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You searched for +publisher:"Brown University" +contributor:("Titon, Jeff"). Showing records 1 – 14 of 14 total matches.

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1. Ruchala, James R. Making Round Peak Music: History, Revitalization, and Community.

Degree: PhD, Ethnomusicology, 2011, Brown University

 This project tells the story of the revitalization of a community musical tradition. The music is the old-time string band music of Surry County North… (more)

Subjects/Keywords: old-time

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APA (6th Edition):

Ruchala, J. R. (2011). Making Round Peak Music: History, Revitalization, and Community. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11260/

Chicago Manual of Style (16th Edition):

Ruchala, James R. “Making Round Peak Music: History, Revitalization, and Community.” 2011. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:11260/.

MLA Handbook (7th Edition):

Ruchala, James R. “Making Round Peak Music: History, Revitalization, and Community.” 2011. Web. 23 Sep 2020.

Vancouver:

Ruchala JR. Making Round Peak Music: History, Revitalization, and Community. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:11260/.

Council of Science Editors:

Ruchala JR. Making Round Peak Music: History, Revitalization, and Community. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11260/

2. Leonard, Katy E. The High Lonesome Web: Navigating Bluegrass Community on the Internet.

Degree: PhD, Ethnomusicology, 2011, Brown University

 The online bluegrass community is under continuous development, engaging with the Internet as front porch, classroom, and marketplace. Bluegrass music balances between tradition and modernity… (more)

Subjects/Keywords: bluegrass

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APA (6th Edition):

Leonard, K. E. (2011). The High Lonesome Web: Navigating Bluegrass Community on the Internet. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11336/

Chicago Manual of Style (16th Edition):

Leonard, Katy E. “The High Lonesome Web: Navigating Bluegrass Community on the Internet.” 2011. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:11336/.

MLA Handbook (7th Edition):

Leonard, Katy E. “The High Lonesome Web: Navigating Bluegrass Community on the Internet.” 2011. Web. 23 Sep 2020.

Vancouver:

Leonard KE. The High Lonesome Web: Navigating Bluegrass Community on the Internet. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:11336/.

Council of Science Editors:

Leonard KE. The High Lonesome Web: Navigating Bluegrass Community on the Internet. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11336/

3. Haskell, Erica Jordan. Aiding Harmony? Culture as a Tool in Post-Conflict Sarajevo.

Degree: PhD, Ethnomusicology, 2011, Brown University

 This dissertation concerns the politics of musical projects, institutions, and events in Sarajevo and the effect of efforts by donors in Bosnia and Herzegovina�s recent… (more)

Subjects/Keywords: Bosnia-Herzegovina

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APA (6th Edition):

Haskell, E. J. (2011). Aiding Harmony? Culture as a Tool in Post-Conflict Sarajevo. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11298/

Chicago Manual of Style (16th Edition):

Haskell, Erica Jordan. “Aiding Harmony? Culture as a Tool in Post-Conflict Sarajevo.” 2011. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:11298/.

MLA Handbook (7th Edition):

Haskell, Erica Jordan. “Aiding Harmony? Culture as a Tool in Post-Conflict Sarajevo.” 2011. Web. 23 Sep 2020.

Vancouver:

Haskell EJ. Aiding Harmony? Culture as a Tool in Post-Conflict Sarajevo. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:11298/.

Council of Science Editors:

Haskell EJ. Aiding Harmony? Culture as a Tool in Post-Conflict Sarajevo. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11298/

4. Tachi, Mikiko. The Folk Music Revival Then and Now: Politics, Commercialism, and Authenticity in Folk Music Communities in the U.S. and Japan.

