Full Record

New Search | Similar Records

Author
Title The Ordering of Schumann's Symphonic Etudes, Op.13: Incorporating the Posthumous Variations
URL
Publication Date
Date Accessioned
Discipline/Department Music, Moores School of
University/Publisher University of Houston
Abstract The ordering of movements in Schumann’s Symphonic Etudes is a question that pianists have yet to fully resolve. This problem is a result of decisions that Schumann made when he wrote, revised, and edited different versions of the Etudes during the course of eighteen years (1834-52). Previous writers have not addressed the structural differences between the versions and have not dealt with the issue of incorporating the posthumous variations in performance. This essay first surveys the compositional history of the Symphonic Etudes and compares the various orderings that Schumann arranged, placing the posthumous variations back into their original context. Next, it analyzes and identifies the topics and characters of the individual variations, followed by a narrative analysis of Schumann’s own two representative orderings, Fantaisies et finale and XII Études Symphoniques. The difference of the two versions lies in how the overall structure is defined and the strategic changes in where the shift to D-flat major occurs. In the Fantaisies et finale, the overall structure is determined by the character of individual pieces and the shift to D-flat major occurs in the finale. In the XII Études Symphoniques, the structure is determined by the key of pieces. The work as a whole projects a more dynamic harmonic progression, i-III-v-I. Later pianists might incorporate the posthumous variations accordingly. Finally, several representative orderings of later pianists illustrate the strategy.
Subjects/Keywords Symphonic Etudes; Fantaisies et finale; Schumann; Posthumous Variations; Music
Contributors Koozin, Timothy (advisor); Hester, Timothy (committee member); Simon, Abbey (committee member); Sposato, Jeffrey S. (committee member)
Language en
Rights The author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s).
Country of Publication us
Record ID handle:10657/1114
Repository houston
Date Retrieved
Date Indexed 2019-01-09
Note [department] Music, Moores School of;

Sample Images | Cited Works

.