroll, N. L. (2017). Not To Touch The Earth: Process and Documentation. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:733292/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carroll, Nicole Lea. “Not To Touch The Earth: Process and Documentation.” 2017. Thesis, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:733292/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carroll, Nicole Lea. “Not To Touch The Earth: Process and Documentation.” 2017. Web. 19 Oct 2020.

Vancouver:

Carroll NL. Not To Touch The Earth: Process and Documentation. [Internet] [Thesis]. Brown University; 2017. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:733292/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carroll NL. Not To Touch The Earth: Process and Documentation. [Thesis]. Brown University; 2017. Available from: https://repository.library.brown.edu/studio/item/bdr:733292/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Vistein, Amber. Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene.

Degree: Department of Music, 2017, Brown University

 This thesis provides a thorough discussion of "Man Will Not Outlive the Weather", a chamber opera for mezzo-soprano, flute, cello, piano, percussion, and electronics; composed… (more)

Subjects/Keywords: Electro-acoustic

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APA (6th Edition):

Vistein, A. (2017). Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:733551/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vistein, Amber. “Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene.” 2017. Thesis, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:733551/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vistein, Amber. “Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene.” 2017. Web. 19 Oct 2020.

Vancouver:

Vistein A. Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene. [Internet] [Thesis]. Brown University; 2017. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:733551/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vistein A. Man Will Not Outlive the Weather: A Sonic Assemblage for the Anthropocene. [Thesis]. Brown University; 2017. Available from: https://repository.library.brown.edu/studio/item/bdr:733551/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Sagesser, Marcel. Seeking the Unstable: A Practice Amidst Digital Analogies.

Degree: Computer Music and Multimedia Composition, 2018, Brown University

 This essay is a thorough documentation of the live music performance "Pulsations [Bitumen]" realized under the author's artist moniker 'Marcel Zaes' in 2018. The author… (more)

Subjects/Keywords: Electronic music

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APA (6th Edition):

Sagesser, M. (2018). Seeking the Unstable: A Practice Amidst Digital Analogies. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:792776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sagesser, Marcel. “Seeking the Unstable: A Practice Amidst Digital Analogies.” 2018. Thesis, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:792776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sagesser, Marcel. “Seeking the Unstable: A Practice Amidst Digital Analogies.” 2018. Web. 19 Oct 2020.

Vancouver:

Sagesser M. Seeking the Unstable: A Practice Amidst Digital Analogies. [Internet] [Thesis]. Brown University; 2018. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:792776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sagesser M. Seeking the Unstable: A Practice Amidst Digital Analogies. [Thesis]. Brown University; 2018. Available from: https://repository.library.brown.edu/studio/item/bdr:792776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Moses, James. Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation.

Degree: Department of Music, 2018, Brown University

 Oscillator Pond is a sound installation project developed as part of an environment art-science conference program, Atmospheres. The work introduced a randomized soundscape into a… (more)

Subjects/Keywords: Electronic music

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APA (6th Edition):

Moses, J. (2018). Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:792787/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moses, James. “Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation.” 2018. Thesis, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:792787/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moses, James. “Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation.” 2018. Web. 19 Oct 2020.

Vancouver:

Moses J. Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation. [Internet] [Thesis]. Brown University; 2018. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:792787/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moses J. Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation. [Thesis]. Brown University; 2018. Available from: https://repository.library.brown.edu/studio/item/bdr:792787/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Moore, Stephan M. Diacousticon: Curation, Audience, and the Listening Machine.

Degree: PhD, Computer Music and Multimedia, 2015, Brown University

 Abstract of Diacousticon: Curation, Audience, and the Listening Machine by Stephan M. Moore, Ph.D., Brown University, May 2015. This thesis provides a thorough discussion of… (more)

Subjects/Keywords: sound art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moore, S. M. (2015). Diacousticon: Curation, Audience, and the Listening Machine. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:419452/

Chicago Manual of Style (16th Edition):

Moore, Stephan M. “Diacousticon: Curation, Audience, and the Listening Machine.” 2015. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:419452/.

MLA Handbook (7th Edition):

Moore, Stephan M. “Diacousticon: Curation, Audience, and the Listening Machine.” 2015. Web. 19 Oct 2020.

Vancouver:

Moore SM. Diacousticon: Curation, Audience, and the Listening Machine. [Internet] [Doctoral dissertation]. Brown University; 2015. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:419452/.

