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You searched for +publisher:"Bowling Green State University" +contributor:("Papanikolaou, Eftychia"). Showing records 1 – 9 of 9 total matches.

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Bowling Green State University

1. Smith, Jacob H. Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878.

Degree: MM, Music History, 2016, Bowling Green State University

 Moravian-born impresario Max Maretzek was one of the leading opera managers in nineteenth-century America, specializing in Italian opera. During his career, Maretzek highlighted three cities… (more)

Subjects/Keywords: Music; italian opera; opera management; maretzek; verdi; reception history; nineteenth century; america; reception theory; impresario; opera production; cultural studies; music history

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APA (6th Edition):

Smith, J. H. (2016). Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831

Chicago Manual of Style (16th Edition):

Smith, Jacob H. “Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878.” 2016. Masters Thesis, Bowling Green State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831.

MLA Handbook (7th Edition):

Smith, Jacob H. “Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878.” 2016. Web. 11 Nov 2019.

Vancouver:

Smith JH. Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878. [Internet] [Masters thesis]. Bowling Green State University; 2016. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831.

Council of Science Editors:

Smith JH. Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878. [Masters Thesis]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831


Bowling Green State University

2. Lowther, Gail Elizabeth. A Historical, Literary, and Musical Analysis of Francis Poulenc’s <i>Dialogues des Carmélites</i>.

Degree: MM, Music History, 2010, Bowling Green State University

  On 17 July 1794, at the height of Maximilien Robespierre’s “Reign of Terror” (1793-1794), sixteen Carmelite nuns were guillotined at the Place du Trône… (more)

Subjects/Keywords: Music; Francis Poulenc; <; i>; Dialogues des Carm&233; lites<; /i>;

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APA (6th Edition):

Lowther, G. E. (2010). A Historical, Literary, and Musical Analysis of Francis Poulenc’s <i>Dialogues des Carmélites</i>. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1273832192

Chicago Manual of Style (16th Edition):

Lowther, Gail Elizabeth. “A Historical, Literary, and Musical Analysis of Francis Poulenc’s <i>Dialogues des Carmélites</i>.” 2010. Masters Thesis, Bowling Green State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1273832192.

MLA Handbook (7th Edition):

Lowther, Gail Elizabeth. “A Historical, Literary, and Musical Analysis of Francis Poulenc’s <i>Dialogues des Carmélites</i>.” 2010. Web. 11 Nov 2019.

Vancouver:

Lowther GE. A Historical, Literary, and Musical Analysis of Francis Poulenc’s <i>Dialogues des Carmélites</i>. [Internet] [Masters thesis]. Bowling Green State University; 2010. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1273832192.

Council of Science Editors:

Lowther GE. A Historical, Literary, and Musical Analysis of Francis Poulenc’s <i>Dialogues des Carmélites</i>. [Masters Thesis]. Bowling Green State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1273832192


Bowling Green State University

3. Lent, Kathryn L. Walter Wilson Cobbett and the English Phantasy.

Degree: MM, Music History, 2008, Bowling Green State University

  Walter Wilson Cobbett (1847-1937), amateur violonist and philanthropist during the English Musical Renaissance, supported the composition and performance of chamber music in England. In… (more)

Subjects/Keywords: Music; Walter Wilson Cobbett; Phantasy; English Musical Renaissance; Developing Variation

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APA (6th Edition):

Lent, K. L. (2008). Walter Wilson Cobbett and the English Phantasy. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214153457

Chicago Manual of Style (16th Edition):

Lent, Kathryn L. “Walter Wilson Cobbett and the English Phantasy.” 2008. Masters Thesis, Bowling Green State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214153457.

MLA Handbook (7th Edition):

Lent, Kathryn L. “Walter Wilson Cobbett and the English Phantasy.” 2008. Web. 11 Nov 2019.

Vancouver:

Lent KL. Walter Wilson Cobbett and the English Phantasy. [Internet] [Masters thesis]. Bowling Green State University; 2008. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214153457.