Degree: PhD, American Civilization, 2009, Brown University

 This dissertation examined the different ways in which participants in the folk music revival in the U.S. and Japan interpreted folk music and incorporated it… (more)

Subjects/Keywords: transnational American culture

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APA (6th Edition):

Tachi, M. (2009). The Folk Music Revival Then and Now: Politics, Commercialism, and Authenticity in Folk Music Communities in the U.S. and Japan. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:107/

Chicago Manual of Style (16th Edition):

Tachi, Mikiko. “The Folk Music Revival Then and Now: Politics, Commercialism, and Authenticity in Folk Music Communities in the U.S. and Japan.” 2009. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:107/.

MLA Handbook (7th Edition):

Tachi, Mikiko. “The Folk Music Revival Then and Now: Politics, Commercialism, and Authenticity in Folk Music Communities in the U.S. and Japan.” 2009. Web. 23 Sep 2020.

Vancouver:

Tachi M. The Folk Music Revival Then and Now: Politics, Commercialism, and Authenticity in Folk Music Communities in the U.S. and Japan. [Internet] [Doctoral dissertation]. Brown University; 2009. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:107/.

Council of Science Editors:

Tachi M. The Folk Music Revival Then and Now: Politics, Commercialism, and Authenticity in Folk Music Communities in the U.S. and Japan. [Doctoral Dissertation]. Brown University; 2009. Available from: https://repository.library.brown.edu/studio/item/bdr:107/

5. Hunter, Julie Erin. The Rise of Women's Drumming in Africa: Performing Gender and Transforming Community in Southeastern Ghana.

Degree: PhD, Ethnomusicology, 2012, Brown University

 This dissertation is an ethnographic study of the recent emergence of the phenomenon of women’s drumming in postcolonial West Africa through the lens of Ewe… (more)

Subjects/Keywords: African music

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APA (6th Edition):

Hunter, J. E. (2012). The Rise of Women's Drumming in Africa: Performing Gender and Transforming Community in Southeastern Ghana. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:297686/

Chicago Manual of Style (16th Edition):

Hunter, Julie Erin. “The Rise of Women's Drumming in Africa: Performing Gender and Transforming Community in Southeastern Ghana.” 2012. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:297686/.

MLA Handbook (7th Edition):

Hunter, Julie Erin. “The Rise of Women's Drumming in Africa: Performing Gender and Transforming Community in Southeastern Ghana.” 2012. Web. 23 Sep 2020.

Vancouver:

Hunter JE. The Rise of Women's Drumming in Africa: Performing Gender and Transforming Community in Southeastern Ghana. [Internet] [Doctoral dissertation]. Brown University; 2012. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:297686/.

Council of Science Editors:

Hunter JE. The Rise of Women's Drumming in Africa: Performing Gender and Transforming Community in Southeastern Ghana. [Doctoral Dissertation]. Brown University; 2012. Available from: https://repository.library.brown.edu/studio/item/bdr:297686/

6. Piper, Daniel Clifford. Urbanization, Gender, and Cultural Emergence in The Music Of Dominican Popular Religion: Palos And Salves In San Cristóbal.

Degree: PhD, Ethnomusicology, 2012, Brown University

 This dissertation is a regionally centered study of black popular religion and music in the Dominican Republic. Salves and palos performance are described and interpreted… (more)

Subjects/Keywords: Caribbean

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APA (6th Edition):

Piper, D. C. (2012). Urbanization, Gender, and Cultural Emergence in The Music Of Dominican Popular Religion: Palos And Salves In San Cristóbal. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:297688/

Chicago Manual of Style (16th Edition):

Piper, Daniel Clifford. “Urbanization, Gender, and Cultural Emergence in The Music Of Dominican Popular Religion: Palos And Salves In San Cristóbal.” 2012. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:297688/.

MLA Handbook (7th Edition):

Piper, Daniel Clifford. “Urbanization, Gender, and Cultural Emergence in The Music Of Dominican Popular Religion: Palos And Salves In San Cristóbal.” 2012. Web. 23 Sep 2020.

Vancouver:

Piper DC. Urbanization, Gender, and Cultural Emergence in The Music Of Dominican Popular Religion: Palos And Salves In San Cristóbal. [Internet] [Doctoral dissertation]. Brown University; 2012. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:297688/.