Council of Science Editors:

Moore SM. Diacousticon: Curation, Audience, and the Listening Machine. [Doctoral Dissertation]. Brown University; 2015. Available from: https://repository.library.brown.edu/studio/item/bdr:419452/

10. Kelley, Bevin L. Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble.

Degree: PhD, Computer Music and Multimedia, 2014, Brown University

 Abstract of “Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble” by Bevin L. Kelley, PhD., Brown University, May 2014 “Terms of Addition: Compositions… (more)

Subjects/Keywords: multimedia

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APA (6th Edition):

Kelley, B. L. (2014). Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:386329/

Chicago Manual of Style (16th Edition):

Kelley, Bevin L. “Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble.” 2014. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:386329/.

MLA Handbook (7th Edition):

Kelley, Bevin L. “Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble.” 2014. Web. 19 Oct 2020.

Vancouver:

Kelley BL. Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble. [Internet] [Doctoral dissertation]. Brown University; 2014. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:386329/.

Council of Science Editors:

Kelley BL. Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble. [Doctoral Dissertation]. Brown University; 2014. Available from: https://repository.library.brown.edu/studio/item/bdr:386329/

11. Bussigel, Peter A. Simon and the Animating Interface.

Degree: PhD, Computer Music and Multimedia, 2014, Brown University

 “Simon and the Animating Interface” entangles instrument design, experimental performance and theoretical research with an electronic toy named Simon. Central to the exploration is the… (more)

Subjects/Keywords: Simon

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APA (6th Edition):

Bussigel, P. A. (2014). Simon and the Animating Interface. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:386333/

Chicago Manual of Style (16th Edition):

Bussigel, Peter A. “Simon and the Animating Interface.” 2014. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:386333/.

MLA Handbook (7th Edition):

Bussigel, Peter A. “Simon and the Animating Interface.” 2014. Web. 19 Oct 2020.

Vancouver:

Bussigel PA. Simon and the Animating Interface. [Internet] [Doctoral dissertation]. Brown University; 2014. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:386333/.

Council of Science Editors:

Bussigel PA. Simon and the Animating Interface. [Doctoral Dissertation]. Brown University; 2014. Available from: https://repository.library.brown.edu/studio/item/bdr:386333/

12. House, Brian James. Rhythmanalysis of the Earth, the Animal, and the Machine.

Degree: Department of Music, 2018, Brown University

 This dissertation adopts Henri Lefebvre’s Rhythmanalysis as an artistic methodology and applies it to ecologies of more-than-human agency. Each of three pieces addresses a contentious… (more)

Subjects/Keywords: Urbanism

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APA (6th Edition):

House, B. J. (2018). Rhythmanalysis of the Earth, the Animal, and the Machine. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:792774/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

House, Brian James. “Rhythmanalysis of the Earth, the Animal, and the Machine.” 2018. Thesis, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:792774/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

House, Brian James. “Rhythmanalysis of the Earth, the Animal, and the Machine.” 2018. Web. 19 Oct 2020.

Vancouver:

House BJ. Rhythmanalysis of the Earth, the Animal, and the Machine. [Internet] [Thesis]. Brown University; 2018. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:792774/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

House BJ. Rhythmanalysis of the Earth, the Animal, and the Machine. [Thesis]. Brown University; 2018. Available from: https://repository.library.brown.edu/studio/item/bdr:792774/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Richman, Jacob Charles. The (unfinished) Ballad of Adam and Elena Emery: The Creation of a Multimedia Murder Ballad and The Development of a Working Method for Roving Performances.

Degree: PhD, Computer Music and Multimedia Composition, 2013, Brown University

 This project is a performance piece and accompanying dissertation paper based on a Rhode Island murder story from 1990. The piece is an evening-length performance… (more)

Subjects/Keywords: Multimedia performance

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APA (6th Edition):

Richman, J. C. (2013). The (unfinished) Ballad of Adam and Elena Emery: The Creation of a Multimedia Murder Ballad and The Development of a Working Method for Roving Performances. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:320634/

Chicago Manual of Style (16th Edition):

Richman, Jacob Charles. “The (unfinished) Ballad of Adam and Elena Emery: The Creation of a Multimedia Murder Ballad and The Development of a Working Method for Roving Performances.” 2013. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:320634/.

