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You searched for +publisher:"Bowling Green State University" +contributor:("Hershberger, Andrew"). Showing records 1 – 17 of 17 total matches.

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Bowling Green State University

1. Eccleston, Laura Phyllis. The Art of Money in the Weimar Republic: German Notgeld 1921 – 1923.

Degree: MA, Art/Art History, 2011, Bowling Green State University

 Following the conclusion of World War I, Germany’s economic crisis stretched the imaginations of both artists and bankers. While artists sought to express the pain… (more)

Subjects/Keywords: Art History; Notgeld; Weimar Republic; German Visual Culture

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APA (6th Edition):

Eccleston, L. P. (2011). The Art of Money in the Weimar Republic: German Notgeld 1921 – 1923. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308537043

Chicago Manual of Style (16th Edition):

Eccleston, Laura Phyllis. “The Art of Money in the Weimar Republic: German Notgeld 1921 – 1923.” 2011. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308537043.

MLA Handbook (7th Edition):

Eccleston, Laura Phyllis. “The Art of Money in the Weimar Republic: German Notgeld 1921 – 1923.” 2011. Web. 27 Sep 2020.

Vancouver:

Eccleston LP. The Art of Money in the Weimar Republic: German Notgeld 1921 – 1923. [Internet] [Masters thesis]. Bowling Green State University; 2011. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308537043.

Council of Science Editors:

Eccleston LP. The Art of Money in the Weimar Republic: German Notgeld 1921 – 1923. [Masters Thesis]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308537043


Bowling Green State University

2. Jones, Russell M. IS GRAFFITI ART?.

Degree: MA, Art/Art History, 2007, Bowling Green State University

 I used primary and secondary interviews with graffiti writers in this thesis. My art historical approach differed from previous writers who have used mainly anthropological… (more)

Subjects/Keywords: Graffiti; Art; Getting Up; Illegal; Legal; Graffiti is not Art

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APA (6th Edition):

Jones, R. M. (2007). IS GRAFFITI ART?. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1174896719

Chicago Manual of Style (16th Edition):

Jones, Russell M. “IS GRAFFITI ART?.” 2007. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1174896719.

MLA Handbook (7th Edition):

Jones, Russell M. “IS GRAFFITI ART?.” 2007. Web. 27 Sep 2020.

Vancouver:

Jones RM. IS GRAFFITI ART?. [Internet] [Masters thesis]. Bowling Green State University; 2007. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1174896719.

Council of Science Editors:

Jones RM. IS GRAFFITI ART?. [Masters Thesis]. Bowling Green State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1174896719


Bowling Green State University

3. Fardy, Jonathan R. Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text.

Degree: MA, Art/Art History, 2008, Bowling Green State University

 In the October, 1922 edition of the Surrealist journal Littérature, Man Ray and Marcel Duchamp published a collaborative work consisting of a photograph of Duchamp’s… (more)

Subjects/Keywords: Art History; Man Ray; Marcel Duchamp; Photo-text; deconstruction

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APA (6th Edition):

Fardy, J. R. (2008). Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1196371696

Chicago Manual of Style (16th Edition):

Fardy, Jonathan R. “Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text.” 2008. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1196371696.

MLA Handbook (7th Edition):

Fardy, Jonathan R. “Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text.” 2008. Web. 27 Sep 2020.

Vancouver:

Fardy JR. Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text. [Internet] [Masters thesis]. Bowling Green State University; 2008. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1196371696.

Council of Science Editors:

Fardy JR. Double Vision: Reviewing Man Ray and Marcel Duchamp's 1920 Photo-Text. [Masters Thesis]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1196371696


Bowling Green State University

4. Vasu, Casandra. Dyeing Sutton Hoo Nordic Blonde: An Interpretation of Swedish Influences on the East Anglian Gravesite.