Council of Science Editors:

Lent KL. Walter Wilson Cobbett and the English Phantasy. [Masters Thesis]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214153457


Bowling Green State University

4. Scangas, Alexis. Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song.

Degree: MM, Music History, 2018, Bowling Green State University

 Female figures are rarely prominent characters in classic literature, nor are they featured in history. Many of them are often remembered only in relation to… (more)

Subjects/Keywords: Music; History; Gender Studies; feminist; feminism; voice; opera; contemporary; song; chamber opera; music theater; song cycle; Amy Beth Kirsten; Kate Soper; Libby Larsen; Ophelia; sirens; wives of Henry VIII

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APA (6th Edition):

Scangas, A. (2018). Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522672693855537

Chicago Manual of Style (16th Edition):

Scangas, Alexis. “Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song.” 2018. Masters Thesis, Bowling Green State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522672693855537.

MLA Handbook (7th Edition):

Scangas, Alexis. “Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song.” 2018. Web. 11 Nov 2019.

Vancouver:

Scangas A. Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song. [Internet] [Masters thesis]. Bowling Green State University; 2018. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522672693855537.

Council of Science Editors:

Scangas A. Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song. [Masters Thesis]. Bowling Green State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522672693855537

5. MacRobbie, Danielle Elizabeth. An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales.

Degree: MM, Music History, 2013, Bowling Green State University

 The impact of technology upon the twentieth century and the influence it continues to exert upon the present human community is self-evident. The allure and… (more)

Subjects/Keywords: Biology; Ethics; History; Information Technology; Medical Ethics; Military History; Minority and Ethnic Groups; Music; Technology; Theology; Spirituality; Robotics; Robots; Nanotechnology; Steve Reich; Beryl Korot; Three Tales; Technology; Hindenburg zeppelin; Bikini Atoll; Cloning; electronic music; IRCAM; freeze frame sound; new music theater; Kismet; human connectedness; human isolation; technology and art; art and politics; paradox

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APA (6th Edition):

MacRobbie, D. E. (2013). An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1382368248

Chicago Manual of Style (16th Edition):

MacRobbie, Danielle Elizabeth. “An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales.” 2013. Masters Thesis, Bowling Green State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1382368248.

MLA Handbook (7th Edition):

MacRobbie, Danielle Elizabeth. “An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales.” 2013. Web. 11 Nov 2019.

Vancouver:

MacRobbie DE. An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales. [Internet] [Masters thesis]. Bowling Green State University; 2013. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1382368248.

Council of Science Editors:

MacRobbie DE. An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales. [Masters Thesis]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1382368248

6. Vincent, Michael F. Shifting Sands of Identity: Salome and Select Early Twentieth-Century Interpretations.

Degree: MM, Music History, 2010, Bowling Green State University

  Richard Strauss’s <i>Salome</i> constitutes an operatic adaptation of Oscar Wilde’s 1891 play. The popularity of this biblical account spans several hundred years with portrayals… (more)

Subjects/Keywords: Music; Salome; Richard Strauss; Maud Allan; modern dance; Orientalism; exoticism; identity; alterity

Bowling Green State University) for suggesting the Icelandic sagas as sources for… 

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APA (6th Edition):

Vincent, M. F. (2010). Shifting Sands of Identity: Salome and Select Early Twentieth-Century Interpretations. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1292720996

Chicago Manual of Style (16th Edition):

Vincent, Michael F. “Shifting Sands of Identity: Salome and Select Early Twentieth-Century Interpretations.” 2010. Masters Thesis, Bowling Green State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1292720996.

MLA Handbook (7th Edition):

Vincent, Michael F. “Shifting Sands of Identity: Salome and Select Early Twentieth-Century Interpretations.” 2010. Web. 11 Nov 2019.

Vancouver:

Vincent MF. Shifting Sands of Identity: Salome and Select Early Twentieth-Century Interpretations. [Internet] [Masters thesis]. Bowling Green State University; 2010. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1292720996.