Council of Science Editors:

Piper DC. Urbanization, Gender, and Cultural Emergence in The Music Of Dominican Popular Religion: Palos And Salves In San Cristóbal. [Doctoral Dissertation]. Brown University; 2012. Available from: https://repository.library.brown.edu/studio/item/bdr:297688/

7. McGranahan, Liam R. Mashnography: Creativity, Consumption, and Copyright in the Mashup Community.

Degree: PhD, Ethnomusicology, 2010, Brown University

 This dissertation is the first ethnographic study of mashups and the mashup community. I have tried to represent the music and its makers on their… (more)

Subjects/Keywords: Mashup

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APA (6th Edition):

McGranahan, L. R. (2010). Mashnography: Creativity, Consumption, and Copyright in the Mashup Community. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11071/

Chicago Manual of Style (16th Edition):

McGranahan, Liam R. “Mashnography: Creativity, Consumption, and Copyright in the Mashup Community.” 2010. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:11071/.

MLA Handbook (7th Edition):

McGranahan, Liam R. “Mashnography: Creativity, Consumption, and Copyright in the Mashup Community.” 2010. Web. 23 Sep 2020.

Vancouver:

McGranahan LR. Mashnography: Creativity, Consumption, and Copyright in the Mashup Community. [Internet] [Doctoral dissertation]. Brown University; 2010. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:11071/.

Council of Science Editors:

McGranahan LR. Mashnography: Creativity, Consumption, and Copyright in the Mashup Community. [Doctoral Dissertation]. Brown University; 2010. Available from: https://repository.library.brown.edu/studio/item/bdr:11071/

8. Chaikin, Paul Martin. Circling Opera in Berlin.

Degree: PhD, Music. Ethnomusicology, 2009, Brown University

 On a typical night at the opera, the musico-dramatic synthesis that takes place on stage is saturated in atmosphere, but the proceedings off-stage are no… (more)

Subjects/Keywords: Berlin

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APA (6th Edition):

Chaikin, P. M. (2009). Circling Opera in Berlin. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:246/

Chicago Manual of Style (16th Edition):

Chaikin, Paul Martin. “Circling Opera in Berlin.” 2009. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:246/.

MLA Handbook (7th Edition):

Chaikin, Paul Martin. “Circling Opera in Berlin.” 2009. Web. 23 Sep 2020.

Vancouver:

Chaikin PM. Circling Opera in Berlin. [Internet] [Doctoral dissertation]. Brown University; 2009. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:246/.

Council of Science Editors:

Chaikin PM. Circling Opera in Berlin. [Doctoral Dissertation]. Brown University; 2009. Available from: https://repository.library.brown.edu/studio/item/bdr:246/

9. Teitelbaum, Benjamin R. "Come Hear our Merry Song": Shifts in the Sound of Swedish Radical Nationalism.

Degree: PhD, Ethnomusicology, 2013, Brown University

 Organized opposition to immigration, globalization, and minority groups in Sweden exploded during the 1980s and 1990s, energized in large part by the spread of skinhead… (more)

Subjects/Keywords: extremism

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APA (6th Edition):

Teitelbaum, B. R. (2013). "Come Hear our Merry Song": Shifts in the Sound of Swedish Radical Nationalism. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:320631/

Chicago Manual of Style (16th Edition):

Teitelbaum, Benjamin R. “"Come Hear our Merry Song": Shifts in the Sound of Swedish Radical Nationalism.” 2013. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:320631/.

MLA Handbook (7th Edition):

Teitelbaum, Benjamin R. “"Come Hear our Merry Song": Shifts in the Sound of Swedish Radical Nationalism.” 2013. Web. 23 Sep 2020.

Vancouver:

Teitelbaum BR. "Come Hear our Merry Song": Shifts in the Sound of Swedish Radical Nationalism. [Internet] [Doctoral dissertation]. Brown University; 2013. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:320631/.