Degree: MA, Art/Art History, 2008, Bowling Green State University

  Nearly seventy years have passed since the series of tumuli surrounding Edith Pretty's estate at Sutton Hoo in Eastern Suffolk, England were first excavated,… (more)

Subjects/Keywords: Archaeology; Art History; English literature; Folklore; Icelandic &; Scandinavian literature; Literature; Beowulf; Vendel; Sutton Hoo; Ship-Burial; Scylding; Scylfing; Wuffing

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APA (6th Edition):

Vasu, C. (2008). Dyeing Sutton Hoo Nordic Blonde: An Interpretation of Swedish Influences on the East Anglian Gravesite. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1208311061

Chicago Manual of Style (16th Edition):

Vasu, Casandra. “Dyeing Sutton Hoo Nordic Blonde: An Interpretation of Swedish Influences on the East Anglian Gravesite.” 2008. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1208311061.

MLA Handbook (7th Edition):

Vasu, Casandra. “Dyeing Sutton Hoo Nordic Blonde: An Interpretation of Swedish Influences on the East Anglian Gravesite.” 2008. Web. 27 Sep 2020.

Vancouver:

Vasu C. Dyeing Sutton Hoo Nordic Blonde: An Interpretation of Swedish Influences on the East Anglian Gravesite. [Internet] [Masters thesis]. Bowling Green State University; 2008. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1208311061.

Council of Science Editors:

Vasu C. Dyeing Sutton Hoo Nordic Blonde: An Interpretation of Swedish Influences on the East Anglian Gravesite. [Masters Thesis]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1208311061


Bowling Green State University

5. Johnston, Christopher F. Performing Blackness at the Heart of Whiteness: The Life and Art of Jean-Michel Basquiat.

Degree: PhD, American Culture Studies/Ethnic Studies, 2008, Bowling Green State University

  Born in Brooklyn, New York in 1960 to a Haitian father and a Puerto Rican mother, Jean-Michel Basquiat rose to prominence as a painter… (more)

Subjects/Keywords: African Americans; American Studies; Art History; African American Art; Jean-Michel Basquiat

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APA (6th Edition):

Johnston, C. F. (2008). Performing Blackness at the Heart of Whiteness: The Life and Art of Jean-Michel Basquiat. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1208873492

Chicago Manual of Style (16th Edition):

Johnston, Christopher F. “Performing Blackness at the Heart of Whiteness: The Life and Art of Jean-Michel Basquiat.” 2008. Doctoral Dissertation, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1208873492.

MLA Handbook (7th Edition):

Johnston, Christopher F. “Performing Blackness at the Heart of Whiteness: The Life and Art of Jean-Michel Basquiat.” 2008. Web. 27 Sep 2020.

Vancouver:

Johnston CF. Performing Blackness at the Heart of Whiteness: The Life and Art of Jean-Michel Basquiat. [Internet] [Doctoral dissertation]. Bowling Green State University; 2008. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1208873492.

Council of Science Editors:

Johnston CF. Performing Blackness at the Heart of Whiteness: The Life and Art of Jean-Michel Basquiat. [Doctoral Dissertation]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1208873492

6. Postlewait, Mariah A. Miniatures Matter: Agency and Affect in Photographs by Lori Nix.

Degree: MA, Art/Art History, 2014, Bowling Green State University

 Recent anthropological theory suggests that miniatures have a powerful role in affecting human perception and identity formation. Likewise, photographs have long been acknowledged as having… (more)

Subjects/Keywords: Art History; Fine Arts; ART HISTORY; LORI NIX; PHOTOGRAPHY; MINIATURES; OBJECT AGENCY THEORY; MINIATURIZATION THEORY; AFFECT THEORY; THE CITY

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APA (6th Edition):

Postlewait, M. A. (2014). Miniatures Matter: Agency and Affect in Photographs by Lori Nix. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395676896

Chicago Manual of Style (16th Edition):

Postlewait, Mariah A. “Miniatures Matter: Agency and Affect in Photographs by Lori Nix.” 2014. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395676896.

MLA Handbook (7th Edition):

Postlewait, Mariah A. “Miniatures Matter: Agency and Affect in Photographs by Lori Nix.” 2014. Web. 27 Sep 2020.

Vancouver:

Postlewait MA. Miniatures Matter: Agency and Affect in Photographs by Lori Nix. [Internet] [Masters thesis]. Bowling Green State University; 2014. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395676896.