MLA Handbook (7th Edition):

Richman, Jacob Charles. “The (unfinished) Ballad of Adam and Elena Emery: The Creation of a Multimedia Murder Ballad and The Development of a Working Method for Roving Performances.” 2013. Web. 19 Oct 2020.

Vancouver:

Richman JC. The (unfinished) Ballad of Adam and Elena Emery: The Creation of a Multimedia Murder Ballad and The Development of a Working Method for Roving Performances. [Internet] [Doctoral dissertation]. Brown University; 2013. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:320634/.

Council of Science Editors:

Richman JC. The (unfinished) Ballad of Adam and Elena Emery: The Creation of a Multimedia Murder Ballad and The Development of a Working Method for Roving Performances. [Doctoral Dissertation]. Brown University; 2013. Available from: https://repository.library.brown.edu/studio/item/bdr:320634/

14. Vermy, Hans R. The Live and the Life-Like: Theatre, Performance, Animation.

Degree: PhD, Theatre Arts and Performance Studies, 2014, Brown University

 The Live and the Life-Like: Theater, Performance, Animation explores intersections of stage and screen as it seeks to reveal the laboring, performing body across aesthetic… (more)

Subjects/Keywords: animation

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APA (6th Edition):

Vermy, H. R. (2014). The Live and the Life-Like: Theatre, Performance, Animation. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:386334/

Chicago Manual of Style (16th Edition):

Vermy, Hans R. “The Live and the Life-Like: Theatre, Performance, Animation.” 2014. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:386334/.

MLA Handbook (7th Edition):

Vermy, Hans R. “The Live and the Life-Like: Theatre, Performance, Animation.” 2014. Web. 19 Oct 2020.

Vancouver:

Vermy HR. The Live and the Life-Like: Theatre, Performance, Animation. [Internet] [Doctoral dissertation]. Brown University; 2014. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:386334/.

Council of Science Editors:

Vermy HR. The Live and the Life-Like: Theatre, Performance, Animation. [Doctoral Dissertation]. Brown University; 2014. Available from: https://repository.library.brown.edu/studio/item/bdr:386334/

15. Goeringer, Sharol Lyn. Liminal/subLiminal: The Streetlight as Infra-ordinary Sound Art Object.

Degree: PhD, Computer Music and Multimedia Composition, 2011, Brown University

 Abstract of Liminal/subLiminal: The Streetlight as Infra-ordinary Sound Art Object, by Sharol Lyn Goeringer, Ph.D., Brown University, May 2011Combining creative practice with theoretical inquiry, this… (more)

Subjects/Keywords: Space

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APA (6th Edition):

Goeringer, S. L. (2011). Liminal/subLiminal: The Streetlight as Infra-ordinary Sound Art Object. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11328/

Chicago Manual of Style (16th Edition):

Goeringer, Sharol Lyn. “Liminal/subLiminal: The Streetlight as Infra-ordinary Sound Art Object.” 2011. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:11328/.

MLA Handbook (7th Edition):

Goeringer, Sharol Lyn. “Liminal/subLiminal: The Streetlight as Infra-ordinary Sound Art Object.” 2011. Web. 19 Oct 2020.

Vancouver:

Goeringer SL. Liminal/subLiminal: The Streetlight as Infra-ordinary Sound Art Object. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:11328/.

Council of Science Editors:

Goeringer SL. Liminal/subLiminal: The Streetlight as Infra-ordinary Sound Art Object. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11328/

16. Abtan, Freida A. Fear of Flight: Expanded Presence and Inter-sensory Gesture in Multimedia Performance.

Degree: PhD, Computer Music and Multimedia Composition, 2013, Brown University

 Fear of Flight is a one-hour multimedia stage production that investigates the intersection of surround audiovisual composition and live performance to draw meaningful conclusions about… (more)

Subjects/Keywords: Inter-sensory

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APA (6th Edition):

Abtan, F. A. (2013). Fear of Flight: Expanded Presence and Inter-sensory Gesture in Multimedia Performance. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:320561/

Chicago Manual of Style (16th Edition):

Abtan, Freida A. “Fear of Flight: Expanded Presence and Inter-sensory Gesture in Multimedia Performance.” 2013. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:320561/.