Council of Science Editors:

Vincent MF. Shifting Sands of Identity: Salome and Select Early Twentieth-Century Interpretations. [Masters Thesis]. Bowling Green State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1292720996

7. Carson, David J. Epic <i>Tanztheater</i>: Bausch, Brecht, and Ballet Opera.

Degree: MM, Music History, 2014, Bowling Green State University

 German choreographer Pina Bausch (1940-2009) spent most of her career as the director of the Tanztheater Wuppertal dance company in Germany. She is known for… (more)

Subjects/Keywords: Music; Dance; Pina Bausch; Bertolt Brecht; opera; dance; ballet; ballet opera; Tanztheater

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Carson, D. J. (2014). Epic <i>Tanztheater</i>: Bausch, Brecht, and Ballet Opera. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399944052

Chicago Manual of Style (16th Edition):

Carson, David J. “Epic <i>Tanztheater</i>: Bausch, Brecht, and Ballet Opera.” 2014. Masters Thesis, Bowling Green State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399944052.

MLA Handbook (7th Edition):

Carson, David J. “Epic <i>Tanztheater</i>: Bausch, Brecht, and Ballet Opera.” 2014. Web. 11 Nov 2019.

Vancouver:

Carson DJ. Epic <i>Tanztheater</i>: Bausch, Brecht, and Ballet Opera. [Internet] [Masters thesis]. Bowling Green State University; 2014. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399944052.

Council of Science Editors:

Carson DJ. Epic <i>Tanztheater</i>: Bausch, Brecht, and Ballet Opera. [Masters Thesis]. Bowling Green State University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399944052

8. Hines, Jane. Reinventing Tradition: Brahms, Progress, and Basso Ostinato.

Degree: MM, Music History, 2015, Bowling Green State University

 In 1919, T. S. Eliot published "Tradition and the Individual Talent," a seminal essay in the development of early twentieth-century modernism. Eliot posited that a… (more)

Subjects/Keywords: Music; Johannes Brahms; opus 18; opus 56a; Arnold Schoenberg; Harold Bloom; anxiety of influence; Thomas Stearns Eliot; tradition and the individual talent; progress; tradition; influence; basso ostinato; passacaglia; chaconne; folia; orchestral variations

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APA (6th Edition):

Hines, J. (2015). Reinventing Tradition: Brahms, Progress, and Basso Ostinato. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399942904

Chicago Manual of Style (16th Edition):

Hines, Jane. “Reinventing Tradition: Brahms, Progress, and Basso Ostinato.” 2015. Masters Thesis, Bowling Green State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399942904.

MLA Handbook (7th Edition):

Hines, Jane. “Reinventing Tradition: Brahms, Progress, and Basso Ostinato.” 2015. Web. 11 Nov 2019.

Vancouver:

Hines J. Reinventing Tradition: Brahms, Progress, and Basso Ostinato. [Internet] [Masters thesis]. Bowling Green State University; 2015. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399942904.

Council of Science Editors:

Hines J. Reinventing Tradition: Brahms, Progress, and Basso Ostinato. [Masters Thesis]. Bowling Green State University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399942904

9. Doran, Molly Catherine. The Transformation of Pushkin's Eugene Onegin into Tchaikovsky's Opera.

Degree: MM, Music History, 2012, Bowling Green State University

 Since receiving its first performance in 1879, Pyotr Il’yich Tchaikovsky’s fifth opera, Eugene Onegin (1877-1878), has garnered much attention from both music scholars and prominent… (more)

Subjects/Keywords: History; Literature; Music; Russian History; Slavic Literature; Slavic Studies; Tchaikovsky; Pushkin; Eugene Onegin; Tatiana; novel in verse; irony; Byron; opera; transformation

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APA (6th Edition):

Doran, M. C. (2012). The Transformation of Pushkin's Eugene Onegin into Tchaikovsky's Opera. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1338408083

Chicago Manual of Style (16th Edition):

Doran, Molly Catherine. “The Transformation of Pushkin's Eugene Onegin into Tchaikovsky's Opera.” 2012. Masters Thesis, Bowling Green State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1338408083.

MLA Handbook (7th Edition):

Doran, Molly Catherine. “The Transformation of Pushkin's Eugene Onegin into Tchaikovsky's Opera.” 2012. Web. 11 Nov 2019.

Vancouver:

Doran MC. The Transformation of Pushkin's Eugene Onegin into Tchaikovsky's Opera. [Internet] [Masters thesis]. Bowling Green State University; 2012. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1338408083.

Council of Science Editors:

Doran MC. The Transformation of Pushkin's Eugene Onegin into Tchaikovsky's Opera. [Masters Thesis]. Bowling Green State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1338408083

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