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Author
Title Suddenly, I Didn't Want to Die
URL
Publication Date
Degree MFA
Discipline/Department College of the Arts / School of Art
Degree Level masters
University/Publisher Kent State University
Abstract Suddenly I Didn’t Want to Die is a visual documentation of an individual experiencing war. The body of work contains four sculptures, thematically connected that investigate the artist’s perspective from his involvement in the war in Iraq. Excerpts from his personal journal begin the thesis and help establish the psychological mindset he was in during the war and shortly after. Deibel explores his experiences through 3-Dimensional forms that help to visually explain personal struggle. The sculptures presented represent a timeline of events supporting each other’s cathartic references through visual cues. The works are all connected through one man’s experience but reach a broad audience through accessible, recognizable forms.
Subjects/Keywords Armed Forces; Art Criticism; Art History; Fine Arts; sculpture; 3D art; dog tags; personnel identification tags; barbed wire; cow dung; operation Iraqi freedom; operation enduring freedom; Marine Corps; USMC; veteran; veteran artist; war; Iraq; Afghanistan; casualties; catharsis;
Contributors Farnsworth, Isabel (Advisor); O'keeffe, Paul (Committee Chair)
Language en
Rights unrestricted ; This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.
Country of Publication us
Format application/pdf
Record ID oai:etd.ohiolink.edu:kent1447960178
Repository ohiolink
Date Retrieved
Date Indexed 2018-02-20
Grantor Kent State University

Sample Search Hits | Sample Images | Cited Works

…ال غد‬, (I Would Trade One Thousand Tomorrows to Have Back a Single Yesterday), Summation. This piece is placed diagonally in the foyer of the gallery visually leading the viewer into the space. The smell of cow dung saturates the air in the…

…through the exhibit is a free standing structure wrapped in barbed wire with stacks of small piles of cow dung. The structure is made of steel shelving that is rusted throughout. The smell of organic material is fragrant. The last piece of Suddenly, I…

…anonymity. There is a row of 9 circular shapes filled with cow dung topped with 8 panes of glass. Numerology is important to my practice, and nearly every major work of mine incorporates it The 9 shapes reference the years that the US was involved in the war…

dung. Cow dung and animal dung has been used for millennia as a fuel source in certain cultures. Much of the Iraqi population lives in the outskirts of cities, sometimes out of reach of electricity and running water. Of the 15 villages I patrolled, none…

…chai. They cooked on earthen stoves fueled by what was readily available usually paper, trash and predominantly cow dung. These smells saturated the villages as we walked the streets wearing night vision goggles. They were comfortable with our presence…

…and ignored our movements. My first encounter with locals using cow dung was when I was on a vehicle patrol in a small village north east of Fallujah. Most of the military men supporting the mission rarely spent time separating themselves from the role…

…7 structures that seemed out of place. I learned later that the structures, which spiraled around were made of cow dung. The structures were fuel storage piles, akin to wood piles seen in this country. They generally stood about 6 foot wide and were…

…influenced me after I separated from the Marines. It spurred my use of dung. Cow dung becomes a symbol for me that relates back to Iraqi women working in the hot sun while fabricating small cow dung patties. It is perhaps due to my outsider's perspective…

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