Council of Science Editors:

Teitelbaum BR. "Come Hear our Merry Song": Shifts in the Sound of Swedish Radical Nationalism. [Doctoral Dissertation]. Brown University; 2013. Available from: https://repository.library.brown.edu/studio/item/bdr:320631/

10. Hanson, Bradley A. Tuned Our Way: Music, Memory, and Heritage in East Tennessee.

Degree: PhD, Ethnomusicology, 2014, Brown University

 Heritage designation is everywhere today—attached to buildings, monuments, landscapes, expressive practices, and entire ways of life. Official institutions hurry to stamp places, traditions, and people… (more)

Subjects/Keywords: heritage

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APA (6th Edition):

Hanson, B. A. (2014). Tuned Our Way: Music, Memory, and Heritage in East Tennessee. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:386193/

Chicago Manual of Style (16th Edition):

Hanson, Bradley A. “Tuned Our Way: Music, Memory, and Heritage in East Tennessee.” 2014. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:386193/.

MLA Handbook (7th Edition):

Hanson, Bradley A. “Tuned Our Way: Music, Memory, and Heritage in East Tennessee.” 2014. Web. 23 Sep 2020.

Vancouver:

Hanson BA. Tuned Our Way: Music, Memory, and Heritage in East Tennessee. [Internet] [Doctoral dissertation]. Brown University; 2014. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:386193/.

Council of Science Editors:

Hanson BA. Tuned Our Way: Music, Memory, and Heritage in East Tennessee. [Doctoral Dissertation]. Brown University; 2014. Available from: https://repository.library.brown.edu/studio/item/bdr:386193/

11. Wood, David H. A Mixed-Methods Study of Affective Difference in the Old-Time Music Revival in Appalachian Virginia and North Carolina.

Degree: PhD, Ethnomusicology, 2015, Brown University

 This dissertation examines differences in affective response to music among players of Appalachian old-time music, primarily in Appalachian Virginia and North Carolina. While a small… (more)

Subjects/Keywords: music revivals

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APA (6th Edition):

Wood, D. H. (2015). A Mixed-Methods Study of Affective Difference in the Old-Time Music Revival in Appalachian Virginia and North Carolina. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:419474/

Chicago Manual of Style (16th Edition):

Wood, David H. “A Mixed-Methods Study of Affective Difference in the Old-Time Music Revival in Appalachian Virginia and North Carolina.” 2015. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:419474/.

MLA Handbook (7th Edition):

Wood, David H. “A Mixed-Methods Study of Affective Difference in the Old-Time Music Revival in Appalachian Virginia and North Carolina.” 2015. Web. 23 Sep 2020.

Vancouver:

Wood DH. A Mixed-Methods Study of Affective Difference in the Old-Time Music Revival in Appalachian Virginia and North Carolina. [Internet] [Doctoral dissertation]. Brown University; 2015. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:419474/.

Council of Science Editors:

Wood DH. A Mixed-Methods Study of Affective Difference in the Old-Time Music Revival in Appalachian Virginia and North Carolina. [Doctoral Dissertation]. Brown University; 2015. Available from: https://repository.library.brown.edu/studio/item/bdr:419474/

12. Reeder, Nicholas Clark. The Co-Evolution of Improvised Rock and Live Sound: The Grateful Dead, Phish, and Jambands.

Degree: PhD, Ethnomusicology, 2014, Brown University

 This dissertation examines the co-development of improvised rock music and live sound engineering during formative periods. It is both an extended case study of a… (more)

Subjects/Keywords: Improvised Rock

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APA (6th Edition):

Reeder, N. C. (2014). The Co-Evolution of Improvised Rock and Live Sound: The Grateful Dead, Phish, and Jambands. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:386265/

Chicago Manual of Style (16th Edition):

Reeder, Nicholas Clark. “The Co-Evolution of Improvised Rock and Live Sound: The Grateful Dead, Phish, and Jambands.” 2014. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:386265/.