Council of Science Editors:

Postlewait MA. Miniatures Matter: Agency and Affect in Photographs by Lori Nix. [Masters Thesis]. Bowling Green State University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395676896

7. Wexler, Thomas. Collective Expressions: The Barnes Foundation and Philadelphia.

Degree: MA, American Culture Studies, 2013, Bowling Green State University

 In three chapters I propose to show that the American art collector Dr. Albert Coombs Barnes simultaneously amassed a major collection of modern European and… (more)

Subjects/Keywords: Aesthetics; American Studies; Art History; Art; Art History; American Culture Studies; American Studies; Modern Art; Matisse; Modigliani; Picasso; The Barnes Foundation; The Harlem Renaissance

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APA (6th Edition):

Wexler, T. (2013). Collective Expressions: The Barnes Foundation and Philadelphia. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383558977

Chicago Manual of Style (16th Edition):

Wexler, Thomas. “Collective Expressions: The Barnes Foundation and Philadelphia.” 2013. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383558977.

MLA Handbook (7th Edition):

Wexler, Thomas. “Collective Expressions: The Barnes Foundation and Philadelphia.” 2013. Web. 27 Sep 2020.

Vancouver:

Wexler T. Collective Expressions: The Barnes Foundation and Philadelphia. [Internet] [Masters thesis]. Bowling Green State University; 2013. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383558977.

Council of Science Editors:

Wexler T. Collective Expressions: The Barnes Foundation and Philadelphia. [Masters Thesis]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383558977

8. Gorman, Caitlin Marie. Yasumasa Morimura: Appropriator of Images, Cultures, and Identities.

Degree: MA, Art/Art History, 2013, Bowling Green State University

 Japanese contemporary photographer Yasumasa Morimura (b. 1951) appropriates Western imagery from art history, film, and media, recreating the scenes by inserting his own male Asian… (more)

Subjects/Keywords: Art History; Asian Studies; Yasumasa Morimura; Appropriation; Contemporary art; Photography; Post-colonial; Feminist; Self-Portraiture; Identity; Gender performance; Edouard Manet; Marcel Duchamp; Frida Kahlo

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APA (6th Edition):

Gorman, C. M. (2013). Yasumasa Morimura: Appropriator of Images, Cultures, and Identities. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363520942

Chicago Manual of Style (16th Edition):

Gorman, Caitlin Marie. “Yasumasa Morimura: Appropriator of Images, Cultures, and Identities.” 2013. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363520942.

MLA Handbook (7th Edition):

Gorman, Caitlin Marie. “Yasumasa Morimura: Appropriator of Images, Cultures, and Identities.” 2013. Web. 27 Sep 2020.

Vancouver:

Gorman CM. Yasumasa Morimura: Appropriator of Images, Cultures, and Identities. [Internet] [Masters thesis]. Bowling Green State University; 2013. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363520942.

Council of Science Editors:

Gorman CM. Yasumasa Morimura: Appropriator of Images, Cultures, and Identities. [Masters Thesis]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363520942

9. Gaier, Samantha. Interior Decoration as Fine Art: Rachel Feinstein and <i>The Sorbet Room</i>, 2001.

Degree: MA, Art/Art History, 2013, Bowling Green State University

 Rachel Feinstein, wife of figure painter John Currin and mother of three also works as a fine artist. Primarily a sculptor and installation artist, Feinstein… (more)

Subjects/Keywords: Aesthetics; Architectural; Architecture; Art Criticism; Art History; Interior Design; Womens Studies; Fine Arts; European History; Design; Rachel Feinstein; Art History; Sorbet Room; Rococo, Baroque; sculpture; interior decoration; John Currin; installation; site specific; fashion; art; interior design; architecture; Germany; fairy tales; contemporary; feminist theory; gender; identity

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APA (6th Edition):

Gaier, S. (2013). Interior Decoration as Fine Art: Rachel Feinstein and <i>The Sorbet Room</i>, 2001. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363604230

Chicago Manual of Style (16th Edition):

Gaier, Samantha. “Interior Decoration as Fine Art: Rachel Feinstein and <i>The Sorbet Room</i>, 2001.” 2013. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363604230.

MLA Handbook (7th Edition):

Gaier, Samantha. “Interior Decoration as Fine Art: Rachel Feinstein and <i>The Sorbet Room</i>, 2001.” 2013. Web. 27 Sep 2020.