MLA Handbook (7th Edition):

Abtan, Freida A. “Fear of Flight: Expanded Presence and Inter-sensory Gesture in Multimedia Performance.” 2013. Web. 19 Oct 2020.

Vancouver:

Abtan FA. Fear of Flight: Expanded Presence and Inter-sensory Gesture in Multimedia Performance. [Internet] [Doctoral dissertation]. Brown University; 2013. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:320561/.

Council of Science Editors:

Abtan FA. Fear of Flight: Expanded Presence and Inter-sensory Gesture in Multimedia Performance. [Doctoral Dissertation]. Brown University; 2013. Available from: https://repository.library.brown.edu/studio/item/bdr:320561/

17. Patton, Kevin Sinclair. The Fault of Epimetheus: the Performance and Orchestration of Gestural Computer Music Instruments.

Degree: PhD, Computer Music and Multimedia Composition, 2011, Brown University

 The Fault of Epimetheus: The Performance and Orchestration of Gestural Computer Music Instruments explores the practice, design, and musical application of a genre of new… (more)

Subjects/Keywords: Organology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Patton, K. S. (2011). The Fault of Epimetheus: the Performance and Orchestration of Gestural Computer Music Instruments. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11320/

Chicago Manual of Style (16th Edition):

Patton, Kevin Sinclair. “The Fault of Epimetheus: the Performance and Orchestration of Gestural Computer Music Instruments.” 2011. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:11320/.

MLA Handbook (7th Edition):

Patton, Kevin Sinclair. “The Fault of Epimetheus: the Performance and Orchestration of Gestural Computer Music Instruments.” 2011. Web. 19 Oct 2020.

Vancouver:

Patton KS. The Fault of Epimetheus: the Performance and Orchestration of Gestural Computer Music Instruments. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:11320/.

Council of Science Editors:

Patton KS. The Fault of Epimetheus: the Performance and Orchestration of Gestural Computer Music Instruments. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11320/

18. Cetilia, Mark J. Schaulust: A Study in Light and Sound.

Degree: PhD, Computer Music and Multimedia, 2016, Brown University

 “Schaulust: A Study in Light and Sound” is an investigation into the development of a new audiovisual performance platform called Schaulust. This platform pairs custom… (more)

Subjects/Keywords: Multimedia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cetilia, M. J. (2016). Schaulust: A Study in Light and Sound. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:674180/

Chicago Manual of Style (16th Edition):

Cetilia, Mark J. “Schaulust: A Study in Light and Sound.” 2016. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:674180/.

MLA Handbook (7th Edition):

Cetilia, Mark J. “Schaulust: A Study in Light and Sound.” 2016. Web. 19 Oct 2020.

Vancouver:

Cetilia MJ. Schaulust: A Study in Light and Sound. [Internet] [Doctoral dissertation]. Brown University; 2016. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:674180/.

Council of Science Editors:

Cetilia MJ. Schaulust: A Study in Light and Sound. [Doctoral Dissertation]. Brown University; 2016. Available from: https://repository.library.brown.edu/studio/item/bdr:674180/

19. Byron, Robert. Anxiety of Influence: Artistic Identity in Interactive New Media.

Degree: PhD, Computer Music and Multimedia Composition, 2013, Brown University

 Motivated by questions posed to the new media artist, concerning the difficulties with coming up with an innovative artistic style in interactive media performance, this… (more)

Subjects/Keywords: new media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Byron, R. (2013). Anxiety of Influence: Artistic Identity in Interactive New Media. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:320603/

Chicago Manual of Style (16th Edition):

Byron, Robert. “Anxiety of Influence: Artistic Identity in Interactive New Media.” 2013. Doctoral Dissertation, Brown University. Accessed October 19, 2020. https://repository.library.brown.edu/studio/item/bdr:320603/.

MLA Handbook (7th Edition):

Byron, Robert. “Anxiety of Influence: Artistic Identity in Interactive New Media.” 2013. Web. 19 Oct 2020.

Vancouver:

Byron R. Anxiety of Influence: Artistic Identity in Interactive New Media. [Internet] [Doctoral dissertation]. Brown University; 2013. [cited 2020 Oct 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:320603/.

Council of Science Editors:

Byron R. Anxiety of Influence: Artistic Identity in Interactive New Media. [Doctoral Dissertation]. Brown University; 2013. Available from: https://repository.library.brown.edu/studio/item/bdr:320603/

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