MLA Handbook (7th Edition):

Reeder, Nicholas Clark. “The Co-Evolution of Improvised Rock and Live Sound: The Grateful Dead, Phish, and Jambands.” 2014. Web. 23 Sep 2020.

Vancouver:

Reeder NC. The Co-Evolution of Improvised Rock and Live Sound: The Grateful Dead, Phish, and Jambands. [Internet] [Doctoral dissertation]. Brown University; 2014. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:386265/.

Council of Science Editors:

Reeder NC. The Co-Evolution of Improvised Rock and Live Sound: The Grateful Dead, Phish, and Jambands. [Doctoral Dissertation]. Brown University; 2014. Available from: https://repository.library.brown.edu/studio/item/bdr:386265/

13. Murphy, Clifford R. New England Country & Western Music: Self-Reliance, Community Expression, and Regional Resistance on the New England Frontier.

Degree: PhD, Music. Ethnomusicology, 2008, Brown University

 This work examines New England Country & Western music as a series of frontiers that construct and reinforce regional working-class community and identity in a… (more)

Subjects/Keywords: Country & Western

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APA (6th Edition):

Murphy, C. R. (2008). New England Country & Western Music: Self-Reliance, Community Expression, and Regional Resistance on the New England Frontier. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:296/

Chicago Manual of Style (16th Edition):

Murphy, Clifford R. “New England Country & Western Music: Self-Reliance, Community Expression, and Regional Resistance on the New England Frontier.” 2008. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:296/.

MLA Handbook (7th Edition):

Murphy, Clifford R. “New England Country & Western Music: Self-Reliance, Community Expression, and Regional Resistance on the New England Frontier.” 2008. Web. 23 Sep 2020.

Vancouver:

Murphy CR. New England Country & Western Music: Self-Reliance, Community Expression, and Regional Resistance on the New England Frontier. [Internet] [Doctoral dissertation]. Brown University; 2008. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:296/.

Council of Science Editors:

Murphy CR. New England Country & Western Music: Self-Reliance, Community Expression, and Regional Resistance on the New England Frontier. [Doctoral Dissertation]. Brown University; 2008. Available from: https://repository.library.brown.edu/studio/item/bdr:296/

14. Loughran, Maureen Elizabeth. Community Powered Resistance: Radio, Music Scenes and Musical Activism in Washington, D.C.

Degree: PhD, Music. Ethnomusicology, 2008, Brown University

 This dissertation explores of various modes of musical activism within the Mount Pleasant neighborhood of Washington, D.C. Music is an important aspect of life in… (more)

Subjects/Keywords: music scenes

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APA (6th Edition):

Loughran, M. E. (2008). Community Powered Resistance: Radio, Music Scenes and Musical Activism in Washington, D.C. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:285/

Chicago Manual of Style (16th Edition):

Loughran, Maureen Elizabeth. “Community Powered Resistance: Radio, Music Scenes and Musical Activism in Washington, D.C.” 2008. Doctoral Dissertation, Brown University. Accessed September 23, 2020. https://repository.library.brown.edu/studio/item/bdr:285/.

MLA Handbook (7th Edition):

Loughran, Maureen Elizabeth. “Community Powered Resistance: Radio, Music Scenes and Musical Activism in Washington, D.C.” 2008. Web. 23 Sep 2020.

Vancouver:

Loughran ME. Community Powered Resistance: Radio, Music Scenes and Musical Activism in Washington, D.C. [Internet] [Doctoral dissertation]. Brown University; 2008. [cited 2020 Sep 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:285/.

Council of Science Editors:

Loughran ME. Community Powered Resistance: Radio, Music Scenes and Musical Activism in Washington, D.C. [Doctoral Dissertation]. Brown University; 2008. Available from: https://repository.library.brown.edu/studio/item/bdr:285/

.