Vancouver:

Gaier S. Interior Decoration as Fine Art: Rachel Feinstein and <i>The Sorbet Room</i>, 2001. [Internet] [Masters thesis]. Bowling Green State University; 2013. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363604230.

Council of Science Editors:

Gaier S. Interior Decoration as Fine Art: Rachel Feinstein and <i>The Sorbet Room</i>, 2001. [Masters Thesis]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363604230

10. Hobert, Emilie Adele. Antoni Tapies and Ramon Llull: Towards a Modern Art of Combination.

Degree: MA, Art/Art History, 2012, Bowling Green State University

 The works of Spanish artist Antoni Tapies (1923-2012) draw heavily from the themes of the Spanish Civil War and the Catalan region. These topics have… (more)

Subjects/Keywords: Art History; Antoni Tapies; Ramon Llull; art of combination; ars combinatoria; Reality; secural religion; untranscendental mysticism

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APA (6th Edition):

Hobert, E. A. (2012). Antoni Tapies and Ramon Llull: Towards a Modern Art of Combination. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1334003184

Chicago Manual of Style (16th Edition):

Hobert, Emilie Adele. “Antoni Tapies and Ramon Llull: Towards a Modern Art of Combination.” 2012. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1334003184.

MLA Handbook (7th Edition):

Hobert, Emilie Adele. “Antoni Tapies and Ramon Llull: Towards a Modern Art of Combination.” 2012. Web. 27 Sep 2020.

Vancouver:

Hobert EA. Antoni Tapies and Ramon Llull: Towards a Modern Art of Combination. [Internet] [Masters thesis]. Bowling Green State University; 2012. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1334003184.

Council of Science Editors:

Hobert EA. Antoni Tapies and Ramon Llull: Towards a Modern Art of Combination. [Masters Thesis]. Bowling Green State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1334003184

11. Miller, Shelby E. <p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>.

Degree: MA, Art/Art History, 2017, Bowling Green State University

  The works, doctrine, and persona of Paul Cézanne (1839-1906) have all heavily influenced successive generations of artists from both the modern and contemporary eras.… (more)

Subjects/Keywords: Art Criticism; Art History; Fine Arts; History; Museums; Museum Studies; Art; Art History; Modern Art; Contemporary Art; Impressionism; Post-Impressionism; Abstract Expressionism; The New York School; Public Art; Graffiti; Street Art; Painting; Paul Cezanne; Marcel Duchamp; Clyfford Still; Banksy

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APA (6th Edition):

Miller, S. E. (2017). <p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149471175808765

Chicago Manual of Style (16th Edition):

Miller, Shelby E. “<p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>.” 2017. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149471175808765.

MLA Handbook (7th Edition):

Miller, Shelby E. “<p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>.” 2017. Web. 27 Sep 2020.

Vancouver:

Miller SE. <p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>. [Internet] [Masters thesis]. Bowling Green State University; 2017. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149471175808765.

Council of Science Editors:

Miller SE. <p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>. [Masters Thesis]. Bowling Green State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149471175808765

12. Stricker, Kirsten E. The Absence That Is Present: Civil War Photography. 1862-2015.

Degree: MA, Art/Art History, 2017, Bowling Green State University

 In 1862, Alexander Gardner captured some of the best-known photographs of the Civil War at Antietam. Since then his photographs have been part of a… (more)

Subjects/Keywords: American History; Art History; Fine Arts; Alexander Gardner; Sally Mann; David Levene; photography; rephotographs; Civil War; Civil War photography; Antietam; absence; photographs; Civil War photographs; rephotography; Civil War rephotography; Civil War rephotographs

Bowling Green State University opens a chapter about historic locations and museums in much the… 

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APA (6th Edition):

Stricker, K. E. (2017). The Absence That Is Present: Civil War Photography. 1862-2015. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491567573460185

Chicago Manual of Style (16th Edition):

Stricker, Kirsten E. “The Absence That Is Present: Civil War Photography. 1862-2015.” 2017. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491567573460185.

MLA Handbook (7th Edition):

Stricker, Kirsten E. “The Absence That Is Present: Civil War Photography. 1862-2015.” 2017. Web. 27 Sep 2020.

Vancouver:

Stricker KE. The Absence That Is Present: Civil War Photography. 1862-2015. [Internet] [Masters thesis]. Bowling Green State University; 2017. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491567573460185.

Council of Science Editors:

Stricker KE. The Absence That Is Present: Civil War Photography. 1862-2015. [Masters Thesis]. Bowling Green State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491567573460185

13. Spangler, Ashley Kay. Hon's Anatomy: The Heart of Niki de Saint Phalle's Oeuvre.

Degree: MA, Art/Art History, 2019, Bowling Green State University

 Niki de Saint Phalle (1930-2002) was an accomplished French-American artist who worked during the latter half of the twentieth century. She worked in a variety… (more)

Subjects/Keywords: Art History; Niki de Saint Phalle; Hon; Hon – en katedral; performance theory; modern art; art; sculpture; installation; chronology; timeline; Saint Phalle

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APA (6th Edition):

Spangler, A. K. (2019). Hon's Anatomy: The Heart of Niki de Saint Phalle's Oeuvre. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555591478935112

Chicago Manual of Style (16th Edition):

Spangler, Ashley Kay. “Hon's Anatomy: The Heart of Niki de Saint Phalle's Oeuvre.” 2019. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555591478935112.

MLA Handbook (7th Edition):

Spangler, Ashley Kay. “Hon's Anatomy: The Heart of Niki de Saint Phalle's Oeuvre.” 2019. Web. 27 Sep 2020.

Vancouver:

Spangler AK. Hon's Anatomy: The Heart of Niki de Saint Phalle's Oeuvre. [Internet] [Masters thesis]. Bowling Green State University; 2019. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555591478935112.

Council of Science Editors:

Spangler AK. Hon's Anatomy: The Heart of Niki de Saint Phalle's Oeuvre. [Masters Thesis]. Bowling Green State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555591478935112

14. Isenogle, Melanie R. Anna Atkins: Catalyst of Modern Photography Through The First Photobook.

Degree: MA, Art/Art History, 2019, Bowling Green State University

 Anna Atkins (1799-1871) was a botanist first and a photographer second. Dedicating the majority of her life to the study of British botanicals, Atkins initially… (more)

Subjects/Keywords: Art History; Fine Arts; History; Atkins; Cyanotype; Photography; Photobook; Anna; Alternative; Photo

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APA (6th Edition):

Isenogle, M. R. (2019). Anna Atkins: Catalyst of Modern Photography Through The First Photobook. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522796885194359

Chicago Manual of Style (16th Edition):

Isenogle, Melanie R. “Anna Atkins: Catalyst of Modern Photography Through The First Photobook.” 2019. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522796885194359.

MLA Handbook (7th Edition):

Isenogle, Melanie R. “Anna Atkins: Catalyst of Modern Photography Through The First Photobook.” 2019. Web. 27 Sep 2020.

Vancouver:

Isenogle MR. Anna Atkins: Catalyst of Modern Photography Through The First Photobook. [Internet] [Masters thesis]. Bowling Green State University; 2019. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522796885194359.

Council of Science Editors:

Isenogle MR. Anna Atkins: Catalyst of Modern Photography Through The First Photobook. [Masters Thesis]. Bowling Green State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522796885194359

15. Landis, Tamra R. How a Successful Collecting Society Can Transform an Art Museum: A History of The Georgia Welles Apollo Society at the Toledo Museum of Art.

Degree: MA, Art/Art History, 2018, Bowling Green State University

 Successful collecting societies transform museums through the expansion and strengthening of an institution’s permanent collection. The Georgia Welles Apollo Society at the Toledo Museum of… (more)

Subjects/Keywords: Art History; Fine Arts; Museum Studies; Museums; History; The Georgia Welles Apollo Society; Toledo Museum of Art; collecting society; art museums; collections; global contemporary art; contemporary art; ancient art; oral history; art acquisition; collecting practices; collection growth; patrons; curators

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Landis, T. R. (2018). How a Successful Collecting Society Can Transform an Art Museum: A History of The Georgia Welles Apollo Society at the Toledo Museum of Art. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522759729069838

Chicago Manual of Style (16th Edition):

Landis, Tamra R. “How a Successful Collecting Society Can Transform an Art Museum: A History of The Georgia Welles Apollo Society at the Toledo Museum of Art.” 2018. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522759729069838.

MLA Handbook (7th Edition):

Landis, Tamra R. “How a Successful Collecting Society Can Transform an Art Museum: A History of The Georgia Welles Apollo Society at the Toledo Museum of Art.” 2018. Web. 27 Sep 2020.

Vancouver:

Landis TR. How a Successful Collecting Society Can Transform an Art Museum: A History of The Georgia Welles Apollo Society at the Toledo Museum of Art. [Internet] [Masters thesis]. Bowling Green State University; 2018. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522759729069838.

Council of Science Editors:

Landis TR. How a Successful Collecting Society Can Transform an Art Museum: A History of The Georgia Welles Apollo Society at the Toledo Museum of Art. [Masters Thesis]. Bowling Green State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522759729069838


Bowling Green State University

16. Jambard-Sweet, Carolyn Jill. CARTE-DE-VISTE CULTURE IN MANCHESTER NH: A CASE STUDY.

Degree: MA, Art/Art History, 2006, Bowling Green State University

 With little existing scholarship of cartes-de-visite, they are largely written off within the history of photography as consumer-driven commodities rather than artistic objects. Even though… (more)

Subjects/Keywords: Art History; carte-de-visite; 19th century photography; Manchester; New Hampshire; Stephen Piper; Lyman W. Colby

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jambard-Sweet, C. J. (2006). CARTE-DE-VISTE CULTURE IN MANCHESTER NH: A CASE STUDY. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1162753708

Chicago Manual of Style (16th Edition):

Jambard-Sweet, Carolyn Jill. “CARTE-DE-VISTE CULTURE IN MANCHESTER NH: A CASE STUDY.” 2006. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1162753708.

MLA Handbook (7th Edition):

Jambard-Sweet, Carolyn Jill. “CARTE-DE-VISTE CULTURE IN MANCHESTER NH: A CASE STUDY.” 2006. Web. 27 Sep 2020.

Vancouver:

Jambard-Sweet CJ. CARTE-DE-VISTE CULTURE IN MANCHESTER NH: A CASE STUDY. [Internet] [Masters thesis]. Bowling Green State University; 2006. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1162753708.

Council of Science Editors:

Jambard-Sweet CJ. CARTE-DE-VISTE CULTURE IN MANCHESTER NH: A CASE STUDY. [Masters Thesis]. Bowling Green State University; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1162753708


Bowling Green State University

17. Myers, Cerise. BETWEEN THE FOLLY AND THE IMPOSSIBILITY OF SEEING: ORLAN, RECLAIMING THE GAZE.

Degree: MA, Art/Art History, 2006, Bowling Green State University

 The male gaze of Western art history objectifies women, projects standards of beauty and femininity and negates an individual identity by replacing it with its… (more)

Subjects/Keywords: Art History; Orlan; Beauty; Carnal Art; Body Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Myers, C. (2006). BETWEEN THE FOLLY AND THE IMPOSSIBILITY OF SEEING: ORLAN, RECLAIMING THE GAZE. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143500239

Chicago Manual of Style (16th Edition):

Myers, Cerise. “BETWEEN THE FOLLY AND THE IMPOSSIBILITY OF SEEING: ORLAN, RECLAIMING THE GAZE.” 2006. Masters Thesis, Bowling Green State University. Accessed September 27, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143500239.

MLA Handbook (7th Edition):

Myers, Cerise. “BETWEEN THE FOLLY AND THE IMPOSSIBILITY OF SEEING: ORLAN, RECLAIMING THE GAZE.” 2006. Web. 27 Sep 2020.

Vancouver:

Myers C. BETWEEN THE FOLLY AND THE IMPOSSIBILITY OF SEEING: ORLAN, RECLAIMING THE GAZE. [Internet] [Masters thesis]. Bowling Green State University; 2006. [cited 2020 Sep 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143500239.

Council of Science Editors:

Myers C. BETWEEN THE FOLLY AND THE IMPOSSIBILITY OF SEEING: ORLAN, RECLAIMING THE GAZE. [Masters Thesis]. Bowling Green State University; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143500239

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